Fiber, Textile, and Weaving Arts Commons^™

Translational Placemaking: The Diasporic Archive, Alia Varawalla

Masters Theses

Globalization and mass migration has propelled a hybrid existence, as individuals that occupy multiple geographies we live in a constant state of translation. Our museums and cultural institutions are in opposition to this; static, preserved and de-contextualized. At the intersection of printmaking and architecture, this thesis proposes a living archive to document the collective migratory journey across sites, materials, and hybrid identities. A network of centers for knowledge sharing and production centered on India and its diaspora. As art practices and people migrate, cultural production evolves with its context, gaining new meaning as it changes hands generationally and globally.

Barking With The Dog, Cameron Orr

Senior Projects Spring 2022

Artist Statement

“Barking With The Dog” got its’ title from a poem by Leonard Cohen:

I never really understood

what he said

but every now and then

I find myself

barking with the dog

or bending with the irises

or helping out

in other little ways

“Barking With The Dog” is a series of illustrative collages, linocut prints, an upcycled bench containing personal artifacts, drawings and collage on the walls and floor. These pieces are connected through visual content, physical medium, and artistic intention. The collages are made using upcycled prints and drawings. These pieces represent the early stages of …

Mother Water, Crystal J. Hammerschmidt

Master's Theses

Water is life. That which nurtures, sustains and nourishes. My mother is truly my water. The one who gave me life and has supported and nurtured me though and through. While wading through the challenges and adversity of graduate school, she has been there every step of the way; and while I struggled to find what I was trying to say, I was quietly toiling over thoughts of my own fertility, maternal instincts and desire to nurture something and I began to acknowledge the mortality of my own mother.

The materials and images I combine are deeply connected to my …

In The Garden, Clare Samani

LSU Master's Theses

My work has focused largely on identity and self-expression, primarily through clothing, pattern, and color as a symbolic content. Having heavily investigated historical costume and clothing from various periods, my attention is drawn to the highly sculptural and ornamented garments of the Middle Ages, the Renaissance, the rococo, and the baroque. In these colorful and puffed garments, I am attracted to the similarities that I see in nature. How we adorn ourselves mimics various flowers, plants and animals in the pursuit of desire and procreation. Focusing on fabric manipulation, printmaking and sculpture, In the Garden coalesces into ambiguous sculptures that …

Journey To My Roots, Ainura Ashirova Barron

MSU Graduate Theses

This autobiographical body of work is a visual journey that involved the investigation of my personal identity and roots as well as the exploration of my cultural history through a process that relied on photographs, stories and family traditions, such as crafting. I consider this process and practice to be my passage into a globalized society while simultaneously finding my niche in my newly adopted country of America.

An Echo From The Living Room, Makayla Nichole Songer

Graduate Theses and Dissertations

We are unable to interface with reality as it is. Everything that encompasses our understanding of reality and ourselves—from our physical perceptions to our memories—are subject to innate flaws that make a complete grasp of reality impossible. an echo from the living room is invested in the idea that reality itself is malleable, taking influence from altered states of reality such as dreams, nightmares, and memory. Drawing from the personal experiences of recurring nightmares and living in a haunted house, as well film, the uncanny, and the multiple, an echo from the living room strives to create space for these …

Cycles Of Growth And Decay, And Changing The Beautiful To The Grotesque: Installation Through The Lens Of Printmaking, Madeline R. Cochran

All College Thesis Program, 2016-2019

The intention of this project is to create an installation informed by printmaking processes and to explore the tension between what is fragile and delicate and what is decaying and visceral. Specifically, I am working with materials I find delicate and beautiful including: fine Japanese paper, lace, yarn and embroidery floss. I am coating and manipulating these materials with wax, epoxy-resin and baby oil to give the work a fleshy and unsettling feel. Through the process of working with these materials, I have created paper sculptures made from a mold cast from my own torso, miniature books made from monoprints …

Body Memory, Juana Cecilia Arias

All Graduate Theses, Dissertations, and Other Capstone Projects

The Arts Center of St. Peter, located at 315 S. Minnesota Ave, in St. Peter, MN, hosted the thesis exhibit, Body Memory. The exhibit ran from April 8, 2016, through May 8, 2016. The opening reception was held on Saturday, April 9, 2016.

Ceramic sculptures were created with a variety of textile and paper imprints on the clay surface, then folded over an internal paper structure, and placed in a constructed canvas hammock to allow gravity to alter the form. All sculptures were finished using underglaze washes to emphasize the surface textures. Gloss tile sealer, wax, waxed paper, silk, or …