Graphic Design Commons^™

Humanizing Brutalism: Graphics To Identify, Inform, Orient, Interpret And Inspire, Whitney Perkins

UMassBRUT Community

Despite the reputation of Brutalist architecture being somewhat cold and imposing, the original interiors of these buildings were often covered in brightly-colored signage. In the process of renovating Paul Rudolph's Claire T. Carney Library at the University of Massachusetts Dartmouth, designer Whitney Perkins drew upon the colors and graphics of the 1960s and 70s in order to construct a bold program of wayfinding, signage and tapestries for the building. This talk looks at some of the influences and processes involved in designing and fabricating this signage.

Humanizing The Brutalist Interior: The Renovation Of Paul Rudolph's Claire T. Carney Library At Umass Dartmouth, Kelly Haigh, Ben Youtz

UMassBRUT Community

Members of the team that worked on the renovation of the Claire T. Carney Library, designed by Paul Rudolph and completed in 1972, share their design solutions for maintaining the integrity of the architecture and fostering an interior that is welcoming of its occupants. Discussions focus on interior attributes, human occupants, color, light and texture as approaches to humanize the massive concrete attributes that are notorious of Brutalist structures.

Humanizing The Brutalist Interior: Inspiration. Collaboration. Transformation, Leslie Saul

UMassBRUT Community

This talk covers the process behind the design of the fabric and textiles that were added to UMass Dartmouth's iconic Claire T. Carney Library during a $48 million dollar renovation of the Paul Rudolph building, completed in 2012. Interior Designer, Leslie Saul, describes how she drew inspiration from both UMass Dartmouth's genesis as a textile college and Rudolph’s original color palette to create eye-catching interior furniture and carpets in order to humanize this particular Brutalist interior.

Kofifi/Covfefe: How The Costumes Of "Sophiatown" Bring 1950s South Africa To Western Massachusetts In 2020, Emma Hollows

Masters Theses

This thesis paper reflects upon the costume design process taken by Emma Hollows to produce a realist production of the Junction Avenue Theatre Company’s musical Sophiatown at the Augusta Savage Gallery at the University of Massachusetts in May 2020. Sophiatown follows a household forcibly removed from their homes by the Native Resettlement Act of 1954 amid apartheid in South Africa. The paper discusses her attempts as a costume designer to strike a balance between replicating history and making artistic changes for theatre, while always striving to create believable characters.

Creating A Successful Wayfinding System: Lessons Learned From Springfield, Massachusetts, Yanhua Lu

Landscape Architecture & Regional Planning Masters Projects

The masters project presents findings from recent work the author completed related to wayfinding, and wayfinding systems. This work began as part of a graduate urban design studio, followed by work as a research assistant at the UMass Design Center in Springfield, on a new “demonstration” wayfinding system installed in Springfield, Massachusetts. The wayfinding project was done in association with the Pioneer Valley Planning Commission and the Springfield Office of Planning and Community Development, was implemented with the main goals of improving public health by encouraging more people to walk.

Wayfinding systems are increasingly seen as an important part of …

Investigating A Cartographic Niche: Drawing Maps For Historians, Kate Blackmer

Masters Theses

Drawing maps for historians involves a number of distinct challenges. The historical cartographer must grapple not only with geological changes over time, but geographical ones, from human-cultural to physical, and from political to spatial. Original manuscripts must be read with close attention toward extracting geographical data, map sources must be vetted, and design challenges must be resolved. Furthermore, many of the antiquarian sources that are used to create current-day maps of historical times have unique scales, projections, and senses of place—all of which present complications that need to be overcome when creating historically based maps for publication. This thesis describes …