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Articles 1081 - 1086 of 1086
Full-Text Articles in Art and Design
Photographic Imagery As A Source For Iconography In Painting And Drawing, Eric Peder Brakken
Photographic Imagery As A Source For Iconography In Painting And Drawing, Eric Peder Brakken
All Master's Theses
Any verbalization of an artistic statement is by its very nature, an inadequate interpretation. However, I feel there is some merit in a concise declaration of my general concepts in the study. This paper represents a summation of the concepts and directions involved in my studio investigation in painting and drawing.
Specifically, it is within the scope of man's altered and effected perception of reality that I have based the studio research.
The Art Institute Of Boston Course Catalog (1971-1972), The Art Institute Of Boston
The Art Institute Of Boston Course Catalog (1971-1972), The Art Institute Of Boston
Art Institute of Boston (AIB) Course Catalogs
The Art Institute of Boston maintains, and always has maintained throughout the course of its long history, that the artist holds a unique position of responsibility in his society. Because the weight of his contribution is so widely felt in this age of the expanded media, the artist is expected to be not only innovator, but also arbitrator. The decisions which affect his life and his work influence a wide body of people who look to him for illumination.
Art cannot be taught as a development of certain visual talents separate from a larger awareness of life. The Art Institute …
The Art Institute Of Boston Course Catalog (1969-1971), The Art Institute Of Boston
The Art Institute Of Boston Course Catalog (1969-1971), The Art Institute Of Boston
Art Institute of Boston (AIB) Course Catalogs
In January of 1968 The School of Practical Art changed its name to The Art Institute of Boston as an outward sign of the diversity of ideas and interests that had generated during the past decade. The combined efforts of students, teachers, and administrators have produced a broad program which attracts students with a variety of goals, and affords an opportunity to study in several different disciplines.
The Art Institute of Boston seeks talented young people who wish to make art their lifetime career. The school offers a three-year program leading to diplomas in advertising design, illustration, photography, and fine …
The Educated Eye Ii, The Dalton School, Children And God Lp Records, Lou Dorfsman, Cbs Corporate Entertainment And News Divisions, Tony Schwartz
The Educated Eye Ii, The Dalton School, Children And God Lp Records, Lou Dorfsman, Cbs Corporate Entertainment And News Divisions, Tony Schwartz
Lou Dorfsman CBS Archive at RISD
CBS Television Division Education Department Teaching Supplement.
The Educated Eye II and Children and God movable record cover, [early 1970s?] ...record cover bearing the title The Educated Eye II [...] containing Tony Schwartz's vinyl record, Children and God. The cover, illustrated with black-and-white photographs taken by Ken Heyman at the Dalton School in New York City, consists of flaps that can be unfolded and reassembled into a three- dimensional "house" or "school" building Illustrated instructions for assembling the building are provided on the inside of the front cover flap, along with notes about Heyman's photographs and Schwartz's recording by Dalton …
Photographic Color Printing, James W. O'Neill
Photographic Color Printing, James W. O'Neill
Graduate Student Research Papers
It was the purpose of this study to (1) determine the process that is necessary for dye formation in a colored negative; (2) to investigate the process of .making a color print; (3) to evaluate a color print in regard to density and color balance; and (4) to enable one to correct the color balance of a colored print.
In Memoriam; By Alfred, Lord Tennyson; A Photographic Interpretation, Eunice Blanchard
In Memoriam; By Alfred, Lord Tennyson; A Photographic Interpretation, Eunice Blanchard
English - All Scholarship
In Memoriam; by Alfred, Lord Tennyson; A Photographic Interpretation is a photographic essay completed by Eunice Blanchard in 1947 as an English Term Paper at Syracuse University in Syracuse, NY. Blanchard tells the story of Tennyson's poem through original photography.
Acknowledgements:
Arthur W. Brown, Instructor in English; C. Wesley Brewster, Instructor in Photography; D.M. Norton, Assistant to Mr. Brewster; Photography Models: Janet Clark, Betty Sanders, Aubrey Vaughn Woolsey. Jr.
This is the original work of Eunice Blanchard, under CCBY 4.0. It is an open-access work, copyrighted and licensed by the author for re-use.