Classical Archaeology and Art History Commons^™

Gems Of Gods And Mortals: The Changing Symbolism Of Pearls Throughout The Roman Empire, Emily Hallman

Armstrong Undergraduate Journal of History

Born in the wombs of shells and polished by mother nature herself, pearls were regarded as gifts from the gods. For millennia, the creation of pearls was credited to the tears of heavenly creatures or the formation of sun-touched dewdrops. Countless civilizations, both Western and Non-Western, have their own myths and legends surrounding the pearl, a mark of their mysterious allure. The artform of jewelry, favored by the Roman aristocracy, took advantage of naturally perfected pearls to create stunning pieces with staggering prices. The pearl’s meaning evolved throughout the Roman Empire and into Early Christian Rome, setting up a contradictory …

The Real World Of Teaching In Hadrian’S Virtual Villa, Lynne Kvapil

Scholarship and Professional Work - LAS

A virtual 3D simulation of Hadrian's Imperial Villa at Tivoli, created as part of the Hadrian's Villa Project, was the centerpiece of a course module that combined Problem-based Learning with virtual world technology. The module asked students to use different learning environments, like the virtual villa, to solve ancient world problems focused on the life of the emperor Hadrian. The benefits and challenges of combining PBL with virtual world technology in the classroom are discussed here. Sample lesson plans from the course are also included.

The Real World Of Teaching In Hadrian’S Virtual Villa, Lynne A. Kvapil

Lynne A. Kvapil

Centum Homines: The Prototype Of The Alexander Mosaic And The Military Museum In The Hellenistic World, Peter Nulton

Peter E. Nulton Ph.D.

Although it is generally accepted that the Alexander Mosaic copies a painting of the 4th Century BCE, the attribution of this prototype has never been settled. Numerous attempts have been made to associate it with painters recorded in Pliny's Natural History, notably Philoxenos of Eretria, and Alexander's court painter, Apelles.

If the painting were the work of any artist whose name survives, as strong a case can be made for Aristeides of Thebes as for Apelles or Philoxenos. Since Pliny's comment that Aristeides painted a battle against the Persians follows his treatment of the works of Apelles, he is likely …