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Central Washington University

Theses/Dissertations

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Articles 31 - 59 of 59

Full-Text Articles in Art and Design

A Study Of The Influence Of The Lyrical Prose Novels Of Virginia Woolf And Hermann Hesse On The Creative Process In Intaglio Printmaking, Kathleen Heather Embree Jul 1970

A Study Of The Influence Of The Lyrical Prose Novels Of Virginia Woolf And Hermann Hesse On The Creative Process In Intaglio Printmaking, Kathleen Heather Embree

All Master's Theses

It is the purpose of this study (1) to emphasize the complementary union between literature and the visual arts; (2) to limit the exploration to those specific lyrical prose writers: Hermann Hesse and Virginia Woolf; (3) to create prints utilizing the novel as a source of image-gathering but which do not retain this identity in the finished work; (4) I to experiment with the division of the plates, as well as cutouts for the effect of creating spatial illusion or imaginary space.


The Record Of A Masters Thesis Exhibit, Gary Michael Green Jul 1970

The Record Of A Masters Thesis Exhibit, Gary Michael Green

All Master's Theses

This thesis documents the preparation, exhibition, and audience reaction to an art exhibit created by the author.


Sculptural Furniture, Gary Galbraith Jul 1970

Sculptural Furniture, Gary Galbraith

All Master's Theses

The artist should employ his sense of playful experimentation that requires the re-investigation of old manners and styles. I have attempted to apply the imagination of my senses to the furniture object in order to satisfy other human needs aside from comfort. These artistic requirements remove the piece of furniture from the realm of neutrality and tastefulness and expect the viewer - user to experience visual communication.


Investigations In Mixed-Media Printmaking, Jarold H. Powell Jan 1970

Investigations In Mixed-Media Printmaking, Jarold H. Powell

All Master's Theses

The device man uses to transport himself is one of his dearest possessions and one of his biggest problems. The relationship between man and his machine is the basis for the content of this thesis. Since walking became impractical, men have grown dependent physically, emotionally, psychologically, economically, and socially on a personal means of transportation. My own ideas and experiences are the source for the content of this series of works.


Utilization Of The Frame Loom For Weaving In The Secondary School, Bonnie Jean Powell Jan 1970

Utilization Of The Frame Loom For Weaving In The Secondary School, Bonnie Jean Powell

All Master's Theses

Creating weavings on the frame loom is an important method to be investigated in that it is possible to create complex and creative forms without using the intricate process of the harness loom. Because frame loom weaving has so many advantages for secondary art students, it should be investigated and explained so that future teachers, who have had little or no experience with it, could see its value and teach it to their own students.


Parody As The Ironic Mode Of Existential Art, Delma Ward Tayer Jan 1970

Parody As The Ironic Mode Of Existential Art, Delma Ward Tayer

All Master's Theses

This study was commenced as an investigation into the aesthetics of existentialism as applied to contemporary art in America, particularly painting. This student believes that to the artist who recognizes the absurdity of his existence, irony is the natural mode of expression. It is also the belief of this student that the form of irony in recent American art, expressed primarily in parody and black humor, indicates America’s own particular brand of cheerful nihilism. The purpose was to better understand the aesthetics of existentialism, to apply these to contemporary art, and finally to apply these influences to the student’s own …


A Study Of The Bottle Configuration, William A. Tyner Jan 1970

A Study Of The Bottle Configuration, William A. Tyner

All Master's Theses

It is the candidate's intention to explore the elements inherent with the bottle configuration. Singled out as most important are Form, Balance and Tension, while the bottle or closed form has been chosen due to the vastness of form possibility and over-all technical difficulty of working in that format. The study is predominantly creative, and in that vein, the candidate seeks the experience that will be gained from defining his sincere attitudes and convictions embodied in the results of the study, original ceramic art forms.


A Series Of Figure Drawings, Amy Allen Gierke Aug 1969

A Series Of Figure Drawings, Amy Allen Gierke

All Master's Theses

It is the purpose of this study to create a series of figure drawings by means of experimentation with various materials and techniques, with a brief study on artists and their need and potential to delve in fantasies and mystical realms, just as the candidate will do in certain stages of development.


The Figure And Environmental Forms In Jewelry, Sophie Sheppard Jul 1969

The Figure And Environmental Forms In Jewelry, Sophie Sheppard

All Master's Theses

The purpose of this study was to make a series of jewelry, conceived as small sculpture, using the human figure in relation to environmental form. The review of literature pertinent to the study consisted of a presentation of the visual and philosophical content in the work of Rico Lebrun and Ernest Trova, and an analysis of the work of the candidate as influenced by these artists.


A Ritualized Approach To A Series Of Mixed Media Watercolor Paintings, Richard K. Miller Jul 1969

A Ritualized Approach To A Series Of Mixed Media Watercolor Paintings, Richard K. Miller

All Master's Theses

The thesis problem involved the development of a series of watercolor paintings within a ritualistic format; the standardization of approach resulted in the development of a personal iconography. This iconography was secondary to the total work however. The thesis involved the development of a series of paintings with identical preparations and preliminary developmental stages, all of which, at a certain point in development, became totally dependent regarding further work on an intuitive development and a reliance upon epiphanic insights for completion.


The Use Of Automatism In Mixed Media Watercolor Painting, Russell A. Hepler Jul 1969

The Use Of Automatism In Mixed Media Watercolor Painting, Russell A. Hepler

All Master's Theses

The purpose of this study is (1) to investigate the principles of automatism, (2) to apply these principles and means in developing a series of original mixed-media watercolor paintings, and (3) to draw conclusions relevant to the process.


A Series Of Intaglio And Mixed-Media Prints Portraying The Negative Consequences Resulting From Man's Inhumanitarian Actions, Susan Clare Miller Jan 1969

A Series Of Intaglio And Mixed-Media Prints Portraying The Negative Consequences Resulting From Man's Inhumanitarian Actions, Susan Clare Miller

All Master's Theses

It is the purpose of this study (1) to portray in visual, graphic form the negative consequences resulting from inhumanitarian acts man inflicts upon himself and others; (2) to delineate these actions in a revealing, subtle manner that is still representative of the facts of reality; (3) to experiment with a diverse range of intaglio printmaking techniques and compositional arrangements which best produce the visual, emotional effects desired.


A Study Of Majolica Pottery Decoration, Robert Sutton Rae Aug 1968

A Study Of Majolica Pottery Decoration, Robert Sutton Rae

All Master's Theses

It was the purpose of this study to investigate the origin and development of majolica decoration and to execute original variations of these techniques on pottery made by the candidate.


A Series Of Original Paintings In Water Soluble Paint Employing Mixed Media And Experimental Techniques, E. Wayne Swanson Aug 1968

A Series Of Original Paintings In Water Soluble Paint Employing Mixed Media And Experimental Techniques, E. Wayne Swanson

All Master's Theses

This thesis was a creative investigation of mixed media using water soluble paints in order to further develop experimental techniques. Painting was limited to watercolor pigments, tempera, polymer tempera, acrylics, Elmer's glue, water, ink stick, or other materials that relate to water soluble media. The development of the problem helped the candidate to draw conclusions about the technique, development, application, and experimentation of this mixed media. This study was written so that one can understand the terminology and investigation procedures and use this as a departure point for further study using water soluble mixed media.


A Series Of Original Oil Paintings, Donald John Campbell Jul 1968

A Series Of Original Oil Paintings, Donald John Campbell

All Master's Theses

It was the purpose of this study: (1) to examine, through visual and written form, the process of externalization-- the painting process, and (2) to, as objectively as possible, analyze the paintings, as objects, that are separate from the self of the artist.


A Series Of Original Prints With The Human Image As An Important Compositional Element, John Paul Morgan Jul 1968

A Series Of Original Prints With The Human Image As An Important Compositional Element, John Paul Morgan

All Master's Theses

It was the purpose of this study to investigate and explore the use of the human image as a compositional element in a series of original prints. All of the available printmaking techniques within the knowledge of this artist were called upon to best express concepts and forms which he desired to portray. Three avenues of approach were used in the development of the print: (1) Transferring sketches made directly from the nude model onto the plate and developing the plate for the appropriate form of printmaking, (2) Developing the printmaking plate intuitively without sketches or preplanning, and (3) Planning …


The Investigation Of Figure-Ground Relationships In Painting, Barbara H. Jones Jul 1968

The Investigation Of Figure-Ground Relationships In Painting, Barbara H. Jones

All Master's Theses

The thesis problem involved the investigation of figure-ground relationships in painting. This study dealt with varying experiments in space, color relationships, the juxtaposition of form, and value relationships. The media used were those common to oil, watercolor and drawing. The investigation entailed the development of form and space relationships in a series of paintings. The study included a critical evaluation regarding achievement of the expressive aims, and the conclusions drawn from individual paintings, as well as from the series. The fundamental locus lay within the figure-ground relationship and that has been the emphasis.


An Investigation Of The Structural Qualities Of Certain Technical Elements In A Series Of Oil Paintings Related To The Figure, Gretchen Hartsock Teague Sep 1967

An Investigation Of The Structural Qualities Of Certain Technical Elements In A Series Of Oil Paintings Related To The Figure, Gretchen Hartsock Teague

All Master's Theses

The purpose of this study is (1) to investigate structural qualities of certain technical elements of oil painting, (2) to apply these qualities and means to a series of oil paintings related to the figure, (3) to evaluate the quality of structure achieved by these means, and (4) to arrive at conclusions and suggestions for future modifications of the candidate's paintings techniques.


A Creative Project In Printmaking Dealing With The Production Of A Series Of Original Prints Using Multiple Plates Printed In Relief And Intaglio Techniques, Gregory Wallace Hawkins Aug 1967

A Creative Project In Printmaking Dealing With The Production Of A Series Of Original Prints Using Multiple Plates Printed In Relief And Intaglio Techniques, Gregory Wallace Hawkins

All Master's Theses

It was the purpose of this study to explore and develop technical and aesthetic possibilities resulting from the use of multiple plates in printmaking: 1. by relating the content of separate plates through the combination of shape, color and implied narrative qualities; 2. by developing the contour of the total composition as a secondary visual effect of the multiple plates with no limitation as to media, material, or color within the production of the print.


The Development Of A Series Of Cast Metal Sculpture Using The Lost Wax Process, Ernest C. Reynolds Jun 1967

The Development Of A Series Of Cast Metal Sculpture Using The Lost Wax Process, Ernest C. Reynolds

All Master's Theses

The purpose of this problem is twofold. First, I feel impelled to make a personal statement regarding my philosophies about form, and secondly to explore the possibility of relating negative and positive form as a sculptural unity in bronze casting.


Visual And Expressive Form Qualities Attainable In Thrown Pottery Vessels By Use Of Various Lips And Feet, Kirby William Benson May 1967

Visual And Expressive Form Qualities Attainable In Thrown Pottery Vessels By Use Of Various Lips And Feet, Kirby William Benson

All Master's Theses

It was the purpose of this study to discover the number of various form qualities that it is possible to achieve within pottery vessels that are closely related by similar feet, bodies, and lips. The variety of form qualities sought for were of a visual nature; the entire pot seeming to appear more or less vertical or more or less horizontal than others with the same type of body but with different shapes of lips and feet selected to be used.


An Experimental Investigation Of Spatial Representation In Oil Painting, Roberta Jean Cameron Jul 1966

An Experimental Investigation Of Spatial Representation In Oil Painting, Roberta Jean Cameron

All Master's Theses

The purpose of the study was (1) to investigate concepts of spatial representation and to study the spatial means used to achieve them; (2) to integrate these concepts and means with a series of oil paintings; and (3) to present conclusions that would suggest modifications in the candidate's painting techniques.


Cast Jewelry In A Selection Of Alloyed Metals, Mary Jo Baretich Jun 1966

Cast Jewelry In A Selection Of Alloyed Metals, Mary Jo Baretich

All Master's Theses

It was the purpose of this study (1) to apply metals which are adaptive to the casting of jewelry pieces; (2) to use a variety of methods in casting these pieces, the choices of which are governed by the alloy or alloys employed, and the materials used; and (3) to modify the designs in accordance with the alloy employed, and the methods and materials used.


A Study Of The Design And Production Of Modern Danish Furniture Including Personal Observations, Richard F. Dickinson Jul 1965

A Study Of The Design And Production Of Modern Danish Furniture Including Personal Observations, Richard F. Dickinson

Graduate Student Research Papers

It is the purpose of this study (1) to present a brief background of the history of modern Danish furniture design, and (2) to relate some of the recent and varied applications observed in the use of woods in modern Danish furniture which may be introduced in a design or planning unit.


An Investigation Of The Need To Correlate Academic Subject Areas With Industrial Arts, Ernest James Boedcher Jun 1965

An Investigation Of The Need To Correlate Academic Subject Areas With Industrial Arts, Ernest James Boedcher

Graduate Student Research Papers

This study was initiated as a result of a need that became apparent in two industrial arts seminars at Central Washington State College. Studies reveal that industrial arts teachers use principles, laws, and applications of mathematics and science daily, but these are seldom recognized and made meaningful to the students. As a result of this study industrial arts teachers may see a way to use this material to initiate similar situations in their teaching.


Lost-Wax Casting In Contemporary Jewelry, James Matthew Marta Aug 1963

Lost-Wax Casting In Contemporary Jewelry, James Matthew Marta

Graduate Student Research Papers

This paper will attempt to give the art teacher, art student, or craftsman a reliable guide to the methods, techniques, processes, problems and possibilities involved in producing a piece of cast jewelry by the lost-wax, or cire-perdu., method. None of the available guides to lost-wax casting give sufficient depth of technique, methods, or use of tools for the craftsman or teacher who may wish to improvise a casting experience in the classroom by the gravity-steam method. This paper will also aid the individual who wishes to establish a permanent lost-wax casting technique as a standard method in making jewelry, in …


Photographic Color Printing, James W. O'Neill Aug 1962

Photographic Color Printing, James W. O'Neill

Graduate Student Research Papers

It was the purpose of this study to (1) determine the process that is necessary for dye formation in a colored negative; (2) to investigate the process of .making a color print; (3) to evaluate a color print in regard to density and color balance; and (4) to enable one to correct the color balance of a colored print.


(An Analysis Of) Jewelry Making And Language, Lee Whitley Aug 1962

(An Analysis Of) Jewelry Making And Language, Lee Whitley

Graduate Student Research Papers

The purpose of this paper was to clarify the significance of jewelry by showing it to be like a language, both in past history and today. Jewelry is divided into two general divisions, that mass produced industrially at a relatively low cost and that individually-produced by craftsmen at considerable expense. It was not the intention of this paper to separate the two, merely to explore the language of jewelry through the medium of symbols.A


Creative Glazing Through The Trial And Error Method, Ted Wiprud Aug 1962

Creative Glazing Through The Trial And Error Method, Ted Wiprud

Graduate Student Research Papers

This research paper will deal with trial and error glazing. The main purpose will be to show that trial and error glazing goes beyond practical consideration and lends itself to the philosophical aspects of creativity.