Painting Commons^™

An Experimental Investigation Of Spatial Representation In Oil Painting, Roberta Jean Cameron

All Master's Theses

The purpose of the study was (1) to investigate concepts of spatial representation and to study the spatial means used to achieve them; (2) to integrate these concepts and means with a series of oil paintings; and (3) to present conclusions that would suggest modifications in the candidate's painting techniques.

Faculty '66 Exhibition (Exhibition Catalogue), Department Of Art

Faculty Catalogues

Exhibiting faculty were: C. Kermit Ewing, Richard Clarke, Walter H. Stevens, Philip Nichols, WIlliam Loy, Byron McKeeby, Philip Livingston, Morna McGoldrick Livingston, and Carl Sublett.

Exhibition Schedule Art Department University Of Tennessee 1966 - 1967, Department Of Art

Historical Material

No abstract provided.

Paintings And Drawings By Carl Sublett (Exhibition Catalogue), Carl Sublett, C. Kerrmit Ewing

Historical Material

Catalogue for 1966 exhibition of paintings and drawings by University of Tennessee assistant professor of art, Carl Sublett.

Fourth Annual National Invitational Exhibition (Exhibition Catalogue), C. Kermit Ewing

Historical Material

The exhibit has been enlarged this year to include paintings, prints, and sculpture. This comprehensive collection assures a representative selection if contemporary American Art. This exhibition is co-sponsored by the University Center and the Art Department of the University of Tennessee.

The University Center has provided a purchase fund which will create the nucleus of a permanent collection to be displayed in the Student Center.

Exhibiting artists were: Bill Barrett, Glenn Bradshaw, James. Brooks, Peter Busa, John Chumley, Herb Creecy, Angelo Granata, Marion Greenwood, Ike Hay, Billy Jackson, Doris Kennedy, Harry Krug, Conrad Marca-Relli, James McGarrell, Richard Merkin, L. E. …

A Painting Style Derived From Action Painting And Calligraphy, Renee Collie

Masters Theses

No abstract provided.

School Of Practical Art Course Catalog (1966-1967), School Of Practical Art

Art Institute of Boston (AIB) Course Catalogs

It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …

The Symbol Of The Bull As An Art Form, Gary L. Noffke

Masters Theses

No abstract provided.