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Full-Text Articles in Art and Design

Review: Natalie Selden Barnes's Honor The Precariat, Annah Krieg Nov 2019

Review: Natalie Selden Barnes's Honor The Precariat, Annah Krieg

Academic Labor: Research and Artistry

This review details the fall 2017 exhibition of Natalie Selden Barnes's installation, Honor the Precariat, which took place in the Directions Gallery in the Department of Art and Art History at Colorado State University. By combining data with plexiglass figures in an immersive artwork, Selden Barnes compels the viewer to engage with the complex reality of the majority of university educators, those who are adjunct instructors.


Honor The Precariat, Natalie Barnes Nov 2019

Honor The Precariat, Natalie Barnes

Academic Labor: Research and Artistry

Honor the Precariat is an art installation conceived and executed to acknowledge and honor the significant contributions of non-tenure track faculty, particularly those colleagues teaching at Colorado State University. The exhibition and accompanying article recognize faculty who work in anonymity and often without security, teaching, advising, and mentoring hundreds of students and representing millions of dollars in tuition revenue.

The essence of the artwork captures the 20+ year struggle of the artist to come to terms with the value of a career in which she has been viewed as a second-class faculty member – and this dichotomy facing all members of ...


Enmesh: The Art Of Trauma And Recovery, Joanna Pottle May 2019

Enmesh: The Art Of Trauma And Recovery, Joanna Pottle

Senior Honors Projects, 2010-current

Liminal Space is an artistic installation within the ongoing, interdisciplinary creative/research project "Enmesh: The Art of Trauma and Recovery.” Utilizing a combination of research methods, creative processes, and cultural inspirations, this project asks the following questions: how can the artistic process (this project serving as a preliminary case study) parallel various modes of recovery and healing? How can this objective be visually communicated through a mixed media approach of drawing, painting, and printmaking and how can this approach be an effective tool of communication? What can we conclude from both modes of work (solitarily or collectively)? How do they ...


Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg May 2019

Kiddush Levana, The Moon Is Your Handheld Mirror, Noa Ginzburg

School of Arts & Sciences Theses

Noa Ginzburg is weaving cast-off and hand-made objects, lights, reflections, spells, drawings, and an abundance of knots into site-responsive installations. In her thesis, Ginzburg addresses Hieronymus Bosch’s paintings, the synergy of assemblages, repurposing of materials in the era of Anthropocene, and how notions of solidarity and indeterminacy influence her work.


Face Me., Audrey M. Colanero Apr 2019

Face Me., Audrey M. Colanero

Honors Thesis

"face me.", 2019 Digital Illustrations on Vinyl Print, Industrial Materials

"face me." is an expression of the people who have helped me get where I am today using portraits. Each face we see makes an impact on our lives in some way. Which face are we showing to the people we encounter, and what impact are we choosing to make?


North American Data, Joseph A. Burwell Feb 2019

North American Data, Joseph A. Burwell

School of Arts & Sciences Theses

North American Data fractures and reconfigures pre-existing narratives into new, unauthorized forms of storytelling. Core samples extracted from various narrative sources are reassigned new roles according to their proximity to each other. This paper functions as an introduction to the essential actors and their dramatic inclinations within fluctuating scenarios.


Generative Movements, Cabbage Juice, & Habitats Of Selfhood, Jason Michael Rondinelli Feb 2019

Generative Movements, Cabbage Juice, & Habitats Of Selfhood, Jason Michael Rondinelli

School of Arts & Sciences Theses

The content of this essay is a reflection on my practice as an artist. A summary of text includes an analysis of my attraction to certain materials such as drywall, cabbage juice and coconut oil, all materials are the extensions of my memory, intention and pleasure. From warm memories of bathhouses and the flesh of others to managing illness at home, my artwork distills a lived experience into material reality. These materials take the shape of sculptural networks that serve as biographical biomes. The architectural and organic components of the work are sourced from my own experience and the surreal ...


Memories Of Wuhan, Kun Zhou Jan 2019

Memories Of Wuhan, Kun Zhou

Honors Theses at the University of Iowa

With the development of globalization, more and more cultures blend together. Perhaps because of this, nowadays many foreign artists advocate their native styles. As a Chinese student, who enjoys designing projects with visual meanings, I decide to make a series of 12 postcards, illustrating famous architectures in my hometown, Wuhan. I’m looking forward to practicing the skill of transferring sketches to digital forms fluently.

I was born and raised in Wuhan, China for 20 years, and would like to share images of my home and myself. I choose to draw famous architectures in Wuhan because I enjoy the design ...


How To Be Okay, Isabel G. Van Den Heuvel Jan 2019

How To Be Okay, Isabel G. Van Den Heuvel

Senior Projects Spring 2019

I began this line of thought with the desire to understand human connection. I want to know how people operate both as individuals being perceived as well as how they connect to each other in small, casual ways. Acts like introducing yourself, or navigating in a crowded place seemed like skills that everyone had learned on the day I had skipped class. This began as a private venture, an intensifying of my day to day attempts of applied observation. My result, rather than gradual mastery of interpersonal relations, was deeper confusion and frustration. I wanted instruction, but the construction of ...


I Thought The Earth Remembered Me, Hannah Bates Jan 2019

I Thought The Earth Remembered Me, Hannah Bates

Theses and Dissertations

The forest is teeming with activity: fungi transform dead logs into nutrients, roots entangle themselves with the earth, and strong winds break resilient boughs. Like the forest, the human body functions according to a complex system of agents - from the micro bacteria in the gut to the pores of the skin. The built world has often been rendered in opposition to these processes of nature. As a vessel through which the world is experienced, the body is an intermediary between raw matter and fabricated things. The planet is suffused with human life, and there is a critical tension between human ...


Greetings From..., Casey Mae Schachner Jan 2019

Greetings From..., Casey Mae Schachner

Graduate Student Theses, Dissertations, & Professional Papers

Greetings from... is a reflection of my roots in the tropical vacationland of Florida, a place for which I feel both nostalgic and conflicted. Growing up in southern tourist destinations, I was confronted daily with the extreme contrasts of living in paradise. In my artwork, I am translating the cacophony of Florida through the lens of materiality. By re-configuring commodified objects of the tourism industry, the sculptural works in this show exhibit my consideration for the paradoxical relationships that exist between materials and place. Much like the avant-garde Surrealist object, or the assemblage of found materials in provocative combinations that ...


The Day Is Just Another Surface, Brooks M. Heintzelman Jan 2019

The Day Is Just Another Surface, Brooks M. Heintzelman

Theses and Dissertations

Within a practice founded on both typographic form and language, I have continued to push myself to make work that is more sensitive to place, more contextual, more (hopefully) generous toward a public audience. These pieces might serve as useful instruments of institutional critique, resources for comprehension, or moments in which to interrogate preconceived modes of seeing. I deploy original texts in public spaces in order that they might force viewers to decide how to personally resolve the content they encounter. Is it language or object? Literal or figurative? Graphic design or art? The further I develop this body of ...


All Hat & No Cow, Jesse Blumenthal Jan 2019

All Hat & No Cow, Jesse Blumenthal

Graduate Student Theses, Dissertations, & Professional Papers

My thesis work, All Hat & No Cowhas been an exploration of End Stage Capitalism and Art/life in the American post-industrial Intermountain West. The research has been presented in one suite with three parts; a Sonic Ecosystem, Community Collaborative Foundry, and Mobile Blacksmithing School. Each of these activities present windows into ongoing (some career long) projects that comprise a diverse practice; different tracks on the same album. The three parts in the suite include technological progressions via the materials and process as the narrative arcs of societal “progression”. Structural welding, architectural blacksmithing, andcommercial foundry work emerged out of industrial practice. These processes and materials provide the transformations and conceptual associations.


Migiwa Orimo Interview, Jessica Ruiz Jul 2018

Migiwa Orimo Interview, Jessica Ruiz

Asian American Art Oral History Project

Artist Bio:
Migiwa Orimo is an artist whose primary work takes the form of installation. Orimo was born and raised in Tokyo, Japan. After receiving her degree in literature and studying graphic design, she immigrated to the US in the early eighties.

In her process of creating installations, she begins by entering a space of language. Often her installations consist of disparate elements--text, painting, drawing, objects, video and sound. In attempting to establish relationships and tension between those elements, similar to constructing sentences, she explores the notions of gap, slippage, and “a realm of disjunction.”

She exhibits her work nationally ...


Kioto Aoki Interview, Austin Sandifer Jun 2018

Kioto Aoki Interview, Austin Sandifer

Asian American Art Oral History Project

Artist Bio: Kioto Aoki is a conceptual photographer and experimental filmmaker who also makes books and installations engaging the material specificity of the analogue image and image-making process. Her work explores modes of perception via nuances of the mundane, with recent focusing on perceptions of movement between the still and the moving image. She received MFA from The School of the Art Institute of Chicago and is currently a 2017-2018 HATCH artist in residence at the Chicago Artist Coalition.

https://kiotoaoki.com/


Nirmal Raja Interview, Dalton Campbell Jun 2018

Nirmal Raja Interview, Dalton Campbell

Asian American Art Oral History Project

Artist Bio: Nirmal Raja is an interdisciplinary artist living and working in Milwaukee, WI. Born in India, she has lived and traveled in several countries. Raja received a Bachelor’s of Arts in English Literature in India, a Bachelor’s of Fine Arts in Painting at the Milwaukee Institute of Art & Design and a Master’s of Fine Arts at the University of Wisconsin, Milwaukee. Her work deals with concepts of displacement, cultural negotiation and memory. http://nirmalraja.com


Overlapping Entities: Visualizing The Space Between Nature And Culture, Zoie Brown May 2018

Overlapping Entities: Visualizing The Space Between Nature And Culture, Zoie Brown

Bachelor of Fine Arts Senior Papers

In my work I generate forms that occupy the space between our false conceptions of nature and culture. I subvert binaries–both between nature and culture and between women and men–through the physical conflation of microscopic and macroscopic spaces. Nature itself is a cultural concept; the notion that we are separate from nature at all is a fallacy. The body of work discussed uses ideas from Environmental Sociology and my definition of intersectional Ecofeminism to visualize the intersection of these cultural binaries within physical space. The pieces included utilize light responsive technology as a means of mediating our experiences ...


It's Pink And Nice But We Are Done With It, Taylor Elizabeth Yocom May 2018

It's Pink And Nice But We Are Done With It, Taylor Elizabeth Yocom

Graduate School of Art Theses

My work in video, installation, performance, sound, and photography is influenced and inspired by my experience of being a woman. In my work, I draw pink flowers and create pink backdrops. I smash things, eat, drink, drop things, smile, nod, and look at you. Through these works, I explore the gender performativity of female niceness, synthesizing these two separate theories as a social condition and expectation for women. I argue that female niceness consists of bodily and linguistic patterns that women must perform in order to be perceived as feminine.

In my video and installation work, I use a “sickeningly ...


Enter The Void: Visual And Other Pleasures, Serena Silver May 2018

Enter The Void: Visual And Other Pleasures, Serena Silver

Bachelor of Fine Arts Senior Papers

My research and art practice focus on the idea of power dynamics where the female is the passive object of the active male gaze. Through the influx of digital social media platforms, these power dynamics exist in many fluid forms which is what I believe to be the relationship between the masculine and the feminine- where the masculine is inevitably always alpha. In contemporary terms, this power dynamic exists and penetrates our daily consumption of visual culture. From the art world to the fashion industry and beyond- all are feeding into consumerism and capitalism. People have become brands, or as ...


Are You Still Recording?, Rachel Wright May 2018

Are You Still Recording?, Rachel Wright

Art Practices MFA Theses

Are You Still Recording? Is an experimental video installation that re-contextualizes an archive of home movies, including 16mm film, 8mm film, Super 8, video and sound recordings, as well as voicemail messages from my father and other natural and instrumental sounds. I am investigating the ways in which personal narrative can underscore the collective narrative through the format of experimental video, installation, and writing. I reference and examine ideas relating to memory, time, nature, recording, and notions of the collective. I am also interested in themes and relationships between home movie and ethnography, as well as notions of identity, materiality ...


Things That Don't Work: An Exploration In Sculpture And Installation, Mark Tyler Frasier May 2018

Things That Don't Work: An Exploration In Sculpture And Installation, Mark Tyler Frasier

Graduate Theses

This thesis statement will explore connections between my work and contemporary artists and its references to art movements including Minimalism, Dada and Surrealism, and Installation art. My thesis work explores the metaphors of current social and political constructs that seem to operate properly, but in reality, do not. My intention is to juxtapose constructed and found fragments of mixed media in such a way as to subvert their traditional associations in order to encourage viewers to question reality. My relationship to the materials and interest in the process are as important to me as the final product. No single piece ...


"Can You Shut The Door Behind You?", Nate Millstein Jan 2018

"Can You Shut The Door Behind You?", Nate Millstein

Senior Projects Spring 2018

"Can you shut the door behind you?" creates a parallel between the basement and the subconscious. These settings (one mental and one physical) serve as storage units. In creating these spaces, I became fascinated with the container as a sculptural form; objects whose purpose is to carry and cradle other objects. Pipes cycling water throughout the home, crates and boxes holding family memorabilia, washing machines continuously cycling dirty laundry. My work captures how these containers, abandoned in this forgotten space, grow and decay. The entire space is in and of itself a constructed container a viewer may enter. Casting is ...


Play Thing, James Edwin Herbert Jan 2018

Play Thing, James Edwin Herbert

Senior Projects Spring 2018

Play Thing is a musical installation made both to entertain and to challenge a viewer. Every nook of the structure pushes viewers to find their place within it, whether by tempting them to pay a quarter to smash an explosive phallus, or else by daring them to try out an untrustworthy tricycle. A constant flow of risk and reward permeates the space while moments of painstaking craftsmanship, coupled with the chaos of a playful viewer, up the stakes of interaction.

I came to Bard College a luthier having never taken a class in studio art. Until quite recently I have ...


Maureen Lutz Senior Art Show Portfolio, Maureen Lutz Jan 2018

Maureen Lutz Senior Art Show Portfolio, Maureen Lutz

Senior Art Portfolios

Maureen Lutz Senior Art Show Portfolio


A Familiar House, William Lenard Jan 2018

A Familiar House, William Lenard

Theses and Dissertations

The landscapes of my home in Connecticut are important to me. When I was young, I went to the woods for seclusion and comfort. While I wandered through the woods, I discovered a passion for storytelling. Now that I no longer live in New England, I miss the familiar landscapes of home. As a way to portray my sentiment, I write poetic narratives and create objects to illustrate natural landscapes.

I combine my interests of classic Americana art and literature with brutalist architecture and modern furniture to create immersive installations. I work with concrete and hardwood to materially bridge the ...


Converging Objects Of The Universe, Everett Hoffman Jan 2018

Converging Objects Of The Universe, Everett Hoffman

Theses and Dissertations

Reconfigured found objects shape scenes of everyday life, questioning the structural histories that go into defining an identity. Engaging in a multidisciplinary approach of making, my work reimagines the function of ornamentation and its relationship to the body. I approach new materials and found objects with the eye of a jeweler, highlighting and exploiting the subtle, and often invisible, links between material histories and their connection to identity. Material debris patinated with age like skillets, baseballs, and furniture are used to penetrate normative structures around identity, gender, and sexual desire. Using adornment as a support in my installations I propose ...


Mantle, David Hannon Jan 2018

Mantle, David Hannon

Masters Theses

Through a large-scale installation called mantle, I explore how the queer body becomes uncanny to the home through a human sized dollhouse and using scenic design ideas. Home for many is a safe place, but for queers, it can be a difficult one, wrought with not belonging in a childhood of heteronormativity. Being stuck in that heteronormative space is what I communicate through a stage set, composed of four theater flats, printed and collaged wallpaper, free-standing photos mounted on MDF, a giant necklace in a separate room, and impromptu pieces made in the space.


Remains To Be Seen: Recollecting Memory, Nathanael Kooperkamp Jan 2018

Remains To Be Seen: Recollecting Memory, Nathanael Kooperkamp

Masters Theses

Abstract

Remains to be Seen, a multi-media installation, provides the opportunity for reconfiguration, re-contextualization and re-remembering of visual memory. Geoffry Cubit, a historian of memory, has noted that “memory has no fixed, stable, unitary meaning to which we can invariably recur: it has always been, and legitimately, a concept in flux and under review”.[1]My work in this exhibition (and as discussed throughout this paper) addresses the unstable and revisionist nature of memory—both culturally and individually. Additionally, I attempt to address how memory (collective, visual, familial and individual) is implicated in the creation of selfhood, of personal narrative ...


Home Is Where The Morphine Is, Morgan Sierra Jan 2018

Home Is Where The Morphine Is, Morgan Sierra

All Theses, Dissertations, and Other Capstone Projects

The thesis exhibition I create will be an installation that is centered around a fictional narrative starring a vivacious mental patient, and containing the people, places, and things in which she interacts with in her life at the hospital. As the audience moves through the gallery, they are immersed into the main character's world, seeing and analyzing the rooms and objects through the eyes and mind of the protagonist. The confidence in which the patient speaks of her environment could lead spectators to believe that her experiences in the hospital are an irrefutable truth. It is only after closely ...


Rupture, Dionis Ortiz Dec 2017

Rupture, Dionis Ortiz

School of Arts & Sciences Theses

I am an interdisciplinary artist working in painting, photography, printmaking, sculpture, video and installation. I employ these mediums to create a coming of age story as a Dominican New Yorker, exploring masculinity, vulnerability, the supernatural, family, and religion, as well as how culture plays a role in my community and in my life.