Poetry Commons^™

Ua68/6/2 Voices, Vol. Ix, No. 1, Western Writers

Student Organizations

Magazine produced by the Western Writers, a group of student readers and writers devoted to good writing and determined to encourage those interested in creative work. It presents members' best efforts in other than class-assigned papers.

The Orc Symbol In William Blake's Works, Michael James Finnigan

Graduate Student Research Papers

A study of Orc, Blake's symbol for energy, suggests several different hypotheses. This paper intends to test the hypothesis that Orc is a force. With the use of illustrations and explications, Orc becomes more clearly a symbol of Blake's imaginative form. This energy will be seen at each level of Blake's visions, each different psychological stage, and at the highest level, poetic imagination. Thus, as the creator creates, the creation becomes the molded form of the creator's imagination.

The Lantern Vol. 31, No. 2, May 1964, John Bradley, Bitsy Flint, Lynn Martin, Roy Christman, Craig Bender, Sue Hartenstine, L. Noll Evans, Elwood R. Pollock, Carl F. Peek, Mcdonald L. Whitlock, Sally Campbell

The Lantern Literary Magazines, 1933 to Present

• The High, Forbidding Wall
• Sonnet One
• Sceptic
• The Witch, the Prince, and the Princess
• Portrait in Gold and Black
• The Music of the Drum
• Sweat It, Jack
• Cold Blue and the Moon
• Another Carpenter: Circa 1963
• At a Conference of Colonial Historians
• Pineland Places
• Diasia to Death
• Hey!...
• The Hour
• I'll Not Return

Ua68/6/2 Voices, Vol. Viii, No. 2, Western Writers

Student Organizations

Magazine produced by the Western Writers, a group of student readers and writers devoted to good writing and determined to encourage those interested in creative work. It presents members' best efforts in other than class-assigned papers.

Et Cetera, Marshall University

Et Cetera

No abstract provided.

Ua37/44 Diary To Kelly, Gordon Wilson

Faculty/Staff Personal Papers

Diaries written by former English professor Gordon Wilson to WKU president Kelly Thompson reminiscing over old times at Western Kentucky University.

• 4:30 PM, 3/22/1964
• A Common Cultural Background, 3/12/1964
• A Widening Influence, 3/4/1964
• Again & Again, 3/19/1964
• An Unending Process, 3/12/1964
• Curriculum, Curricula, 3/1/1964
• If?, 3/9/1964
• Learning in the One-Roomed Country School, 3/2/1964
• Loses & Gains, 3/11/1964
• Our Big, Big Group, 3/18/1964
• Our Small World, 3/2/1964
• Preparation of Our Faculty, 3/24/1964
• Programs, 3/19/1964
• Recognition of Research, 3/6/1964
• Second Wind, 3/1/1964
• Simplicity & Sophistication, 3/28/1964
• So Young & Yet So Old, 3/3/1964
• Some Evidences of Culture, 3/4/1964
• Some Lost History, 3/28/1964 …

Inscape 1964, Morehead State College

Inscape: Art & Literary Magazine Archive

The 1964 edition of the Inscape: Literary and Art Magazine.

1964-1965 Annual, Morehead State College.

Inkpot Magazine

1964-1965 annual issue of Inkpot magazine published by the English Department of Morehead State College.

The Religious Imagery In Emily Dickinson's Love Poems, Constance B. Kirby

Graduate Thesis Collection

This paper will discuss to what extent Emily Dickinson's heritage, environment, and experience formed her attitudes on religion and love, and will explain how successful she was in translating her intense emotional experience of love into poetry by examining her use of religious imagery.