Art and Design Commons^™

Summer 2000, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.

Winter/Spring 2000, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Words & Images 2000, University Of Southern Maine

Words and Images

Words and Images is an annual arts and literature publication distributed by the University of Southern Maine.

Editor: Jeanette D'Entremont

Art Editor: Allisson Bouchard

Literary Editor: Sybil Ridge

Parnassus 2000

Parnassus

The 2000 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Mr. Noir: The Big Black Cat, Alexis Mahon, Fleet Library, Special Collections, Jan Baker

Animals

This book was created for Jan Baker's artists' book class.

Portfolio, 2000, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

Black Image And Identity African-American Art From The Permanent Collection, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

T he presentation of Robert Colescott's groundbreaking solo exhibition, which represented the American Pavilion at the 1997 Venice Biennale, offers a unique opportunity for the Sheldon Memorial Art Gallery and Sculpture Garden to display a selection of African-American art from its permanent collection. This exhibition, entitled Black Image and Identity, serves several important purposes. First, it locates Robert Colescott, one of the most important and influential African-American artists of the twentieth century, within the broader historical context of a dynamic and diverse African-American visual arts tradition. Second, it focuses attention on the important influence that Colescott has exerted on younger …

Fall/Winter 2000, Wmpg 90.9 Fm

WMPG Program Guides

WMPG program guide for Fall/Winter 2000

Includes notes from Program Director, information on shows and events, and schedule.

Textile Society Of America Newsletter 12:1 – Winter 2000

Textile Society of America Newsletters

Santa Fe to Host TSA 2000 Symposium
TSA Calendar
TSA News
Letter from the President
Collections News
Member News
Exhibition/Conference Reviews
Conferences and Symposia
Exhibits
Lectures and Workshops
Publication Opportunities
Tours and Courses
Info Exchange

Japanese Kimono Fashion Of The Early Twentieth Century, Annie Van Asche

Textile Society of America Symposium Proceedings

This paper examines the development of popular kimono fashion from the late 19th century through the mid-20th century. I focus on kimono worn by modem-thinking young women whose wardrobes, by the 1920's, included both new Western and recreated Japanese garments and accessories. The meisen kasuri kimono, the most popular new style of kimono among women living in the growing urban metropolitan centers, is highlighted. It covers an unprecedented historical period of rapid modernization and Westernization of Japan, which brought about societal changes that dramatically--and positively--transformed the lives of Japanese women. I begin with a historical sketch of the industrialization of …

Ray Jonas: Sam Erenberg, Ray Jonas, Sam Erenberg, Frank Mcentire

Exhibit Catalogues

Catalog of works by Ray Jonas and Sam Erenberg from the exhibition shown at the Nora Eccles Harrison Museum of Art. Essay by curator of exhibition, Frank McEntire.

Ray Jonas And Sam Erenberg, Frank Mcentire

Exhibit Catalogues

Brief biographies of scupltor Ray Jones and painter Sam Erenberg written by curator Frank McEntire.

The Self Inside The House, Susan Viguers, Special Collections, Fleet Library

Artists' Books

pamphlet stitch variation, made from one folded piece of paper, with pop-up elements, enclosed in a paper wrapper; cover; cover (without slipcase); interior spreads and page; colophon. Using architecture as a metaphor, the artist muses on the aging process and how what is on the outside of us does not always reflect the real self, the part of us that is inside.

Volumes (Of Vulnerability), Katharine Meynell, Special Collections, Fleet Library

Artists' Books

pamphlet, saddle stitch, spiral bound, accordion, portfolio, all enclosed in a metal box; front of box; covers of assorted books. Twenty artists create small bookworks focusing on the vulnerability of our current society as the clock ticks toward the year 2000. This box recreates the touring exhibition, curated by Susan Johanknecht and Katherine Meynell.

Xiong Mao = [Panda], Xichan, Special Collections, Fleet Library

Artists' Books

10 unnumbered pages : all color illustrations. Title from label mounted to cover. Handpainted? ink and watercolor, black, grey, and green. Artist name from red ink stamp on last page. 惜春. Cover boards in green cloth with a repeating pattern printed in dark green and blue. Title and stamp in Chinese characters. Accordion fold. Gift of Jan Baker.

(In)Versions, Julie Chen, David Turner, Special Collections, Fleet Library

Artists' Books

[28] pages : color illustrations. Illustrated card stock in accordion fold format, with text mounted on inside back cover; illustrated within cutout mats. When book is unfolded, 2 separate multidimensional scenes are revealed, one from each end. Issued in hardcover box (23 x 27 cm) attaching at the side. Windows centered on the front & back of box. "(In)versions is a collaborative bookwork which combines drawings by David Turner with monoprint & collage elements by Julie Chen. The pages were printed on a Xerox DocuColor 40 and then cut using a Universal Systems laser cutter. This book was partially produced …

Cyber Egos, Béatrice Coron, Special Collections, Fleet Library

Artists' Books

8 unnumbered pages : illustrations. Title from cover. "This booklet was made from the original papercuts of an artist book created in an edition of three in 2000"--back cover. Folded sheet, instant book. Gift of Jan Baker.

Artifacts, Laura Davidson, Special Collections, Fleet Library

Artists' Books

wooden box with compartments. Leather bound book, fabricated "archaeological" artifacts; case bound; box exterior; box interior; interior and accompanying notebook; . Leather bound "archaeologist's field notebook" includes sketches of an imaginary dig and archaeological specimens, housed in a wooden box.

Alphabetica Ii: Explorations Around The Alphabet By Senior Design Students At Pratt Institute In New York, Werner Pfeiffer, Special Collections, Fleet Library

Artists' Books

French fold pages hand sewn and glued, with paper cover; cover; interior spreads and title page. 12 students in Pfeiffer's class at Pratt Institute created this digital alphabet book.

B, Werner Pfeiffer, Special Collections, Fleet Library

Artists' Books

accordion fold, machine sewn, volvelle, match book structure, folded broadsides, all enclosed in a hinged plastic box with an elastic cord and plastic bead closure; cover; interior pages and spreads; four small books. Sampling of book works made by 9 Pratt Institute students in Pfeiffer's class, featuring the historical, culinary, ethnic, natural, and cultural diversity of Brooklyn.

Getting There, Being There, Marcia Ciro, Special Collections, Fleet Library

Artists' Books

concertina, flag book, with tabbed paper wrapper; paper wrapper; cover, book closed; pages spreads; interior pages unfolded, back cover. number 6 in an edition of 25, signed by the artist

The Theater Of Nature, Or, Curiosity Filled The Cabinet, Angela Lorenz, Special Collections, Fleet Library

Artists' Books

1 volume (unpaged) : ill.. "Magic Lantern Edition" "'The Theater of nature...' is a variation on the original format, in which the water-colors are replaced by nine transparencies, alluding to the rise of photography and cinematography in 16th century magic lanterns. Most of the images are based on manuscript illustrations commissioned by Ulisse Aldrovandi (1522-1605), the first professor of natural history appointed in Italy and creator of an extensive museum of natural artifacts."--Colophon. Two mounted accordion fold illustrated texts. Each are printed on both sides and include color transparencies. Limited edition of 10 copies, numbered and signed by the artist. …

Mythos Chronos Logos, Ruth Laxson, Special Collections, Fleet Library

Ruth Laxson Artist Book Archive

[22] leaves : ill. Part 1: Mythos (chance chants) -- Part 2: Chronos (timing) -- Part 3: Logos (logic). Cover title. Sewn in grey colored thread; five-hole Japanese stab binding with hinge-fold. Issued in grey paper boards; hinge-fold edged in grey cloth. Black endpapers. Printed in black and white. "Printed on various papers with hand set type: Caslon & Franklin Gothic ... Edition 40."--Colophon. Library has copy no. 24. Signed by the artist.

Prague, Venezia, Amsterdam, Providence, Sophie Kelle, Fleet Library, Special Collections, Jan Baker

Culture

This book was completed for Jan Baker's artists' book class Printed Books.

The Cherries, Kate Decarvalho, Fleet Library, Special Collections, Jan Baker

Stories

This book was completed for Jan Baker's artists' book class.

The Field, Mary Mccarthy, Special Collections, Fleet Library

Artists' Books

case bound in suede covered boards, enclosed in a suede covered box; box exterior; first opening; cover; interior spreads and pages. The day unfolds as the mist rises in a country field, little by little revealing the teeming wildlife found there.

Food For Thought, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

The Sheldon Memorial Art Gallery and Sculpture Garden is pleased to present Food for Thought, the thirteenth annual Sheldon Statewide exhibition. Sheldon Statewide is a unique collaboration between the Sheldon Gallery, the Nebraska Art Association (a nonprofit volunteer membership organization dedicated to the advancement of the visual arts in Nebraska) and the efforts and cooperation of the many Nebraska communities that serve as exhibition venues. The mission of the Sheldon Gallery is the acquisition, exhibition, and interpretation of 19th-20th-century American art. Sheldon Gallery has achieved a national reputation for this collection. Each year twenty works from this collection are …

Judith Burton: Visual Nuances, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

The history and development of the pictorial tradition in the West is punctuated by many formal and conceptual tensions, among them the tension between representation and abstraction, between mimesis and personal expression, between objectivity and subjectivity, between the artist and the viewer. The Sheldon Memorial Art Gallery and Sculpture Garden is pleased to present Judith Burton: Visual Nuances, a solo exhibition featuring twenty-four paintings and two monotypes by an important Nebraska artist whose aesthetic expression succeeds in celebrating these many tensions and formal subtleties that are such an important part of our visual arts tradition.

However, much attention-perhaps too …

Conrad Bakker: Art And Objecthood, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

The Sheldon Memorial Art Gallery and Sculpture Garden is pleased to present Conrad Bakker: Art and Objecthood, an installation that engages many of the most important aesthetic and cultural issues in the contemporary artworld. This exhibition is part of a semesterlong focus at the Sheldon Art Gallery on the significance and influence of Marcel Duchamp, one of the most influential artists of the twentieth century. In addition to this exhibition, the permanent collection galleries of the Sheldon Art Gallery include Duchamp's famous Boite-en-Valise, an etching of his infamous Fountain, and the work of other artists, both historical and contemporary, who …

Trains That Passed In The Night, Thomas A. Garver

Sheldon Museum of Art: Catalogs and Publications

Winston Link was a young practitioner of an old photographic tradition, one still much used, but which now commands little public notice. He developed a strong personal style within the technique of using cameras that were usually fixed in place, mounted on heavy tripods and using large negatives, typically 4 x 5 inches in size. The dynamic qualities of photographs made this way came through their careful planning: the precise placement of the camera, and equally careful placement of the lighting sources, with people and objects also being arranged with an eye for the final effect. Photographs using this technique …