Fiber, Textile, and Weaving Arts Commons^™

Masks: A New Face For The Theatre, Alexi Michael Siegel

James Madison Undergraduate Research Journal (JMURJ)

This study seeks to reimagine and reinvigorate modern theatre’s relationship with mask work through text-based historical research and practice-based artistic research. It focuses on three ancient mask traditions: pre- and early Hellenistic Greek theatre, Japanese Noh theatre, and Nigerian Egungun masquerades. Research on these mask traditions and recent masked productions informed the development and staging of a masked performance of Charles Mee’s Life is a Dream. The production featured sections for each of the ancient masking styles and a final section that explored masks in a contemporary theatrical style. As a whole, this creative project pulls masks out of …

Conscious Consumerism: A Design Process For Stylish Sustainable Apparel, Luz Becerra

Honors Theses

The main objective of this paper is to explore current consumer behavior and perspective on sustainable apparel as well as future trends in the market place such as willingness to buy. I investigated the market for organic apparel brands, and identified potential areas of growth. My findings concluded that young consumers lack interest in sustainable apparel because they are not sufficiently educated in the topic and are not willing to sacrifice their style identity, consequently purchasing trendy fast-fashion items. The fashion industry is famously claimed to be the second most polluting industry in the world, so I designed a line …

69, Taylor Mcguirt

The Anthology

No abstract provided.

Heritage, Tradition, And Craft In Quiltmaking (Fa 1131), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1131. Collection contains Interviews, photographs, and informant data sheets relating to Sandy Staebell's project with quiltmakers in Allen County and Monroe County, Kentucky and Macon County, Tennessee for the 2017-2018 Osby Lee Hire and Lillian K. Garrison Hire Memorial Lecture Series.

Vantage Point: Fall 2018, Vantage Point

Vantage Point

No abstract provided.

Vantage Point: Spring 2018, Vantage Point

Vantage Point

No abstract provided.

The Academic Dress Of The University Of Essex, Edmund Eggleston

Transactions of the Burgon Society

No abstract provided.

The Hood Of The Determining Ba At Oxford, Nicholas Groves

Transactions of the Burgon Society

No abstract provided.

An Argument For The Wider Adoption And Use Of Traditional Academic Attire Within Roman Catholic Church Services, Seamus Addison Hargrave

Transactions of the Burgon Society

No abstract provided.

Ohio River Survey (Fa 656), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 656. Kentucky Folklife Program project titled: “Ohio River Survey,” which includes interviews, tape logs, photographs and other documentation of folklife along the Ohio River in Illinois, Indiana and Kentucky. Interviews may include a description of belief, traditional occupation, practice, craft, or tool, informant’s name, age, birth date, and address.

Textile Society Of America Newsletter 30:2 — Fall 2018, Textile Society Of America

Textile Society of America Newsletters

Letter from the Editor

Letter from the President

TSA News
Welcome New TSA Board Members
Our Focus on Diversity: Vision Statement
R. L. Shep Ethnic Textile Book Award
Diedrick Brackens Honored with 2018 Brandford/Elliott Award

International Report
Featured Exhibitions
Centre for Heritage, Arts and Textile (CHAT)
Opportunity
The University of North Texas to Close Fibers Program by Spring 2019

TSA Symposium
The Social Fabric: Deep Local to Pan Global in pictures
TSA Members' Exhibition
Reports from Student & New Professional Awardees

A Long-Delayed Professional Conversation

Book Reviews
Art, Honor, and Ridicule: Fante Asafo Flags from Southern Ghana
Polychromatic Screen Printing …

Rawlins, Arline Mclean (Perkins), 1899-1962 (Mss 647), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Collection 647. Material about the hooked rug designs created and executed by Arline McLean (Perkins) Rawlins of Bowling Green, Kentucky. Includes correspondence, published and unpublished articles, and photographs

Stranded Cellular Automaton And Weaving Products, Hao Yang

Mathematical Sciences Technical Reports (MSTR)

In order to analyze weaving products mathematically and find out valid weaving products, it is natural to relate them to Cellular Automaton. They are both generated based on specific rules and some initial conditions. Holden and Holden have created a Stranded Cellular Automaton that can represent common weaving and braiding products. Based on their previous findings, we were able to construct a Java program and analyze various aspects of the automaton they created. This paper will discuss the complexity of the Stranded Cellular Automaton, how to determine whether a weaving product holds together or not based on the automaton and …

Then Again, Maybe I Won't, Claire Bartleman

Electronic Thesis and Dissertation Repository

This dossier and accompanying exhibition at MKG (Toronto, Ontario) both titled Then again, maybe I won’t, constitutes my Master of Fine Arts Degree at the University of Western Ontario. Within this dossier are a comprehensive artist statement, an interview with artist Jennifer Rubell and documentation of my art production over the course of my degree. These components contextualize my practice within the contemporary art world and outline the motivations and theoretical research that drives my work. Specifically, I look at affect theory, femmage, the burden of ownership and art theorist Jennifer Gonzalez’s notion of autotopography and how they are …

Richardson, Laura Elizabeth (Ferguson), 1908-1986 (Mss 645), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid and full text scans of correspondence in box one (Click on the "Additional Files" below for Manuscripts Collection 645. Letters, photographs, and research notes belonging to quilt collector Laura Elizabeth Richardson. Includes letters and research materials from noted quilt authority Florence Peto.

Toxins In The Collection: Museum Awareness And Protection, Nellie Slocum

Museum Studies Theses

The purpose of this thesis is to discuss museum policies regarding toxic materials used in the creation of an object or added to it as a preservation or pesticide technique. After surveying different museums, it has been found that many museums are unaware of what parts of their collections contain toxic materials. Because of this unfamiliarity with the danger these materials might pose, many museums to not have policies in place regarding them. Toxins in collection items may pose a threat to museum staff who are working with them on a day to day basis. Toxic materials are prevalent in …

Powell, Steve (Fa 1195), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1195. Student paper titled “Quilting for Frugality” in which Steve Powell interviews close family members and friends about their experiences with quilt making. Powell offers a brief biographical background on each informant along with individual motivations and inspirations for crafting quilts. The paper includes color photographs of various types of quilting patterns and one sample of a quilting square.

Jarvis, Brenda (Fa 1199), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1199. Student paper titled “The Quilting Art” in which Brenda Jarvis interviews her mother, Jane Jarvis, about her experiences related to crafting quilts. The author provides a biographical summary of her mother and describes her early forays into quilt making. Jarvis also describes the social aspects of quilting, patterns as a reflection of certain lifestyles, the process of quilt construction, and the materials necessary to complete the final product. Included in the paper are color photographs of various quilting styles along with samples of quilting handiwork.

Morris, Brenda (Fa 1166), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1166. Student paper titled “Quilting” in which Brenda Morris explains the process of piecing together a quilt. Morris, who worked directly with long-time quilter Oma Grant, includes step-by-step instructions along with photographs at various stages throughout the course of crafting. Also included are design patterns and completed samples of handiwork.

Clarke, Mary Louise (Washington), 1913-1999 (Mss 634), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Collection 634. Research, correspondence and photographs relating to the scholarly study of Kentucky author Jesse Stuart by WKU English and folklore professor Mary (Washington) Clarke. Includes correspondence with Stuart, editors and other scholars in connection with her book Jesse Stuart’s Kentucky and other publications. Also includes research and correspondence relating to Clarke’s book Kentucky Quilts and Their Makers.

Moments Of Metanoia, Mariah Anne Pickett

LSU Master's Theses

The term ‘metanoia’ embodies a climactic moment on the precipice—an instance where one is confronted by the tremendous threshold between youth and maturation. Moments of Metanoia explores these experiences that create an overwhelming division between the way things were and the way things will be. They are the crystallizing moments of metamorphosis or the shattering moments of undoing. As evidenced by their thematic appearances in ancient mythology, these dramatic episodes of transformation have existed as a part of the human condition for millennia. By using Greek mythology to explore metanoia, the universality of the human experience is emphasized. Each piece …

Soheila Azadi Interview, Jillian Bridgeman

Asian American Art Oral History Project

Artist Bio: Soheila Azadi is an interdisciplinary visual artist and lecturer based in Chicago and Iran. Born in the capital of Islamic cities, Esfahan, Azadi absorbed story-telling skills through Persian miniature drawings since she was nine. Azadi’s inspirations come from her experiences of being a woman while living under Theocracy. Now residing in the U.S. Azadi is dedicated to transnational feminism with a passionate devotion to the ways in which race, religion, gender, sexuality, and ethnicity intersect. Azadi uses performance art and performative installations as methods to both materialize and narrate stories about women’s everyday struggle in the world. Her …

Capes Make The Man, Khalid Mezaina

Masters Theses

‘Capes Make The Man’ is a project that provided me with the opportunity to grow as a designer and an artist. Over the last two years at RISD, I’ve frequently asked myself questions about my place and role as a man in the United Arab Emirates, and what awaits when I move back after graduating. Using personal narratives and cultural symbols from home, I bring to life the archetypes I carry as a mature masculine – my king, warrior, magician, lover and dancer. The end result is a series of bold, wearable capes, resembling stage costumes worn by pop stars …

Cosmic Whatever, Cement Gardens, Luminous Shade, Winifred Vaughan

Masters Theses

My work is an assemblage of disciplines, reductive processes, and accumulated materials interpreted with a painterly quality. Slipping away faster than we can grasp, the unrelenting forces of time propel us forward. Memory fragments our chronologies, transforming our existence into a collaged fabric. Layered transparencies allow the three chapters of this thesis, Cosmic Whatever, Cement Gardens and Luminous Shade, to bleed into each other turning them into composed cycles. These unlikely combinations permit freedom to experience a narrative that is both vast and intimate.

The Evolution Of Ornament, Charlotte Ngaio Fairless

Masters Theses

The Evolution of Ornament is a visual exploration of Darwin’s theory of sexual selection, abstracted into three textile panels representing the allure of textural ornamentation. The fragmented shapes depicted are gathered together into asymmetrical layouts that reference dissection and bird plumage. The parallel themes of glamour in the natural world, and the pulsing vivacity of flora and fauna, emerge as a vehicle for the contemplation of the innate irrationality of desire. The viewer is seduced through neon color palettes, tactile materiality, and considered placement of specifically amorphous shapes. They are intended to simulate in the viewer the reaction of a …

Haptic Wonder : The Sensation Of Exquisite Craft, Anjuli Berstein

Masters Theses

I reinterpret traditional woven techniques to create permeable handcrafted screens, by using archival research of historical passementerie and gauze structures. Conceptually, these textiles are an exploration of how wonder can be reached through exquisite craft, a result of valuable raw materials combined with fine hand manipulation. I attempt to distinguish a kind of wonder that exists as a tactile sensation based on haptic sight of minutia, versus the sublime as an experience of optical sight of distant objects.

Summer Peaches And Salt-Tinged Fog, Carolina Jiménez

Masters Theses

The pieces that I create are monuments of the mundane; they are both garments and--through their installation--a place as well. They are portraits of loved people, embodied through hand labor and industrial processes. In this project I destabilize the idea of a memory palace--an imagined rational space which holds memory--and replace it with an ever-expanding memory atmosphere. From a palace of marble and bronze to a fog of salt tinged color, a sky turning, like a cut plum, from orange to purple, music carried on the breeze.

I map individuals, qualities of light, flashes of color and material. Specific moments …

Los Productos Textiles De Los Andes Sur-Centrales: Guía Ontológica Centrada En La Región Aymara-Hablante, Denise Y. Arnold

Textile Research Works

El presente libro ofrece una organización ontológica de los productos textiles andinos. A nivel mundial, los museólogos están dando cuenta de la utilidad de este recurso para estructurar sus colecciones de objetos y para vincularlas con datos de respaldo (registros, catálogos, dibujos, fotos, etc.). Una ontología es una especificación explícita de una conceptualización, que proporciona una estructura y los contenidos que codifican las reglas implícitas de una parte de la realidad, en este caso del dominio textil. Aquí presentamos una representación del conocimiento del dominio textil centrada en las ‘formas’ textiles, por decir los tipos de prendas (ahuayo, acso, unco, …

Craft Production And Sociocultural Context: A Case Study Of Nasa Werregue Coiled Basketry In Colombia, Cindy Cordoba Arroyo

LSU Master's Theses

According to the Alliance of Artisan Enterprise from the Aspen Institute, the existence of the artisan enterprise is valuable for native communities since it creates jobs and preserves ancient techniques (Aspen Institute, 2012). The design and development of the Werregue (Astrocaryum Standleyanum) coiled basket is a source of income for indigenous communities in Colombia. This research uses a case study method which employed semi-structured interviews with fifteen skilled Nasa Werregue coiled basketmakers, to analyze the sociocultural characteristics, design, production, and market in Werregue coiled basketry in the Pacific region of Colombia within two research settings, Cali and the …

Observance | A Passage, Charis Schneider Norell

Graduate School of Art Theses

My art practice consists of drawing with fibers within handcrafted frame looms. I position these drawings as expanded, three-dimensional “drawing spaces,” creating medium-scale installations. I wish to expand drawing’s definition beyond its traditional material limits to simply be the process of leaving marks. Fiber is my medium, and the space within the frame loom’s warp and weft becomes my support. I see the drawing process to be the gestural residue of thought, and call these works my “fiber drawings.” While I use traditional weaving methods and materials as I work, I do not call myself a weaver. I see myself, …