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Articles 1 - 4 of 4
Full-Text Articles in Graphic Design
Covid Stroll, Henry Byrne
Those Left Behind, Henry Byrne
The Story Of Here: A Graphic Guide To Holy Cross And College Hill, Sarah Luria, Jesse Carson, Mia Cronin, Daniel D'Ambrosio, Sara Donohue, Kerry Flaherty, Hannah Ford, Jenna Giardina, Andrew Lydon, Cameron Magalotti, Brett Mccarron, Matthew Shea, Nora Sheehan, William Solomon, Marco Spataro, Connor Sullivan, Thomas Thiel, Paihan Wu
The Story Of Here: A Graphic Guide To Holy Cross And College Hill, Sarah Luria, Jesse Carson, Mia Cronin, Daniel D'Ambrosio, Sara Donohue, Kerry Flaherty, Hannah Ford, Jenna Giardina, Andrew Lydon, Cameron Magalotti, Brett Mccarron, Matthew Shea, Nora Sheehan, William Solomon, Marco Spataro, Connor Sullivan, Thomas Thiel, Paihan Wu
Holy Cross Bookshelf
This illustrated guide captures the history of the section of Worcester where the College of the Holy Cross is located. Historical sources and imaginative interpretations based on historical research are combined to create a unique "then and now" approach and experience of "double vision" to tell the story of College Hill.
This guide was a project of Montserrat Seminar 111N, taught by Prof. Sarah Luria in Spring 2020.
La Bande Dessinée À L’Épreuve Du Génocide Au Rwanda : État Des Lieux Critique D’Un Mode D’Expression Original, Markus Arnold, Karel Plaiche
La Bande Dessinée À L’Épreuve Du Génocide Au Rwanda : État Des Lieux Critique D’Un Mode D’Expression Original, Markus Arnold, Karel Plaiche
Présence Francophone: Revue internationale de langue et de littérature
20 years after the genocide of the Tutsis, one observes within the artistic production dealing with these traumatic events the presence of several comics (or bande dessinée). Yet is this specific mode of expression which often remains associated with lightness, humour and caricature capable to address in a credible fashion such delicate topics as pain, cruelty and death ? How do comics “translate” this 1994 tragedy for the purpose of critically raising awareness and providing memorial accounts while respecting the reader’s sensitivity ? Is there an “appropriate” depiction and where is the frontier between sensational, reliable and emotionally convincing portrayal …