Interdisciplinary Arts and Media Commons^™

New Commandments, Jacob Sussman

Masters Theses

I reach into the earth, pull out mud-encrusted objects, and recombine them to define new meanings. With every object transposed, the past breaks down; new potentials form. “New Commandments” recombines historical symbolism through an intuitive building, destroying, and merging to reimagine or re-establish meaning.

The work critiques rites of passage, masculinity, and stereotypes by deconstructing how histories, ideologies, and preconceptions form.

As a queer person raised in-between Judaism and Christianity, social preconceptions and religious expectations festered my formation. Our choice is taken away at this moment of conception. To take back autonomy, I reimagine historical, and religious symbolism and transmute …

Spit Brimming With Futures, Penny Molesso

School of Art, Art History, and Design: Theses and Student Creative Work

SPIT BRIMMING WITH FUTURES is an immersive video and audio installation that uses ASMR (Autonomous Sensory Meridian Response) to investigate the intersection of transgender and neurodivergent identity, expressing an urgent need to imagine stories about transgender, autistic people that affirm our agency and autonomy amidst a political climate that weaponizes neurodivergence to delegitimize trans experiences. The American political right’s vilification of transgender people is used to uphold structures of white supremacy and heteropatriarchy that become destabilized when rigid binary gender categories are challenged. The political right has a vested interest in keeping trans people out of public view, thus weaponizing …

Gömböc The Great, Indigo M. Strickert, Lori E. Bradford

The STEAM Journal

A sonnet written about the mathematics behind the self-righting shape of some tortoise shells.

T.R.A.S.H.:Trans-Relational-Affective-Stuff-Horde, Sg P

Theses and Dissertations

T.R.A.S.H. allies the moral confusion underlying (student) debt and the unregulated art market in order to establish a rigorous framework for “RED HOT SHAME”—an open edition contractual performance. In treating an art collector as a collections agency, the Debt Object becomes an Art Object.

It Won’T Be Easy, Allison Arkush

School of Art, Art History, and Design: Theses and Student Creative Work

Interdisciplinary artist Allison Arkush engages a wide range of materials, modalities, and research in her practice. In It Won’t Be Easy, Arkush places and piles her multimedia sculptures throughout the gallery to create installations that overlap ­with her writing and poetry, sometimes layering in (or extending out to) audio and video components. This approach facilitates the probing exploration of prevailing value systems through a flattening of hierarchies among and between humans, the other-than-human, and the inanimate—though no less lively. Her work meditates on and ‘vendiagrams’ things forsaken and sacred, the traumatic and nostalgic. The exhibition title acknowledges that the …

In-Between The Wind, Victoria L. Vontz

LSU Master's Theses

In-between the Wind is a compilation of poems, short stories, theories, photographs, and drawings that reveal my relationship and connection with nature. Through prose, I expose and question my place in the world, how I see it and how I am connected to it, while photographic images and drawings leave space for thoughtful and reflective meditation. The work draws upon memories, discusses theories of connection, and aims to record ephemeral moments that often seem to be too easily forgotten.

Do You Want To Be Tender?, Leah Grant

Graduate Theses and Dissertations

In this thesis, you will find a body of writings and artworks that reflect Leah Grant’s art practice and research. Throughout the paper, you will see Leah alternate back and forth between her artwork and writings. Leah Grant addresses her personal experience as a Black woman and what it means it explore vulnerability through understanding how the relationships around her affects the relationship she has with herself. Leah has created a collection of poems, prints, and video and audio collages that assist her with revealing and concealing.

As Many Names As Objects, Luke Herrigel

Senior Projects Spring 2021

“And we: spectators, always, everywhere,

turned toward the world of objects, never outward.

It fills us. We arrange it. It breaks down.

We rearrange it, then break down ourselves”

• Rainer Maria Rilke, Duino Elegies

“Honesty is Unbelievable”

• A Bumper Sticker I Saw

For my senior show I used collected materials, found objects, personal ephemera (both genuine and fabricated), paintings and sculpture to make installations that I would change every night of the show’s duration. Each morning the installation would be photographed, left for only a few hours, and then would be uninstalled to make way for creating a new iteration. …

The Object Memory Palace, Amra Causevic

Theses and Dissertations

I am interested in orchestrating instances of potentiality or concrete possibilities that proposes the futurity of play through means of touch, activation, assembly, and interaction within art spaces. The installation mentioned is composed of found objects and repurposed materials that address themes of place, memory, object-ness, and the archive, through gestural means of poetics and map making. It is an invitation to create new logics and find moments of empathy, connectivity, and hopes for a collective.

The Hair You Wished To Comb, Sarah Barch

Honors Theses

This thesis is a collection of poems exploring gender and trauma in Greek mythology by retelling classical stories in a female voice.

Hut Annandale: Humblest Dwelling, Ruiqi Zhu

Senior Projects Spring 2020

Lots of us have a dream deep down in the heart: to get away from the congested cities and live in a hut in nature. French port Jean Wahl once wrote: The frothing of the hedges I keep deep inside me. In my project, he explored this dream and constructed a group of architectural structures by hand for those potential hermits. Studying at Bard College, I have found this region is a place with a great hermit culture. With the picturesque scene of nature and the location near the New York Metropolitan area, here the mid-Hudson Valley has attracted lots …

Whither World?, Ikeogu Oke

Journal of Hip Hop Studies

Second of ten poems written by the late and great Nigerian poet Ikeogu Oke.

I Beg Of You, Honey, Ikeogu Oke

Journal of Hip Hop Studies

First of 10 poems written by the late and great Nigerian poet Ikeogu Oke

Dear Mama, Ikeogu Oke

Journal of Hip Hop Studies

Third of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Watching The World, Ikeogu Oke

Journal of Hip Hop Studies

Fourth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Better Days, Ikeogu Oke

Journal of Hip Hop Studies

Fifth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Good Thing Going, Ikeogu Oke

Journal of Hip Hop Studies

Sixth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Native Son, Ikeogu Oke

Journal of Hip Hop Studies

Ninth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Why The Cookie Crumbles, Ikeogu Oke

Journal of Hip Hop Studies

Seventh of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Go Tell It On The Mountain, Ikeogu Oke

Journal of Hip Hop Studies

Tenth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Poem - Untitled, Jasmine Mans

Journal of Hip Hop Studies

No abstract provided.

Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern

Bachelor of Fine Arts Senior Papers

I present this statement under three loose categories: People, Objects and their Environment. I consider People as human, Objects as art objects, domestic objects, and food, and Environment as the shared space of the former groups. Food directs this statement as I present each concept and creative process as a metaphorical dish. Material exploration carried me from a direct practice of reorienting acrylic paint and questioning object functionality through personified sculptures into theoretical thesis work in which I use interpersonal relations and the idea of consumption to translate tactile, gustatory and olfactory sensations into digital film. In this meal I …

Zephyr: The Nineteenth Issue, Zephyr Faculty Advisor, Anne Carbonier, Sara Costa, Tori Kitchens, Vic Wilbur, Jessica L. Stumper, Lilly Anderson, Jaymi Wood, Emily Morris

Zephyr

This is the nineteenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Bodies Of Water: Somebody | Nobody (For E.D.), Clark Lunberry

Clark Lunberry

On a pond adjacent to the University of North Florida’s Thomas G. Carpenter Library, parts of Emily Dickinson’s well-known poem about being a “Nobody” were recently written on the water. During the fall of 2014, the familiar words of that poem’s opening line – “I’m Nobody! Who are you?” – appeared to float upon the library’s pond, reflecting vividly in the light of day (yet disappearing entirely in the dark of night). While inside the library’s large open stairway, on the tall windows that face directly out onto that pond, the first line of the poem’s second stanza – “How …

Selected Readings On Augmented Reality, Ekphrasis, And Michael Field, Robert P. Fletcher

Sight and Song Augmented: Painting and Poetry in Mixed Reality

No abstract provided.

Zephyr: The Eighteenth Issue, Zephyr Faculty Advisor, Melissa Destefano, Alanna Sachse

Zephyr

This is the eighteenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Sight And Song Augmented, Robert P. Fletcher

Sight and Song Augmented: Painting and Poetry in Mixed Reality

This file is an Android application built in the Unity 3D game engine with the Vuforia Augmented Reality extension. It remediates Sight and Song (1892) by Michael Field (Katherine Bradley and Edith Cooper), a collection of ekphrastic poetry about paintings by the Old Masters.

A Window The Color Of Her Sunburn, Joana Stillwell

Theses and Dissertations

I use video and material fragments to investigate the collapse of virtual and physical spaces as memories, lived environments, and digital interfaces become overlaid and interchangeable. I am interested in the capacity for technology to propose alternative strategies in which to engage with the world as we continue to extend ourselves in new and enduring methods. Seemingly unremarkable fragments offer new potentials in questioning meaning, worth, and care within spaces of downtime, boredom, and play.

This document accompanies my thesis exhibition a window the color of her sunburn. It provides background information on selected fragments and residues from my own …

Association, Patrick Bryant

The Anthology

A poem

Full Issue, The Anthology

The Anthology

This is the entirety of the 2013 Winthrop Anthology issue.