Art and Design Commons^™

Madness As Response To Inherent Cultural Conflicts In Anglophone Fiction From 1700 To 2020, Anna Klambauer

Comparative Woman

Madness in literature has a long and colourful history. While its representation varies significantly in different literary periods, madness is nonetheless a consistent theme responding to inherent conflicts of civilisation. Thus, in the eighteenth-century novel, madness is subdued and forced to express itself in the language of rationality, while in the nineteenth century the theme becomes increasingly subversive. In the form of the madwoman trope (Gilbert and Gubar 1979), madness is simultaneously a reaction to restrictive patriarchal norms, and a frame in which the gender conflicts of the time can be safely and effectively played out. In the twentieth century, …

Forgotten Encounters: The Legacy Of Sculptresses And Female Muses, Laura Engel

ABO: Interactive Journal for Women in the Arts, 1640-1830

Sculpture as a medium is inherently connected to legacy making. In producing three- dimensional monuments designed to withstand the test of time, women artists provided evidence of the lasting quality and permanence of their creative acts. This article examines the actress, sculptress and novelist Anne Damer’s sculpture of the famous actress turned Countess Eliza Farren (c. 1788), paying particular attention to the relationship between sculpture as a static art form that captures tactile embodied presence and the ephemerality of performance. Farren’s involvement in Damer’s staging of the private theatricals at Richmond House (Farren directed and Damer starred) suggests that their …

Craftivism And Cottonian Bindings: “The Handiwork Of Greta Hall”, Helen Williams

Criticism

Edith Southey, Edith May Southey, and Sara Coleridge Jr. covered Robert Southey’s books in vibrantly printed dress fabrics, creating a collection that came to be called “the Cottonian Library.” This article is a manifesto for Cottonian bookbinding to be studied as feminist literary activism. It argues for the importance of looking beyond the book trades to the domestic and unremunerated ways in which women contributed to Romantic period book design, suggesting that the new feminist Craftivism can prompt us to historicize and to acknowledge the significance of Cottonian bookbinding as a practice that cannot be omitted from any history of …

The Dark House And Its Inhabitants, Emily Bielski

MFA in Illustration & Visual Culture

From the inception of the genre, Gothic horror has been fixated on the domestic space in distress. This essay explores domestic archetypes and roles of the Gothic novel, serving as a “tour of the house”, analyzing the iconography of the dark castle, and how it externalizes and exacerbates the fears and behaviors of its inhabitants. The power dynamic of the household is starkly divided by the expectations and authority of masculine and feminine figures. In turn the “house” becomes a vehicle for the anxieties of the inhabitants—both experienced and inflicted—regarding gender, sexuality, isolation, and abuse. Exploration of the visual and …

Legends Of Light: Crafting Middle Grade Fantasy In The Tradition Of Catholic Philosophy And Medieval Visual Culture, Bernadette Lamb

MFA in Illustration & Visual Culture

This essay promotes the writing and illustrating of middle grade literature that mirrors the wonder-inducing experiences of leafing through an illuminated manuscript and stepping into a Gothic cathedral. An examination of Catholic medieval visual culture moves into a discussion on its underlying philosophy and theology, which are profoundly centered on relational healing and the dignity of the human person. Christian writers including St. Pope John Paul II, C.S. Lewis, J.R.R. Tolkien, Josef Pieper, Madeline L’Engle, Dr. Bob Schuchts, Makoto Fujimura, and Andrew Peterson inform an exploration of mercy, forgiveness, and love as self-gift in the context of illustration and storytelling …

Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene

MFA in Illustration & Visual Culture

This critical essay accompanies and describes my thesis project, Medievalia Miscellany, a magazine for middle-grade readers which explores the world of medieval fantasy through art, comics, stories, and activities. Throughout the essay, I use my own term “archaeological upcycling” to discuss and explore a variety of relationships between ideas of parts and a whole. I then use it to characterize the way stories are created out of many different parts and how these parts help a reader to relate to both the world of the story and the world in which they live. I describe the genre of medieval fantasy …

Introduction: Scottish Cosmopolitanism At The Fin De Siècle, Matthew Creasy

Studies in Scottish Literature

Introduces the topic of the special issue, reviews recent accounts of cosmopolitanism and scholarship on the Scottish fin de Siècle, and discusses how the essays that follow contribute to revaluation of Scottish literary culture in this period.

The Influence Of Japan And India In The Circle Of Patrick Geddes, Murdo Macdonald

Studies in Scottish Literature

Discusses the influence of Japanese art in Evergreen contributions by E.A. Hornel and Charles Mackie, the influence of Patrick Geddes's ideas in Japan, and Geddes's links with the early 20th century revival of interest in Hinduism and Indian art.

Toward An Archaeology Of Manuscripts, Mark A. Mattes

Faculty Scholarship

The title of Rachael Scarborough King’s edited collection of essays, After Print, refers at once to Peter Stallybrass’s insight that printing is a provocation of manuscript, as well as to what the study of manuscripts looks like when we move away from stadial and supersessionist print culture paradigms of authorship and publication and instead embrace archival methods and interpretive approaches that center on concepts of media interrelation in early modern manuscript cultures, such as Margaret Ezell’s concept of social authorship.The essays in King’s collection, including an epilogue by Ezell herself, bear the fruits of such intermedial and transmedial approaches, bringing …

Full Issue

The Forum: Journal of History

No abstract provided.

Tolkien: Scholar And Modern Game Pioneer, Alicia Breinke

ART 108: Introduction to Games Studies

History can be a necessity, or necessary evil for some people when we want to comprehend real-time issues or trends. Gaming is a trend that applies to this since we often seem to be drawn in by the excitement of the graphics, music, and storylines, yet it seems like people seldomly try to uncover their origins. At the same time, though, a game’s historic foundation is essential to understand since it can help us gain a greater appreciation for these experiences. Role play games are an exceptional example of this since many renowned ones have external influences. J.R.R. Tolkien’s “The …

The London Game, Geremy Carnes, Betsy Aldrich, Brielle Amick, Luke Anderson, Cheyenne Burns, Benjamin Burr, Hannah Marie Chisnell, Caitlin Dollins, Jackson Ederer, Julia Fotiadis, Ethan Mathias, Marqueveosha Patton, Kai Ross, Caroline Smith, Jessica Spivey, Andrea Stanford, Lana Kay Tutterow, Castle Wagoner-Smith

OER Student Projects

The London Game is an interactive narrative developed by students and their instructor at Lindenwood University using the Twine tool. Players take the role of a time traveler who can experience any of three scenarios based on aspects of London history and culture of the seventeenth and eighteenth centuries: the Great Fire, the theatrical scene, and the struggles of poverty.

‘Written In A Fair Hand’: The Living Tradition Of Medieval Scripts In J.R.R. Tolkien’S Calligraphy, Eduardo B. Kumamoto

Journal of Tolkien Research

This paper examines J.R.R. Tolkien’s calligraphic work in the light of the medieval scripts that possibly or certainly inspired him, aiming to demonstrate how his art was informed by the philological and paleographical dimensions. At first, we explore the context in which Tolkien’s calligraphic skills flourished. After that, the influence of the Anglo-Saxon Square Minuscule, the Insular Half-uncial, and the Uncial scripts is investigated by means of examples taken from Tolkien’s illustrations and manuscripts. The impact of the English Carolingian Minuscule, via Edward Johnston’s Foundational Hand, is also discussed. In the last section, the lettering in the maps prepared for …

Alasdair Gray (1934-2019), Patrick Scott

Studies in Scottish Literature

A short tribute to the Scottish artist and writer Alasdair Gray, his friendship with and portrait of G. Ross Roy, the illustrations he did for Studies in Scottish Literature, and other Gray drawings in the Roy Collection at the University of South Carolina.

Review Of When Novels Were Books. By Jordan Alexander Stein., Mark A. Mattes

Faculty Scholarship

But novels ARE books, you might be thinking. Jordan Stein points out that this is true, but not in the way that many of us have thought to be the case. Twentieth- and twenty-first century literary history, Stein argues, has too often failed to deliver a programmatic discussion of the media history of genre. Attention to changes and continuities in the early Anglophone novel’s artifactual status within an evolving, transatlantic media ecology, supplements, and in some cases rethinks, critical understandings of the development of novelistic form. Stein’s method is axiomatic for those working at the intersection of form and format: …

Deforming Normalcy: Deformity And Disability In William Blake's Art, Seolha Lee

Department of English: Dissertations, Theses, and Student Research

This thesis examines William Blake’s verbal and visual art from the perspective that disability is a physical and mental condition that is viewed by society as deviant. Prior to modern conceptions of disability in Britain, the deviation was labeled as “deformity.” This thesis demonstrates various ways in which Blake illustrates deformity, and through this, prefigures the modern sense of disability in his art. I argue that Blake’s representation of deformity in his poetry and drawings is intended to reveal the precariousness of the “normal” human body and inform the reader and viewer that normality is an illusion. The age of …

Afterword: New Reworkings Of Walter Scott From Dundee Comics Creative Space, Christopher Murray

Studies in Scottish Literature

Discusses and illustrates a variety of approaches to the reworking of Scott novels by artists working in the Dundee Comics Creative Space, as developed for a sampler publication published by UniVerse Comics (2017), in connection with the Reworking Walter Scott project

Walter Scott And Comics, Christopher Murray

Studies in Scottish Literature

A wide-ranging survey of the reworking of Scot's novels (and narrative poems) in comic form, in the US and UK.

A Critical Exploration Of Costume Design Possibilities In Tolkien’S Legendarium, M. Grace Costello

Apparel Merchandising and Product Development Undergraduate Honors Theses

Tolkien’s Legendarium has in many ways codified modern fantasy. Illustrations and film adaptations of it have had far-reaching consequences on popular culture, building an 80-year tradition of visual depictions of Tolkienesque fantasy. Particularly, Elven characters are usually depicted wearing costume inspired by Victorian notions of Western medieval costume. In this paper I seek to approach the design of original costume for the Ñoldor from a different perspective, free from the established traditions of other designers’ and illustrators’ work.

The preliminary research focuses on searching the source materials of the Silmarillion and select texts from the Histories of Middle Earth. I …

Assur Is King Of Persia: Illustrations Of The Book Of Esther In Some Nineteenth-Century Sources, Steven W. Holloway

Steven W Holloway

The marriage of archaeological referencing and picture Bibles in the nineteenth century resulted in an astonishing variety of guises worn by the court of Ahasuerus in Esther. Following the exhibition of Neo-Assyrian sculpture in the British Museum and the wide circulation of such images in various John Murray publications, British illustrators like Henry Anelay defaulted to Assyrian models for kings and rulers in the Old Testament, including the principal actors in Esther, even though authentic Achaemenid Persian art had been available for illustrative pastiche for decades. This curious adoptive choice echoed British national pride in its splendid British Museum collection …

James Joyce: I. Am. A. Discover Dublin By Reading And Running, Barry Sheehan

Academic Articles

You are walking through it howsomever. I am, a stride at a time. A very short space of time through very short times of space.

James Joyce (Ulysses,p.31).

In Ulysses, on the morning of the 16th June 1904, Stephen Dedalus is striding on Sandymount strand, thinking about time and place as he moves. Later in the day, Leopold Bloom writes I. AM. A.with a stick in the sand on the same Sandymount strand. His scrubbed words will wash away with the tide but remain forever in the novel.

Using geotracking, I recreated the same ephemeral I. AM. …

Misassembled Monsters, Jenn Brown

Graduate School of Art Theses

This thesis is a narrative of personal and material history. Through my work in painting, sculpture, and installation, I seek to share my story of emotional armoring in an attempt to connect to an audience. In my work, I look to my personal memories of growing up in a small, midwestern town and armoring myself with emotional barriers against its social construct of “normalcy.” Inspired by Medieval suits of armor and the characteristics of Goth culture throughout history, I employ my work to present the stage of a theatrical battleground. Creating each of my pieces is a fight for the …

The Tapestry Of Memory, Kathryn M. Lawson

Electronic Thesis and Dissertation Repository

Rationality points to the complete annihilation and end of a life when the body perishes, and yet when a loved one dies we continue to experience that person in a myriad of ways. The focus of this thesis will be a phenomenological exploration of the earthly afterlife of those we have loved and lost. By positing the subject as always intersubjective and as temporal in nature, this thesis will investigate how we continue to create and interact with the deceased upon the earth. In the introduction, this work will be placed in the context of the phenomenological tradition. The first …

Selected Readings On Augmented Reality, Ekphrasis, And Michael Field, Robert P. Fletcher

Sight and Song Augmented: Painting and Poetry in Mixed Reality

No abstract provided.

Sight And Song Augmented, Robert P. Fletcher

Sight and Song Augmented: Painting and Poetry in Mixed Reality

This file is an Android application built in the Unity 3D game engine with the Vuforia Augmented Reality extension. It remediates Sight and Song (1892) by Michael Field (Katherine Bradley and Edith Cooper), a collection of ekphrastic poetry about paintings by the Old Masters.

The Shadow Puppets Of Elsinore: Edward Gordon Craig And The Cranach Press Hamlet, James P. Taylor

Mime Journal

Taylor considers the role that book arts may play in Craig’s theories of the new theatre, or the Art of the Future. He expands our understanding of Craig’s design work to include print culture, examining his engravings for the monumental editions of Hamlet published by Count Harry Kessler’s Cranach Press in 1929–30. Taylor explores the relationship of Craig’s designs for the 1912 Moscow Art Theatre production of Hamlet to his engravings for the German and English-language Cranach Press editions of the play. He suggests that it was only with this print publication that Craig finally achieved the absolute artistic control …

Berth Of The Abergavenny, Richard Matlak

Texts relating to the Earl of Abergavenny (ship)

This essay serves as a brief introduction to the digital collection, Berth of the Abergavenny, by providing context for the historical and literary significance of the model East Indiaman, The Earl of Abergavenny, on display in Dinand Library at the College of the Holy Cross.

The Sinking Of The Abergavenny, Richard Matlak

Texts relating to the Earl of Abergavenny (ship)

This section of the screenplay Immortal Sea is a fictional representation of the sinking of the Earl of Abergevenny off the coast of England in 1805.

Multisensory Tristram Shandy, Cynthia N. Malone

English Faculty Publications

An absorbed reader typically pays little conscious attention to the visual, tactile, and sometimes aural sensory experiences of reading. Unexpected formal and visual features of Laurence Sterne’s nine-volume fictional narrative, The Life and Opinions of Tristram Shandy, Gentleman, startle readers out of absorption and call attention to familiar operations like decoding black figures on white paper and turning pages. My edition of Volume I is designed to engage the senses through its visual structure, textures, and unexpected materials (buttons, marbled paper strips, and ribbons) and through formal surprises (interpolated documents, accordion-fold inserts, and paper lace). In its structure …

Old English Manuscripts In The Early Age Of Print: Matthew Parker And His Scribes, Robert Scott Bevill

Doctoral Dissertations

Covering the first dedicated program in the study of and publication of Anglo-Saxon texts, my dissertation examines the sixteenth-century origins of medieval studies as an academic discipline. By placing recent scholarship on media, materiality, cognition, and intellectual history in conversation with traditional paleographical methods on medieval and renaissance manuscript culture, I argue for a new way of understanding how early modern scholars studied and presented the medieval past. I take as my focus a corpus of emulative Anglo-Saxon manuscript transcriptions produced under Elizabethan Archbishop Matthew Parker. Equal parts facsimile and edition, these transcriptions are a unique example of early modern …