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Articles 1 - 12 of 12
Full-Text Articles in Art and Design
Madness As Response To Inherent Cultural Conflicts In Anglophone Fiction From 1700 To 2020, Anna Klambauer
Madness As Response To Inherent Cultural Conflicts In Anglophone Fiction From 1700 To 2020, Anna Klambauer
Comparative Woman
Madness in literature has a long and colourful history. While its representation varies significantly in different literary periods, madness is nonetheless a consistent theme responding to inherent conflicts of civilisation. Thus, in the eighteenth-century novel, madness is subdued and forced to express itself in the language of rationality, while in the nineteenth century the theme becomes increasingly subversive. In the form of the madwoman trope (Gilbert and Gubar 1979), madness is simultaneously a reaction to restrictive patriarchal norms, and a frame in which the gender conflicts of the time can be safely and effectively played out. In the twentieth century, …
Forgotten Encounters: The Legacy Of Sculptresses And Female Muses, Laura Engel
Forgotten Encounters: The Legacy Of Sculptresses And Female Muses, Laura Engel
ABO: Interactive Journal for Women in the Arts, 1640-1830
Sculpture as a medium is inherently connected to legacy making. In producing three- dimensional monuments designed to withstand the test of time, women artists provided evidence of the lasting quality and permanence of their creative acts. This article examines the actress, sculptress and novelist Anne Damer’s sculpture of the famous actress turned Countess Eliza Farren (c. 1788), paying particular attention to the relationship between sculpture as a static art form that captures tactile embodied presence and the ephemerality of performance. Farren’s involvement in Damer’s staging of the private theatricals at Richmond House (Farren directed and Damer starred) suggests that their …
Craftivism And Cottonian Bindings: “The Handiwork Of Greta Hall”, Helen Williams
Craftivism And Cottonian Bindings: “The Handiwork Of Greta Hall”, Helen Williams
Criticism
Edith Southey, Edith May Southey, and Sara Coleridge Jr. covered Robert Southey’s books in vibrantly printed dress fabrics, creating a collection that came to be called “the Cottonian Library.” This article is a manifesto for Cottonian bookbinding to be studied as feminist literary activism. It argues for the importance of looking beyond the book trades to the domestic and unremunerated ways in which women contributed to Romantic period book design, suggesting that the new feminist Craftivism can prompt us to historicize and to acknowledge the significance of Cottonian bookbinding as a practice that cannot be omitted from any history of …
Introduction: Scottish Cosmopolitanism At The Fin De Siècle, Matthew Creasy
Introduction: Scottish Cosmopolitanism At The Fin De Siècle, Matthew Creasy
Studies in Scottish Literature
Introduces the topic of the special issue, reviews recent accounts of cosmopolitanism and scholarship on the Scottish fin de Siècle, and discusses how the essays that follow contribute to revaluation of Scottish literary culture in this period.
The Influence Of Japan And India In The Circle Of Patrick Geddes, Murdo Macdonald
The Influence Of Japan And India In The Circle Of Patrick Geddes, Murdo Macdonald
Studies in Scottish Literature
Discusses the influence of Japanese art in Evergreen contributions by E.A. Hornel and Charles Mackie, the influence of Patrick Geddes's ideas in Japan, and Geddes's links with the early 20th century revival of interest in Hinduism and Indian art.
‘Written In A Fair Hand’: The Living Tradition Of Medieval Scripts In J.R.R. Tolkien’S Calligraphy, Eduardo B. Kumamoto
‘Written In A Fair Hand’: The Living Tradition Of Medieval Scripts In J.R.R. Tolkien’S Calligraphy, Eduardo B. Kumamoto
Journal of Tolkien Research
This paper examines J.R.R. Tolkien’s calligraphic work in the light of the medieval scripts that possibly or certainly inspired him, aiming to demonstrate how his art was informed by the philological and paleographical dimensions. At first, we explore the context in which Tolkien’s calligraphic skills flourished. After that, the influence of the Anglo-Saxon Square Minuscule, the Insular Half-uncial, and the Uncial scripts is investigated by means of examples taken from Tolkien’s illustrations and manuscripts. The impact of the English Carolingian Minuscule, via Edward Johnston’s Foundational Hand, is also discussed. In the last section, the lettering in the maps prepared for …
Alasdair Gray (1934-2019), Patrick Scott
Alasdair Gray (1934-2019), Patrick Scott
Studies in Scottish Literature
A short tribute to the Scottish artist and writer Alasdair Gray, his friendship with and portrait of G. Ross Roy, the illustrations he did for Studies in Scottish Literature, and other Gray drawings in the Roy Collection at the University of South Carolina.
Afterword: New Reworkings Of Walter Scott From Dundee Comics Creative Space, Christopher Murray
Afterword: New Reworkings Of Walter Scott From Dundee Comics Creative Space, Christopher Murray
Studies in Scottish Literature
Discusses and illustrates a variety of approaches to the reworking of Scott novels by artists working in the Dundee Comics Creative Space, as developed for a sampler publication published by UniVerse Comics (2017), in connection with the Reworking Walter Scott project
Walter Scott And Comics, Christopher Murray
Walter Scott And Comics, Christopher Murray
Studies in Scottish Literature
A wide-ranging survey of the reworking of Scot's novels (and narrative poems) in comic form, in the US and UK.
The Shadow Puppets Of Elsinore: Edward Gordon Craig And The Cranach Press Hamlet, James P. Taylor
The Shadow Puppets Of Elsinore: Edward Gordon Craig And The Cranach Press Hamlet, James P. Taylor
Mime Journal
Taylor considers the role that book arts may play in Craig’s theories of the new theatre, or the Art of the Future. He expands our understanding of Craig’s design work to include print culture, examining his engravings for the monumental editions of Hamlet published by Count Harry Kessler’s Cranach Press in 1929–30. Taylor explores the relationship of Craig’s designs for the 1912 Moscow Art Theatre production of Hamlet to his engravings for the German and English-language Cranach Press editions of the play. He suggests that it was only with this print publication that Craig finally achieved the absolute artistic control …
Digital Expressionism And Christopher Wheeldon’S Alice’S Adventures In Wonderland: What Contemporary Choreographers Can Learn From Early Twentieth-Century Modernism, Kelly Oden
Butler Journal of Undergraduate Research
How can classical ballet adapt to a world that is in an ever more rapid state of flux? By uncovering an example of the kind of interdisciplinary artistic collaboration that contributed to the thriving artistic environment of the early twentieth century, a model for artistic success emerges. By examining modernism and Sergei Diaghilev’s Ballets Russes in relation to Christopher Wheeldon’s groundbreaking 2011 ballet Alice’s Adventures in Wonderland, a correlation between the success of the Ballets Russes and the success of Wheeldon is exposed. I argue that by applying the modernist practice of interdisciplinary interaction to his own productions, Wheeldon …