Fiber, Textile, and Weaving Arts Commons^™

Tactile Arts Club, Hayden Hauge, Rowan Havranek

Honors Expanded Learning Clubs

Students will build tactile skills while learning how to crochet, knit, and sew, and they will have a finished project in their hands at the conclusion of the club.

A Fragile [In] Tension, Jose Homero Gutierrez, Jose Homero Gutierrez

Electronic Theses and Dissertations

The exhibition, a FRAGILE [In] TENSION, is a compilation of 6 sculptural installation works—the result of two and a half years of work in the ceramics workshop— combining various ceramic procedures, incorporating crochet techniques, and repurposed materials. Each of the materials represents specific memories of the past linked to a place of origin and people deeply attached to me, representing complementary feelings. Ceramic objects were created on the potter's wheel and subsequently joined, modified, intervened, and added to their corresponding installations following a series of self-directed design rules. The sculptures are an emotional, psychological, and physical response to the past …

Illustrating Waterfowl At The Wheeler National Wildlife Refuge Through A Tactile Artist Book, Stevie Lee Evans

Honors Capstone Projects and Theses

No abstract provided.

Creating A 1940s Costume: A Historical Investigation, Jennifer Mott

The Confluence

The purpose of this Art History research investigation was to create a costume from the 1940s by immersing myself in a time period when people often made their own clothing. This was done to better understand what it means to have a personal connection to the items I wear. Our experiences as consumers in the twenty-first century are vastly different than those belonging to the people that lived during the mid-twentieth century because almost all of our clothing is purchased from corporations and created by people that we will likely never meet. For this investigative study, I shopped for and …

A Historical Overview And Description Of The University Of Kwazulu-Natal’S Ceremonial And Academic Attire, Andrew-John Bethke

Transactions of the Burgon Society

he University of KwaZulu-Natal was legally constituted in 2004 when the University of Natal was amalgamated with the University of Durban-Westville. In the early 2000s, the South African government sought to decrease the number of higher education institutions in the country from thirty-six to twenty-one through amalgamation. This article describes the process by which the current university developed its ceremonial and academic dress.

Peculiar And Proper Habits: The Use And Production Of Academic Dress In Colonial, Revolutionary, And Federal Philadelphia, Nicholas Heavens

Transactions of the Burgon Society

This is a study of the adoption and use of academic dress at the University of Pennsylvania and its predecessor institutions, the College of Philadelphia and University of the State of Pennsylvania from approximately 1750–1830. Despite early interest of the College’s founder, Benjamin Franklin, to use academic dress to monitor student activities outside college bounds, there was soon contentious debate between the institution’s founding senior academics about whether academic dress should be used at all. By sheer force of will of its leading proponent, academic dress came into use at public ceremonies. These public ceremonies became a model for public …

A Study Of The History And Use Of Lace On Academical Gowns In The United Kingdom And Ireland: Updates And Corrections, Charles Rupert Tsua

Transactions of the Burgon Society

This article is a supplement to my 2012 article in the Transactions. In the last few years research has answered some of the questions I raised in the original article, and has uncovered some ambiguities that may require further study. I shall follow a similar format to the original article, but list only the laces which need updating due to new information.

Coloured Velvet Is Too Gaudy: The 1861 Reforms To The Academical Costume Of The University Of London, Bruce Christianson

Transactions of the Burgon Society

The University of London’s original system of academic dress was adopted by the Senate in 1844, and made extensive use of velvet on both gowns and hoods. In 1861 London adopted a radically new system, which eliminated the use of velvet and which has (with various amendments and additions) remained recognizably in use to this day. This article tells the story of how the revision came about, by tracing its progress through the Minute Book of Convocation.

Bristol Blue: A Search For The Origins Of Academic Dress At The University Of Bristol, Paul Hayward

Transactions of the Burgon Society

This article gives the results of research into the origins of academic dress at the University of Bristol, and is principally concerned with the regulations surrounding that subject. As such, it does not look into the actual use of academic dress. For example, undergraduate gowns still form part of the official regulations, but they are not to be seen in the University today. This falls outside the scope of this research.

Erratum: The Lack Of A Theology Hood At The University Of The West Indies, Mitchell A. Nicholls

Transactions of the Burgon Society

In the printed edition of Volume 20, p. 162, Mitchell A. Nicholls’ article ‘The Lack of a Theology Hood at the University of the West Indies’ erred in spelling out the degree BCL. It is a Bachelor of Civil Law, not Canon Law. The error was corrected before the digital edition of Volume 20 was uploaded.

Editor’S Note, Stephen Wolgast

Transactions of the Burgon Society

No abstract provided.

The Curious Case Of A Women’S Academic Collar, Valentina S. Grub

Transactions of the Burgon Society

In mid-nineteenth century America, women’s seminaries were established as a counterpoint to men’s colleges. However, while their male counterparts immediately adopted various iterations of academic gowns, these seminaries struggled to formalize their own academic attire. One element of it was a ‘collar’ made of fine mesh and, most unusually, sectioned into panels by lengths of boning. The ends would have been drawn around the back of the neck and fastened by a row of tiny, cumbersome hooks and eyes. As an academic accessory, such a collar has hitherto been unknown to the academic dress academe. Moreover, it offers a scholarly …

Front Matter, Editorial Board

Transactions of the Burgon Society

No abstract provided.

Fossils In Silk: Historical Hoods Of Trinity College, Toronto, Colin Fleming

Transactions of the Burgon Society

The hoods used by Trinity College at the University of Toronto bear out to some extent what Groves and Christianson suggested, namely that ‘colonial universities initially borrowed their [academical dress] from the mother country, and particularly, in the case of British colonies, from the Universities of Oxford and Cambridge.’ The hoods we saw at the conference provide evidence that Trinity College may represent an archaeological record of Canadian interpretations (or adaptations) of historical UK usage. The robes of the College have been described in various catalogues and other publications from 1875 to the present, and these sources provided valuable clues …

The Invention Of Tradition: The Cambridge Benefactors’ Gowns, Simon Morris

Transactions of the Burgon Society

This article examines the emergence of a new phenomenon in academic dress that has developed over the past twenty years—the awarding of special gowns by some colleges of the University of Cambridge to recognize individual donors and reward their munificence. This appears to be predominantly—albeit not exclusively—a Cambridge phenomenon, and for reasons advanced below not replicated at Oxford University. This article considers in turn whether benefactors’ gowns qualify as academic dress, the reasons for their institution and the criteria for their design. It then looks at the two types of design that have been used, paying particular attention to the …

University Of Portsmouth Academic Dress, Philip Goff

Transactions of the Burgon Society

The University of Portsmouth has its origins in the Portsmouth and Gosport School of Science and Art (1870), the Portsmouth Municipal Technical Institute (1894) and Portsmouth Municipal College (1908), which replaced the earlier Institute. The College also took under its wing the College of Art, Portsmouth Day Training College for teachers and a public library.This article examines the development of academic dress at the University of Portsmouth.

History And Development Of University Doctoral Academical Dress In Aotearoa (New Zealand), Scott Pilkington

Transactions of the Burgon Society

In 2018 it was announced that Auckland University of Technology (AUT) would join the other seven universities in Aotearoa (New Zealand) in offering a higher doctorate qualification. As part of this process it became apparent that new academical dress would need to be designed and created. Working in the university’s Graduate Research School gave me an opportunity to provide input, and as a result, I designed a new set of academic dress for these qualifications in conjunction with the university’s official robemaker, Paul Fielder (FBS).

This provided a prompt to examine what academical dress exists for existing AUT doctorates – …

Black Lives Matter: Keep Your Eyes On The Prize (2021), Gregory T. Wilkins

The International Journal of Equity and Social Justice in Higher Education

The image is of a woman of African descent who is wearing a colorful headdress which cascades down one side of her head to her tattered sweater. One eye is blind. The other eye has a target over it with her eye looking to the side. The target represents the world looking at her, targeting/labeling her because of the color of her skin, and it also represents her looking out into the world focusing intently on the future. Her eye is looking to the side engaging the periphery; she is ready and fully aware of her surroundings. Pending on the …

Black Lives Matter: Hands Up, Don't Shoot (2021), Gregory T. Wilkins

The International Journal of Equity and Social Justice in Higher Education

The image is of a multi-colored background with crochet thread radiating across the canvas. White Fleece letters are quilted onto the canvas spelling out the words ‘Hands Up, Don't Shoot’

Clothing Autonomy, Audrée Wilhelmy

Green Humanities: A Journal of Ecological Thought in Literature, Philosophy & the Arts

(Translated by Lucas Zabotin)

Understanding Consumers' Use Experience On Electrically Heated Jacket: A Study On Online Review Using Topic Modeling, Md Nakib-Ul Hasan

LSU Doctoral Dissertations

The demand for heated jackets is anticipated to be fuelled by frequent temperature drops, severe winter weather, and increasing outdoor activities. Electrically heated jackets (EHJ) are primarily marketed through online distribution channels and expansion of online sales channels is expected to boost the global market. Consumers are increasingly relying on online reviews from other consumers to help them decide what to buy. Businesses also actively monitor and manage their online reviews to build trust in their brand and make it more likely that customers will buy. Traditional approaches for assessing customer behavior, such as market research surveys and focus groups, …

Colby Museum Of Art: Faith Ringgold “Story Quilt” Acquired, Bob Keyes

Colby Magazine

The Colby Museum of Art adds a coveted Faith Ringgold story quilt to its collection.

Imprints: The Marks We Make, Patricia Botts

Graduate Theses

When walking throughout a cemetery, you may notice the small dash on a tombstone between the year of someone’s birth and their death. Have you ever given thought as to how a tiny line can represent so much? Even a small mark, such as the dash, can represent volumes in the entirety of a person’s life and the imprint they leave on those around them. In my work, I use various types of line as symbols associated with representations of life. I am most interested in lines as visual representation of physical and psychological wounds, both newly created and those …

Creating Adaptive Face Masks With Clear Inserts To Aid People With Hearing Loss, Blare Offenbacker

Apparel Merchandising and Product Development Undergraduate Honors Theses

The purpose of this study is to create adaptive face masks with clear inserts to aid individuals with hearing loss. In early 2020, when the world went into lockdown and quarantine, guidelines were set by the Center of Disease Control (CDC) on how to protect yourself from Covid-19. Covid-19 is also known as SARS-CoV-2, which is severe acute respiratory syndrome corona virus 2. The main protection against Covid-19 at the beginning of the pandemic was the use of face masks that covered the nose and mouth. This has been a continued recommendation for protection against Covid-19 with the different variants …

Winding Down River Road, Gillian Harper

LSU Master's Theses

As a mechanism to explore my temporary home in Louisiana, Winding Down River Road is a collection of artworks that integrates natural materials collected from landscapes in southern Louisiana with steel and petroleum-based products. My interest in researching environmental issues, ecology, and industry has shaped my vehicles for observation and how I generate data. Through a variety of methodologies, I am considering how climate change is forcing many of us to re-contextualize how our home can be affected by the very industries we rely on. Personal engagement with residents living in the dystopian atmosphere of southern Louisiana’s industrial corridor and …

World Settings, Elizabeth Meiklejohn

Masters Theses

Acoustical building materials, with their ability to absorb and diffuse sound, can reshape the character of interior spaces in profound ways. Woven textiles often perform as acoustical materials, whether by coincidence or by design; strategic use of textile structure and dimensionality can yield specific experiential qualities in homes, offices and shared spaces. The way certain materials manipulate sound can feel otherworldly, as if they break the laws of physics or the familiar parameters of one’s surroundings. The same properties can be found in emergent visual patterns and illusory lighting conditions, which provoke an investigative, deliberate way of looking.

In this …

Shifting Landscapes, Zahra Tyebjee

Masters Theses

Landscapes are never stable. Light, color, and weather interact to create dynamic atmospheres. As a designer who works with textiles and immersive spaces, I observe sensorial and fleeting elements of optical phenomena and textural landscapes. The goal of this collection of knitted fabrics is to capture the experience of these effects and bring atmosphere from the outdoors in. My memories of landscape are filled with impressions of light, color, and weather shifts. I draw from my experience of shifting landscapes to emphasize textural material exploration. I activate space through material contrasts, ephemeral qualities, and large-scale knitted fabrics. I seek to …

Soul Soiree: How “Sunday Best” Dressing Encourages Celebration Of Self, Olufisayo Quadri

Masters Theses

Celebration is an important part of living a fulfilled life. From significant milestone events like weddings and birthdays to smaller moments of serendipity, the act of celebration is an affirmation of one’s place in the world. Across cultures, communities have used festive textiles to show an appreciation for their values and histories.

What Do We Stand For?, Lauren Koven

Masters Theses

I am exploring constructed realities and dismantling binaries and dualities. Much of this work is investigated through, but not limited to, language, gender, sexuality, race, and performativity.

La Cultura Que No Cambia, Karina Arreola-Gutierrez

MFA in Visual Art

In the text of La Cultura Que No Cambia, I mention how my work has been influenced by becoming more aware of generations of altar making that occur in my family. By collecting stories and photographs of altars, I can observe and create work based on how the legacies can change through generations or stay the same. The memory of my ancestors and family traditions is strengthened. Growing up seeing discrimination towards others has influenced me to highlight my Mexican heritage of traditions, culture, and language through several different methods. Using these elements, I can create work informing audiences about …