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Articles 121 - 129 of 129
Full-Text Articles in Art and Design
The Field, Mary Mccarthy, Special Collections, Fleet Library
The Field, Mary Mccarthy, Special Collections, Fleet Library
Artists' Books
case bound in suede covered boards, enclosed in a suede covered box; box exterior; first opening; cover; interior spreads and pages. The day unfolds as the mist rises in a country field, little by little revealing the teeming wildlife found there.
Food For Thought, Daniel A. Siedell
Food For Thought, Daniel A. Siedell
Sheldon Museum of Art: Catalogs and Publications
The Sheldon Memorial Art Gallery and Sculpture Garden is pleased to present Food for Thought, the thirteenth annual Sheldon Statewide exhibition. Sheldon Statewide is a unique collaboration between the Sheldon Gallery, the Nebraska Art Association (a nonprofit volunteer membership organization dedicated to the advancement of the visual arts in Nebraska) and the efforts and cooperation of the many Nebraska communities that serve as exhibition venues. The mission of the Sheldon Gallery is the acquisition, exhibition, and interpretation of 19th-20th-century American art. Sheldon Gallery has achieved a national reputation for this collection. Each year twenty works from this collection are …
Judith Burton: Visual Nuances, Daniel A. Siedell
Judith Burton: Visual Nuances, Daniel A. Siedell
Sheldon Museum of Art: Catalogs and Publications
The history and development of the pictorial tradition in the West is punctuated by many formal and conceptual tensions, among them the tension between representation and abstraction, between mimesis and personal expression, between objectivity and subjectivity, between the artist and the viewer. The Sheldon Memorial Art Gallery and Sculpture Garden is pleased to present Judith Burton: Visual Nuances, a solo exhibition featuring twenty-four paintings and two monotypes by an important Nebraska artist whose aesthetic expression succeeds in celebrating these many tensions and formal subtleties that are such an important part of our visual arts tradition.
However, much attention-perhaps too …
Conrad Bakker: Art And Objecthood, Daniel A. Siedell
Conrad Bakker: Art And Objecthood, Daniel A. Siedell
Sheldon Museum of Art: Catalogs and Publications
The Sheldon Memorial Art Gallery and Sculpture Garden is pleased to present Conrad Bakker: Art and Objecthood, an installation that engages many of the most important aesthetic and cultural issues in the contemporary artworld. This exhibition is part of a semesterlong focus at the Sheldon Art Gallery on the significance and influence of Marcel Duchamp, one of the most influential artists of the twentieth century. In addition to this exhibition, the permanent collection galleries of the Sheldon Art Gallery include Duchamp's famous Boite-en-Valise, an etching of his infamous Fountain, and the work of other artists, both historical and contemporary, who …
Trains That Passed In The Night, Thomas A. Garver
Trains That Passed In The Night, Thomas A. Garver
Sheldon Museum of Art: Catalogs and Publications
Winston Link was a young practitioner of an old photographic tradition, one still much used, but which now commands little public notice. He developed a strong personal style within the technique of using cameras that were usually fixed in place, mounted on heavy tripods and using large negatives, typically 4 x 5 inches in size. The dynamic qualities of photographs made this way came through their careful planning: the precise placement of the camera, and equally careful placement of the lighting sources, with people and objects also being arranged with an eye for the final effect. Photographs using this technique …
Christian Artists In A Postmodern Time, Donald "Donnie" Allen Copeland Jr.
Christian Artists In A Postmodern Time, Donald "Donnie" Allen Copeland Jr.
Honors Theses
The rigid rules of our traditional schools of artistic standards have been shattered. What our culture expects of artists and what artists expect of themselves has drastically changed. In this time of Postmodernism1 , any means an artist finds to express and to communicate is valid. There is no dominant school or style, no art Nazis dictating what must be the form to follow in our artistic expression.
My purpose is to take these new trends in art and to apply them to a long dormant voice in the arts, Christianity, and to see where artists who are Christian stand …
Ua11/1 Outdoor Sculpture Campus Tour, Wku University Relations
Ua11/1 Outdoor Sculpture Campus Tour, Wku University Relations
WKU Archives Records
Brochure highlighting numerous sculptures located on the Western Kentucky University campus.
Review Of 1900: Art At The Crossroads, Antoni Pizà
Review Of 1900: Art At The Crossroads, Antoni Pizà
Publications and Research
There is probably little doubt that the fissure between "high" and "low" culture is more conspicuous nowadays than it ever was. Clement Greenberg, that dashing arbiter of contemporary art, had already sensed it in 1939 when he wrote the seminal essay quoted above, as Adorno also perceived it decades before him. Their foreboding premonitions, however, could not hinder the relentless success of popular culture and the retreat of so-called high art into the safe harbors of the university campus, the museum, and the private sphere.
Crafting A Jewish Style: The Art Of Bezalel 1906-1996, Lana A. Burgess
Crafting A Jewish Style: The Art Of Bezalel 1906-1996, Lana A. Burgess
Staff Publications
No abstract provided.