Poetry Commons^™

Let Me Be Myself, Brandon Stettenbenz

Capstone Projects and Master's Theses

Let Me Be Myself is a collection of short stories, essays, oral history, and poems that deals with generational trauma, history, traveling, family, war, oppression, and healing. This project serves to inform, evoke understanding, lend perspective, and inspire others. It aims to help others understand the trauma of being born from a Holocaust surviving family, and its impact on somebody in modern day society. It explores the story of a first, second, and third generation Holocaust refugee. It connects a timeline of eighty years of trauma through violence and oppression, and a pursuit to find healing from Nazi Germany.

The Stories We Tell, Daniella Cornejo, Daniel Penuela, Stacey Leon, Audrey Ashami Hammond, Guillermo Gonzalez, Laura Mejia, Jordyn Patterson, Luisa Valle, Mirian Melendez, Nicole Hernandez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

These voices you will hear in this edition of First Gen Voices were crafted and cultivated in a summer trip to the Dominican Republic, where our writers had the opportunity to workshop and reflect on their experiences being first-generation. The purpose? To share their work, mind, and feelings about the struggles and incredible experiences they have made. It is their strength, resilience, and love. Enjoy.

Winter’S Last Gasp, Panteha Sanati Zaker

Bridgewater Review

No abstract provided.

Amjambo Africa! (November 2019), Kathreen Harrison

Amjambo Africa!

In This Issue...

Palaver Strings.........................Page 2

Elections ..................................Page 3

Asylum Seeker Update..........Page 3

Mainers Prepare for Winter Page 13

Namory Keita .......................Page 19

What Is A Viola?, Madison R. Sidle

Student Publications

A viola is a string instrument similar to a violin but larger in size,

producing a deeper sound to compliment the arrangement.

Two curled holes, allowing some light inside

the hallowed body, just delicate enough to float,

perched under the chin of its commander. [excerpt]

Fake News Poetry Workshop As Radical Digital Media Literacy: It’S For The Thing We’Re Not Yet,, Alexandra Juhasz

Publications and Research

One of 17 saddle stitched pamphlets + custom designed box

What does pedagogy mean to your writing practice? How do your poetics intersect with your pedagogy and education commitments? We invited participants to join together to think about the inventive and urgent possibilities of intertwined poetic-pedagogical work. What might emerge differently when we bring them together?

Urgent Possibilities, Writings on Feminist Poetics & Emergent Pedagogies grew out of the Feminist Poetics, Emergent Pedagogies Symposium organized by Andrea Quaid and Margaret Rhee. The publication collects work by symposium participants with documents and elaborations, including poems, poetic tracts, essays, workshop plans, and …

Akron Poetry Catalog And Reader September 2019, University Of Akron Press

University of Akron Press Publications

In our mobile-sized poetry catalog and reader, you can read poems from new books by Oliver de la Paz, Joshua Harmon, Brittany Cavallaro, Krystal Languell, Tyler Mills, Caryl Pagel, Emily Rosko, Emilia Phillips, Aimée Baker, Anne Barngrover, Matthew Guenette, Leslie Harrison, Sandra Simonds, Philip Metres, and Jennifer Moore.

Amjambo Africa! (October 2019), Kathreen Harrison

Amjambo Africa!

In This issue...

Lewiston ..................................Page 2

Mana Abdi

Lewiston High School

Lewiston Adult Education

African Gala.............................Page 9

Candidates Talk Issues ...Page 10/11

Ua12/2/2 2019 Talisman: Balance, Wku Student Affairs

WKU Archives Records

2019 Talisman yearbook.

• Mohr, Olivia. Balance
• Lunte, Hailee. That Warm Feeling Autumn Took from Me
• Dozer, Claire. Mother Load – Savannah Ranney
• Hubbs, Annalee. Tap After Hours – Dance
• Lancaster, Emily. Opposites Attract – Maddie Rediker & Cameron Blankenship
• Jones, Sydney. Delving into the Dirty – Taylor Gossage, Lion’s Den
• Chu, Phi. Snow Song
• Gordon, Zora. Spells & Spirit – Kristen Dalby, Witchcraft
• Powers, Noah. What is Left – Kelly Meredith, Identity Theft
• Aklilu, Bethel. Uprooting – International Students
• Steffey, Raegan. The Dirty Art Kids
• Dieudonne, Nadia. Self Starteres – Entrepreneurs
• Bass, Morgan. Young & Partisan – Politics
• Powers, Noah. …

Dungeons And Drafting, Talitha Greaver, Paige Doland

Honors Expanded Learning Clubs

No abstract provided.

As Aschenbach ('Who Setting Out To Voyage Must Have Imagined Which Shores To Avoid'), Mark Anthony Cayanan

English Faculty Publications

The poem is part of a manuscript I am currently working on, which is my attempt to project a mode of disclosure, even as the method of composition, involving the liberal extraction and combination of passages from several urtexts, works against this seeming tonality. The poem loosely channels the consciousness of Gustav von Aschenbach. Among the intertexts I've used are Death in Venice by Thomas Mann, translated by Stanley Appelbaum

Earth: "Un-Human Me", Hakim Mohandas Amani Williams

Peace and Justice Studies Faculty Publications

He took a rib from your side and made others.

So you considered Others your children, forever.

He told you to go forth and produce and multiply so you made capitalism.

He told you to go forth and conquer and pillage and mark your name and plant your flag where-ever you wanted.

So now the moon is yours. Jupiter, beware! [excerpt]

A Second Troy, Rob Keim

CLAMANTIS: The MALS Journal

No abstract provided.

Oxidation, Rob Keim

CLAMANTIS: The MALS Journal

No abstract provided.

Amjambo Africa! (September 2019), Kathreen Harrison

Amjambo Africa!

In This Issue... Maine’s Way of Life................Page 9

ILAP Statement ....................Page 16

'Art' They Can't See, Lines, Anatomy Of Decomposing, October On Danford Creek, Wing Bone, And Taxidermy, Kailyn J. Dekker

The Hilltop Review

The following document includes a selection and submission for the Hilltop Review. Within the file the reader will find five (5) poems and one (1) micro fiction piece. The poems are titled 'Art' They Can't See, Lines, Anatomy of Decomposing, October on Danford Creek, and Wing Bone. These poems incorporate darkness, illness, social issues, and a manifestation and exploration of the human condition. The Microfiction text titled Taxidermy, details the interaction between two siblings showcasing the younger sister's mental illness by detailing the delusional and obsessive behavior of this character.

These texts have been workshopped …

The Conflicts That Pave The Way For Peace: Lebanese Poet And Philosopher Mikhail Naimy, Suha Naimy

The Journal of Social Encounters

Mikhail Naimy is a twentieth century Lebanese author and philosopher whose writings verge towards the mystical and the metaphysical. Naimy’s philosophy is a synthesis of his own life conflicts and his built premises and drawn conclusions that trivialize materialism, following the steps of Christ. Among Naimy’s first conflicts was leaving of his hometown Baskinta and its highland Shakhroub for Nazareth to continue his education, and the estrangement he felt that was alleviated by a touch of God. Some of the other conflicts in Naimy’s life were the love affairs that yielded to the understanding that true love should be beyond …

Poems From 'I Look At My Body And See The Source Of My Shame: Ecstasy Facsimile ('My Favorite Saint Tells Me I Complain Too Often About My Soul's Shortcomings' And 'We Own None Of It'), Mark Anthony Cayanan

English Faculty Publications

The poems are part of a manuscript I'm currently working on, which is my attempt to project a mode of disclosure, even as the method of composition--which involves the liberal extraction and combination of passages from several intertexts--works against this seeming tonality. The poems contain passages from The Life of Saint Teresa of vila (1957) by herself, translated by J. M. Cohen.

Dark Purple Woods, Xiuqi Huang

CLAMANTIS: The MALS Journal

No abstract provided.

New Bruises, Katelyn Aquilo

University of New Orleans Theses and Dissertations

The following manuscript is a collection of poetry based on experiences. Religious hypocrisy and abuse thread throughout the collection with both first hand experiences and fictional ones. It is divided into three parts: the hometown, the bodily abuse, and then, finally, the religion.

From Creative Writing To A Self’S Liberation: A Monologue Of A Struggling Writer, Ethan Trinh

Journal of Southeast Asian American Education and Advancement

The pressure of being alone in a new country and of surviving in a competitive academia has scared me to death. I cannot find any better way to heal me other than writing. Writing helps me make sense of the worlds and come closer to my true self. This piece is journeying from my own struggles of a Vietnamese, queer, immigrant teacher to accept who I am as a writer. In addition, writing this piece helps me get closer to decademizing academic writing in higher education.

Amjambo Africa! (August 2019), Kathreen Harrison

Amjambo Africa!

In This Issue...

Welcome Feast........................Page 8

My Life as a Refugee ............Page 11 by Veronica Kaluta

Wedding of Irene Yao & Romeo Adji....................Page 13

Zona, Zachary Williams

Dissertations

This dissertation is a collection of poems written between 2011 and 2019. Zona the title of the book, meditates on themes of precarity, loss, imagination, and transformation. Drawing from both the Surrealist and Deep Image traditions, the book comments on life and aesthetic experience under late-stage capitalism.

Our Binary World, Simona Carini

Journal of Humanistic Mathematics

A poem about counting in binary, life, and love.

Confusion Word Association, Samantha Locke

HUMBUG

No abstract provided.

West 91st, Gus Guszkowski

HUMBUG

No abstract provided.

Yellow Helmet, Elisabeth Baumann, Samantha Locke

HUMBUG

No abstract provided.

Waabigwan, Liz Barrett

HUMBUG

No abstract provided.

Petey’S World, Lily Anderson

HUMBUG

No abstract provided.

Untitled, Emily Charland

HUMBUG

No abstract provided.