Art and Design Commons^™

The Reveal: A Technical Study And Conservation Treatment Of An Overpaint Portrait, Camille Ferrer

Art Conservation Master's Projects

A severely damaged 19th-century oil painting depicting a portrait of a woman was treated at Patricia H. and E. Garman Art Conservation Department. A typed letter provided by the owner mentioned that it has been previously restored yet returned with unsatisfactory results. After further examination, the painting appeared to have been previously treated multiple times by different people. There was overpaint distinctly present on the face and later discovered to be present overall. The full state of condition of the painting was initially unknown due to the sum of the surface being overpainted. However, there were evidence of paint loss …

Pictorial Bionomics: Santa Ana River Record And Survey, Caleb Lachelt

Student Scholar Symposium Abstracts and Posters

Intense conflict is unfolding in Southern California, and it runs right through our cities every day. It goes unnoticed by most, but its outcome will decide the future for humans and nature alike. This conflict is between human development and the natural majesty of our waterways. The foundation of Orange and surrounding areas is historic wetlands, which have caused massive flooding that destroys human lives and buildings. In response to this destruction, we have unleashed our own damage, paving entire sections of our rivers and erecting dams and levees wherever we can. Through this process we have successfully protected those …

Generations, Jayla Watkins

Student Projects

Understanding your family can be the starting point of understanding your personal identity. Coming of age, you begin to view your family members as individuals as opposed to their titles of “Mother” or “Grandmother” names that once seemed to elude that she possessed some sort of supernatural power. As Jayla Watkins looks across 3 generations of her family, she sees different versions of the same person affected by life experiences, environments, and choices. Some oddly similar and some worlds apart. Understanding the generations of woman before her helps inform the woman she is becoming.

With influences such as Deana Lawson …

False Eidetic, Zach Sockol

Student Projects

Do memories still exist if they are forgotten?

Memories define the soul. They are created to outlast the experience, but what is left behind? A moment in time captured with the lens of the mind, it is intangible. These memories shape our worldview, our thoughts, our reality. It is the culmination of these experiences that makes us who we are, yet through reminiscence, those moments are viewed so clearly in your mind that to you it is the truth, only to hear someone else remember it completely differently. Does this mean our memories aren’t real? Will we ever be able …

Makeher, Maeve R. Wallace

Student Projects

Makeher is a multi-media work that grapples with the existential dilemma of creation within the context of our increasingly unreliable world. Anchored by a concern for the implications of childbirth, my art studies themes of life's genesis and the world we leave behind.

My subject matter, an amalgamation of mirrors, planets, silver, body parts, hair, and tights, are tools with which I explore these themes. Using silver fabric, I abstract the human form. By integrating disassembled body parts with mirrors, I reflect on the fragmented and multifaceted nature of the human existence. This process is not just about the creation …

10-5, Avery Taylor

Forces

No abstract provided.

2024 Forces, Collin College

Forces

No abstract provided.

Photography, Architecture, And Environment: An Architectural Analysis Of Edward Ruscha’S 26 Gasoline Stations, Rebecca Tonguis

Belmont University Research Symposium (BURS)

This presentation explores Edward Ruscha’s photobook 26 Gasoline Stations through an architectural lens. Specifically, it treats Ruscha’s work as historic evidence of how consumption, industry, and commodity have infiltrated all kinds of environmental contexts through architectural manifestations. Known for being the first artist’s book, 26 Gasoline Stations ambiguously exists as both fine art and documentation of everyday conditions, with the overall graphic character highlighting its perceived focus on overarching narrative. Since gasoline stations are the primary subject of each of the 26 photographs, the subject of this work is arguably architecture, suggesting that the historic relationship between mass gas consumption—or …

Behind The Lens, Jolie M. Adams Miss

Belmont University Research Symposium (BURS)

What Fuels Me as a Photographer?

Many photographers don’t realize their ability and opportunity to give back and make a difference. I believe photography extends beyond taking a series of photographs. For me, it is my way of serving others, connecting with people, and sharing their stories. I believe photography is a powerful tool to inspire change in communities—especially in those that are underserved. Photos are visual statements of humanity: an abstract of our failures, ignorance, arrogance, compassion, resilience, progress, and so much more. I want my photography to go beyond a small circle of influence. All of us have …

Molly Wardius, Senior Art Exhibition Portfolio, Amalia Wardius

Senior Art Portfolios

This is work created by Molly Wardius for the Senior Art Exhibition Portfolio 2024. The work includes graphic design, photography, and collage.

Photography And 21st-Century Migration, Sarah Bassnet, Blessy Augustine

Visual Arts Publications

No abstract provided.

Family, Diaspora, And The Politics Of Care In Griselda San Martin’S The Wall , 2015-16, Sarah Bassnet

Visual Arts Publications

This article examines a series of photographs by Griselda San Martin, a Spanish journalist and documentary photographer based in New York City and Mexico City. The series focuses on the experiences of people at Friendship Park, a bi-national park located in the border region of San Diego, United States, and Tijuana, Mexico. Working in Tijuana, San Martin engaged with families as they attempted to connect with loved ones across the border in San Diego. Many of the people she met at Friendship Park had become separated from family members after living as undocumented migrants in the US and then being …

After Little Women, To Amy March, Alex Aradas

The Echo

No abstract provided.

Each Other's Nerves/Pile Of Flesh/Fuse, Emily Clancey

The Echo

No abstract provided.

Something Beautiful Is Going To Happen, Eric Neumann

The Echo

No abstract provided.

My Sister, Caroline Prewitt

The Echo

No abstract provided.

Winter Begin-Ter, Kayla Burrell

The Echo

No abstract provided.

Good Girls, Bad Girls, Macy Petty

The Echo

No abstract provided.

Catch, Gabriella Williams

The Echo

No abstract provided.

Pocket Change, Emily Clancey

The Echo

No abstract provided.

Cries From The Tall Grass, Gabriella Williams

The Echo

No abstract provided.

Cloudfall, Gabriella Williams

The Echo

No abstract provided.

For The Girl Who Had A Snake In Her Apartment Last Night, Alice Tyszka

The Echo

No abstract provided.

Motherhood, Laura Dame

The Echo

No abstract provided.

Setae, Gabriella Williams

The Echo

No abstract provided.

Trees That Burn At Night, Kayla Burrell

The Echo

No abstract provided.

Linear Reflections, Anna Timbes

The Echo

No abstract provided.

Making A Picture, Ciaran Francis

The Echo

No abstract provided.

When You're Old Enough To Drive, Alice Tyszka

The Echo

No abstract provided.

Waiting, Ciaran Francis

The Echo

No abstract provided.