Interdisciplinary Arts and Media Commons^™

Bodies Of Water: Somebody | Nobody (For E.D.), Clark Lunberry

Clark Lunberry

On a pond adjacent to the University of North Florida’s Thomas G. Carpenter Library, parts of Emily Dickinson’s well-known poem about being a “Nobody” were recently written on the water. During the fall of 2014, the familiar words of that poem’s opening line – “I’m Nobody! Who are you?” – appeared to float upon the library’s pond, reflecting vividly in the light of day (yet disappearing entirely in the dark of night). While inside the library’s large open stairway, on the tall windows that face directly out onto that pond, the first line of the poem’s second stanza – “How …

Selected Readings On Augmented Reality, Ekphrasis, And Michael Field, Robert P. Fletcher

Sight and Song Augmented: Painting and Poetry in Mixed Reality

No abstract provided.

Zephyr: The Eighteenth Issue, Zephyr Faculty Advisor, Melissa Destefano, Alanna Sachse

Zephyr

This is the eighteenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Sight And Song Augmented, Robert P. Fletcher

Sight and Song Augmented: Painting and Poetry in Mixed Reality

This file is an Android application built in the Unity 3D game engine with the Vuforia Augmented Reality extension. It remediates Sight and Song (1892) by Michael Field (Katherine Bradley and Edith Cooper), a collection of ekphrastic poetry about paintings by the Old Masters.

A Window The Color Of Her Sunburn, Joana Stillwell

Theses and Dissertations

I use video and material fragments to investigate the collapse of virtual and physical spaces as memories, lived environments, and digital interfaces become overlaid and interchangeable. I am interested in the capacity for technology to propose alternative strategies in which to engage with the world as we continue to extend ourselves in new and enduring methods. Seemingly unremarkable fragments offer new potentials in questioning meaning, worth, and care within spaces of downtime, boredom, and play.

This document accompanies my thesis exhibition a window the color of her sunburn. It provides background information on selected fragments and residues from my own …