Painting Commons^™

Portrait Of Adron Doran, Ogden

Morehead State University Art Collection

A 1972 portrait of Adron Doran by an artist named Ogden.

Johnson Camden Library, Douglas Adams

Morehead State University Art Collection

A 1972 colored print of the Johnson Camden Library by Douglas Adams.

Morehead State University - Button Auditorium, Douglas Adams

Morehead State University Art Collection

A 1972 color print of Button Hall on the campus of Morehead State University by Douglas Adams.

Morehead State University - Doran Student Building (Aduc), Douglas Adams

Morehead State University Art Collection

A 1972 color print of the Doran Student Building (ADUC) on the campus of Morehead State University by Douglas Adams.

Morehead State University - Mignon Complex & University Breckinridge School, Douglas Adams

Morehead State University Art Collection

A 1972 color print of the Mignon Complex and University Breckinridge School on the campus of Morehead State University by Douglas Adams.

Perched Bald Eagle, James Fenwick Lansdowne

Morehead State University Art Collection

A 1972 color print of a perched bald eagle by J. F. Lansdowne.

John Lewis, Unknown

Morehead State University Art Collection

A 1972 bust of John Lewis created from coal.

Photographic Imagery As A Source For Iconography In Painting And Drawing, Eric Peder Brakken

All Master's Theses

Any verbalization of an artistic statement is by its very nature, an inadequate interpretation. However, I feel there is some merit in a concise declaration of my general concepts in the study. This paper represents a summation of the concepts and directions involved in my studio investigation in painting and drawing.

Specifically, it is within the scope of man's altered and effected perception of reality that I have based the studio research.

Abstract Expressionism: An American Phenomenon, Judee Thompson Royston

Honors Theses

One of the newest types of painting in the modern tradition is Abstract Expressionism. It began in New York around 1944. All the experience of Americans with modern art had been poured into the melting pot of the city. Present were not only eminent native artists, but also Europeans with established reputations--refugees from Fascist Spain Nazi Germany, and Occupied France. Their meetings with each other brought about interchanges on all levels of thought and practice. Out of this mixture came not an adaptation of a trend formalized abroad but a new style of painting created in America.

It is true …

Social Comment In Art, Robert David Griffith

Masters Theses

No abstract provided.

My Magic Moonscapes, Larry Karch

Masters Theses

No abstract provided.

Edvard Munch: Motifs And Motivations, Gordon Moffett

Masters Theses

No abstract provided.