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Full-Text Articles in Illustration
Volume 79, Issue 1: Full Issue
Volume 79, Issue 1: Full Issue
Manuscripts
Full issue of the March 2014 issue of Manuscripts. Includes work by: Bob Barrick, Tommy O'Rourke, Earl Townsend, Cassidy Olson, Wesley Sexton, Ritz Davison, Ella Paul, Maggie Carey, Jillian Wanbaugh, Donald Bradley, and Katie Johnson.
Volume 4, Issue 2: Full Issue
Manuscripts
Full issue of the January 1937 issue of Manuscripts. Includes work by Wayne Hill, Margaret Pierson, Elizabeth Messick, Margaret Kendall, Mary Burrin, Grace Ferguson, Betty Richart, Charles Aufderheide, Dorothy Steinmeier, Mars B. Ferrell, Cathryn Smith, Ruth Marie Hamill, Phillipa Schreiber, Robert Ayers, Marguerite Ellis, Wilbur Elliot, Margaret Parrish, William Steinmetz, Glenn White, Jack Howard, Richard Joyce, Anne Horne, Dave Craycraft, Charles Hostetter, Ralph W. Morgan, Louise Ryman, Norman Bicking, Dorothy Schilling, Mildred Barnhill, and Marion Swann.
Pittsburgh -- Slightly Wet, Norman Bicking
Pittsburgh -- Slightly Wet, Norman Bicking
Manuscripts
Pittsburgh's Great Flood of 1936 was the most perfectly staged catastrophe it has been my misfortune to witness. Only one being could have been capable of such a deed, and that being none other than Old Mother Nature herself. She planned it, and provided the characters.
These Three: Beauty, Power, Knowledge, Ralph W. Morgan
These Three: Beauty, Power, Knowledge, Ralph W. Morgan
Manuscripts
It is fitting and natural that I, who was born and have lived most of my life in Indianapolis, should think that this city is one of the most beautiful communities in the United States. However, if all of the other beauty spots of Indianapolis were excluded, the World War memorial plaza in the heart of the city would still give me a reason for a belief in the abundant beauty of my birthplace. Concentrated in this comparatively small space are the representatives of three of man's highest attainments: the DePew memorial fountain is esthetic beauty, the World War memorial …
Indianapolis Times, Margaret Parrish
Indianapolis Times, Margaret Parrish
Manuscripts
It is growing dark swiftly now. The slight mist that hovered around the Monument is getting heavier. Lights blink on to make the War Memorial Plaza a distant fairy land. (Only half the lights went on. That is good. Otherwise it would look like a Power and Light Company advertisement.) The pigeons on the Circle are quieting down, and Christ Church is gray with shadows.