Poetry Commons^™

Ladybugs, Gabrielle Bologna

Comparative Woman

No abstract provided.

Tando-Huni Ug Uban Pang Balak | Treading Softly: Review Of Marjorie Evasco’S It Is Time To Come Home, Ester Tapia

Akda: The Asian Journal of Literature, Culture, Performance

No abstract provided.

Kinship Poems, K. Avvirin Gray

Comparative Woman

In the appended collection of three poems, canopied under the title, ”Kinship Poems” I explore the possibilities for and practice of kinship between Native and African American women. In my first poem, ”Auntie,” a prose poem, I center non-sanguineous kinship affiliation in the decolonial project. In my final poem, I give equal consideration to biological kinship, by staging a speaker’s direct address to her unborn child.

F. Scott Fitzgerald Et La Poetique De «L'Inacheve» Dans The Great Gatsby, Rachid El Hamri

Dirassat

F. Scott Fitzgerald and the Politics of

“THE UNFINISHED” IN THE GREAT GATSBY

It seems that every writer, when he tries to close a story, always obeys the same purpose: not to bring a conclusion to his text as a whole, but rather to specify that he has nothing more to say, that he can't or doesn't mean anything anymore. The concept of incompleteness. - which is only an internal border - offers an example of the "void" that it is possible to study in Literary texts. Formerly, writers spoke of this incompletion as a reality inherent in the very …

Sandstorm Spring 2022, Leslie Malland

Sandstorm: A Journal of Arts and Letters

Full Manuscript

The Ancient's View Of The Poet And Poetry, Brahim Soussi

Dirassat

The poet’s position in society has always been much discussed throughout the ages and inall civilizations.Thus the poet is accepted and receives praise sometimes, but is rejected and banished from society at other times. The poet's oscillation between these two extremes has always existed and will exist, it seems, as long as there is poetry. However, these two contradictory attitudes towards the Poet and Poetry have never received complete consensus from the different classes of society. The absence of this agreement, no doubt, denotes the necessity of the poet's voice for some and its danger fo rothers.

«Le Blanc Poétique Ou Le Blanc De Ia Mémoire Dans Harrouda De Tahar Ben Jelloun», Jamal El Qasri

Dirassat

The Poetic White or the White of MemoryinHarrouda byTabarBen Jelloun

Harrouda seems to exploit the double status of white, by its incorporation and linear prose and versified poem. However, the essential is elsewhere: it consists in the use of an unusual white, rarely adopted in poetry and even less in prose, which at times enters the space of the text,until finally monopolizing it. How does this white appear? And at what gold- Does the organization of signification respond?

Looking Back, Or Re-Visioning: Contemporary American Jewish Poets On “Lot’S Wife”, Anat Koplowitz-Breier

CLCWeb: Comparative Literature and Culture

Although mentioned only twice in Genesis (19:17, 26), Lot’s wife has been a topic of much discussion amongst both traditional and modern commentators and exegetes. The traditional midrashim seek to explain why she chose to disregard the instructions she was given and the nature of her punishment. In doing so, they follow two principal directions, representing her a) negatively as a wicked sinner, a Sodomite who acted as such even before disobeying the divine decree not to look backwards—thus linking her disobedience with her intrinsic character (e.g., curious, greedy, inhospitable, faithless); or b) positively as a loving mother and daughter. …

الشعر الأمازيغي التقليدي بسوس : محاولة في التصنيف, محمد أفقير

Dirassat

Traditional Amazigh poetry in Sous: an attempt at classification

This article aims to provide illuminations on the Amazigh poetry in Sssus through the poetry of Ahwash, the poetry of Asous, the poetry of Tazarrat, Tankift, the poetry of Tamazight, and the poetry of Rawais.

Le Portrait Du Poète En Barbare Dans L’Œuvre D’Henri Michaux, Taoufiq Moueddene

Dirassat

The article highlights the imprint and poetic requirement of Henri Michaux in his work on the portrait of the poet in barbarian. The author returns, from a complex game, to the question of the plural being. Michaux diverts from the recognition and republic of letters, to make of it to be, not only the barbarian and the pariah of French literature but also his «Mlecha». Michaux’s work and life are part of a reflection on literature in its relation to being as a machine to be and to think.

Often called experimental thinking, Michaux is a discreet poet, painter painterand …

Précisions À Propos De La Poésie Orale Du Rif, Abdelmottaleb Zizaoui

Dirassat

This article preaches the authenticity of Rifaine society in harmony with its physical and symbolic environment. While reflecting on Rifaine oral poetry, the author evokes the roots of the ancient poem as an element of socio-territorial identification in the test of time. Through the song rallabuya, it is the local heritage that forces admiration and forge the perpetual adaptation of young people. Following the orientation of Jean Cohen and Roman Jakobson, the author reinvests the concept of poeticity while resorting to the theses of the orality of Paul Zumthor in order to extract the poetic forms and thorny aspects accompanying …

الأسس الخلافية لتأويل مشكل شعر المعري بين البطليوسي وابن العربي, البشير التهالي

Dirassat

Title : The controversial foundations for interpreting the problem of al-Maari's poetry between Batalyawsi and Ibn al-Arabi

The poetry of Abu Al-Alaa Al-Maari is distinguished for its interactive and argumentative context. In addition, it is rich in interpretative capabilities. In addition, Al-Maari’s poetry has a brilliant interpretive potential that establishes the literary rule. Accordingly, it aims at analyzing the foundations of dispute between Abd Allāh Ibn Muḥammad al-Baṭalyawsī and Abu Bakr Ibn al-Arabi who were famous for interpreting poetic discourse. As far as Abu Al-'Ala al-Ma'ari is concerned; the reality of his poetry resides in an …

Notes On Contributors, Molly Lynde-Recchia

Transference

No abstract provided.

What Are You, Really?/Afar, Gazing At The Holy Mountain By Du Fu, Michael Zhai

Transference

A translation and commentary of Du Fu's poem "Afar, Gazing on the Holy Mountain," with a worksheet for readers to produce their own translations of the poem.

On Tasso In Prison By Charles Baudelaire, Sharon Fish Mooney

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Translation of and commentary on Baudelaire's "On Tasso in Prison," which is an ekphrastic poem after Delacroix's painting of the same name.

Four Poems By Toshiko Hirata, Eric Hyett, Spencer Thurlow

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Translations of "Is It February?" "Is It March?" "Is It November Again?" and "Is It December Again?"

Lullaby By Rainer Maria Rilke And Amen By Georg Trakl, Wally Swist

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No abstract provided.

Drops From Black Candles By Abdallah Zrika, Mike Baynham

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English translation of Abdallah Zrika's "Drops from black candles" accompanied by an essay on the translation process which includes consideration of Laâbi's French translation of the same poem.

While Dreaming, While Writing (Excerpt) By Max Alhau, Patrick Williamson

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A free rendering of Max Alhau's "While dreaming, while writing," with commentary. The original source text is included.

Corona By Paul Celan, David Capps

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No abstract provided.

Five Poems By Michael Krüger, Louise Stoehr

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No abstract provided.

Two Poems By Charles Baudelaire, Arnold Johnston

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Arnold Johnston's translations of Baudelaire's "The Lovely Ship" and "Invitation to the Voyage."

Blue Crystal By Martha Hofmann, Paul J. Shlichta

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A translation of a German poem by Martha Hofmann into English verse. The commentary includes a brief biography of Hofmann and a link to additional information.

Two Poems By Nohad Salameh, Susanna Lang

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Susanna Lang's translations of Nohad Salameh's "I Greet You, My Twin" and "Dance of the One/the Moon."

Four Sonnets By Feng Zhi, Emily Goedde

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Translation of Feng Zhi's Sonnets 6, 12, 16, and 18 by Emily Goedde.

Six Poems By Safiye Can, Marilya V. Reese

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Translations into English of six pieces of poetry by Safiye Can, Circassian-German poet from Offenbach.

P.E.N member Safiye Can pronounced like John), award-winning and best-selling Circassian poet from Offenbach, is a German citizen. Can studied philosophy, psychoanalysis and law at the Goethe-Universität in Frankfurt am Main and is the recent recipient of two prestigious literary prizes (Else Lasker-Schüler Poetry prize and Alfred-Müller-Felsenburg Prize for Civil Courage in Literature). Can’s work examining the place of the individual in society reframes concepts of home and belonging. Safiye Can was featured at the 20^th annual, week-long Leselenz, Germany’s largest non-urban literary …

Persistence Of Memory After A Poem By Bashō, John Savoie

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This piece merges a classic haiku of Bashō with a contemporary English poem, first as its own new creative piece, then contemplated further in the commentary.

Four Poems By Rainer Maria Rilke, Susan Mclean

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Translations of four German poems from New Poems by Rainer Maria Rilke (1875-1926): "The Blind Man," "The Donor," "The Arrival," and "Lady on a Balcony."

From The Villa By Lucretius, James E. Fowler

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"From the Villa" is an epistolary poem in hexameters whose argument is loosely based on the Lucretius's De Rerum Natura. It is addressed to Lucretius's putative dedicatee/patron Gaius Memmius, a contemporary politician and poet.

My Dear Double By Abdellatif Laâbi, Guillemette C. Johnston, Allan Johnston

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This translation of Abdellatif Laabi's poem "My Dear Double" is accompanied by an essay on the theme of the double in literature.