Behind The Lens, Jolie M. Adams Miss

Belmont University Research Symposium (BURS)

What Fuels Me as a Photographer?

Many photographers don’t realize their ability and opportunity to give back and make a difference. I believe photography extends beyond taking a series of photographs. For me, it is my way of serving others, connecting with people, and sharing their stories. I believe photography is a powerful tool to inspire change in communities—especially in those that are underserved. Photos are visual statements of humanity: an abstract of our failures, ignorance, arrogance, compassion, resilience, progress, and so much more. I want my photography to go beyond a small circle of influence. All of us have …

Magic Mirrors, Jamie Ho

School of Art, Art History, and Design: Theses and Student Creative Work

When a beam of bright light hits the convex and polished surface, an image is reflected back onto the wall. This is a description of a magic mirror, an object from the Han Dynasty (206 BC -24 AD), that embodies how Euro-America views China: both technically advanced and shrouded in mystery. The magic mirror also points to the history of photography, as this term was often used in the Victorian era to describe a camera. The image created by a camera is a mimic of reality, both all too familiar and unfamiliar.^[1] Like magic mirrors, the GIFs I create …

Representing The Ali'i And Monarchy: Dress, Diplomacy, And Featherwork In Hawai'i, Tess Anderson

Scripps Senior Theses

When Native Hawaiians and haole (foreigners) first met, both participants belonged to fashion systems unknown to the other, composed of different materials, styles, tastes, standards, and construction techniques. As the outside world was introduced to the cultural heritage of Hawaiian hulu manu (featherwork), kūkaulani (chiefly fashion), and European skewed conceptions of Hawaiian indigeneity; the ali‘i (chiefs) and kama‘āina (commoners) received and adapted to incoming materials, technologies, and information. When these encounters transitioned into “prolonged contact” and settlement, dress and adornment proliferated in new ways. Analyzing the case studies of historic pā‘ū, holokū, ‘ahu'ula, and military uniforms shows the significance of …

With Kindest Regards To You And Miss Sparks, Claire E. Kelly

Honors Scholars Collaborative Projects

This work explores the life of a woman, Katherine Josephine Sparks, who lived in Nashville from 1910 to 1993. Vignettes of her life are revealed through the Katherine Sparks Collection at the Nashville Archives, in which over 18,000 items including letters, photographs, memorabilia, and legal documents house parts of her family’s story. Katherine lived an unassuming life, she never married, and she had no children. There is very little documentation of her life left other than what is held in this archival collection. Without the archive, this record would be lost—a small part of history that would go undiscovered and …

Intimate Nevada: Artists Respond, Lauren Paljusaj, Anne Savage

Calvert Undergraduate Research Awards

Creative Works Winner

Most of us know Nevada beyond the Strip. It’s a place of houses, of shopping plazas, of movie theaters, and grocery stores. A place of hotels that are also places of work. A place of basins, ranges, vistas, and nature. A place of personal history. For Intimate Nevada: Artists Respond, curators Lauren Paljusaj (ENG BA ‘20) and Anne Savage (CFA BA ‘22), draw on photographs found in UNLV Special Collections to uncover the intimate visuality of a Nevada of past centuries. The exhibition focuses on how the imaged built landscape of early 20th century Southern Nevada …

Remixing The Archives: Indigenous Interpretations Of History And The Future, Marcella Ernest

American Studies ETDs

This dissertation examines how Native art makes critical interventions that are aesthetically and intellectually arranged with the intention of displacing the master narratives. The project tracks how film and photography—historically used by non-Native people as a tool of colonialism—are being reclaimed by the visual and sonic scholarship of contemporary Native artists. The project shows how multidisciplinary artists use technology to remix audiovisual archives from a specific time in American history: portrait photography and ethnographic filmmaking at the turn of the twentieth century, Hollywood’s frontier representations of Indianness in twentieth-century motion pictures, social guidance classroom films from the 1950s, and digital …

Journal, Untitled, Angelo Chammah

Senior Projects Spring 2020

This journal has no owner.
It is simply out there.
It belongs to me, it belongs to you.
It is about personal moments but universal experiences.
What do you see when you drive with the window open?
What can you find in your own house?
What light is on at midnight?

Angelo Chammah

(In)Equality., Jongin Choi

Graduate Theses and Dissertations

(in)Equality. centers around my experiences as a transnational person and those around me who have affected my current concept of equality and cultural histories. My visual methodologies cover digital photography and editing, inkjet printing, and laser engraving: multimedia in a process of new discovery, translation between analog and digital, and rearticulation. The exhibition includes portraits peering down from above, illuminated by projected patterns and manipulated messages from Nike’s “Equality.” (2017). The purpose of this thesis paper is to describe the elements of identity, marginalization, and personal reaction to advertising, as well as the and theories which have shaped this project. …

Art 400: Research Project, Katie Smith

Undergraduate Publications

No abstract provided.

“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales

Theses and Dissertations

After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.

Mdocs Poster-2018 Spring, Photography Workshop With Eric Jenks, Jesse Wakeman

MDOCS Publications

Friday, February 16th, 2018 @ 2-4pm:

Document your world: Learn how to compose a compelling photograph using your own camera

Friday, April 13th, 2018 @ 2-4:30pm:

Photo Editing: Bring 3-5 pictures for an introduction to editing with Photoshop

Join Skidmore alum and photographer Eric Jenks for a hands-on workshop on taking and editing compelling photos with any camera.

No experience required!

These workshops are for anyone planning to study abroad, travel over spring break, or explore or document closer to home, and those who have photos ready to share.

Mdocs Poster-2017-09-29, Ventana A Mi Comunidad, Jesse Wakeman, Jordana Dym

MDOCS Publications

Eleuterio Martinez Ramirez: Doc Photo Exhibit

October 24, 2017

During the summer, dozens of Skidmore students undertake internships and other opportunities to advance their academic and other interests off campus. In summer 2017, the Megan McAdams-Roldán '08 award for International Community Service, which encourages students to recognize "the value of participating in a summer community service project abroad, " went for the first time to fund a homecoming 'abroad.' Eleuterio Martínez Ramírez applied for and was awarded funds to return to his home community in Mexico to begin to share the skills he had developed in Saratoga Springs as a …

Mdocs Publication-2017-06-08, Photographer To Showcase Project At Skidmore, Joseph Phalen

MDOCS Publications

"Photographer to showcase project at Skidmore"

The Saratogian

June 8, 2017

Author: Joseph Phelan

The Evolution And Influence Of Art In Scientific Illustration, Ahsiya Rebecca Zurita

Senior Projects Spring 2016

Senior Project submitted to The Division of Arts of Bard College.

The Half-Life & After-Life Of New Media, Nancy Austin

Journal of Contemporary Archival Studies

It is fitting to think of the half-life of new media using the time-based metaphor of radioactive decay. As a metaphor, an object’s half-life can be a useful way to talk about the potent technological modernity of new media and, like Walter Benjamin’s well-known notion of the aura, call attention to an object’s performativity. However, Benjamin’s aura remains a constant reminder of irrevocable originality whereas remarking on half-life references a quality that changes over time. But what happens after the rhetorical impact of being new has run its course? What is the life expectancy of once-new media and what of …

Mdocs Poster-2015-11-04, Bill Daniel: Tri-X-Noise, Zhiyu (Michael) Zhou, Sophia Baraschi-Ehrlich

MDOCS Publications

Event details:

5:30-7pm: DIY Touring & Exhibition Strategies for Visual and Media Artists

Description: Artist Bill Daniel has been touring with bands, film shows, installations and pop-up photo shows for 30 years. In this discussion/workshop, he draws a parallel between DIY music networks and the potential for artists in other disciplines to reach non-traditional art audiences in cities and towns across the US. The logistics of booking and producing road shows will be discussed, as well as designing and developing visual and media-based events that can travel and set up easily. DIY attributes if self-reliance, mutual support and working out …

Mdocs Poster-2015-11-03, Bill Daniel- General Poster, Zhiyu (Michael) Zhou, Sophia Baraschi-Ehrlich

MDOCS Publications

Bill Daniel, artist, photographer, documentary and Guggenheim Fellow (2008) visited MDOCS on November 3-4, 2015. A multi-disciplinary activist and self-described hobo filmmaker and phototramp, Daniel offers reporting from the margins in a film screening and pop-up exhibit, and lessons on how to build your own vision and opportunities with a workshop on DIY Touring & Exhibition Strategies for Visual and Media Artists.

Event details:

11/3 @ 7pm: Film Screening: Who is Bozo Texino?

11/4 @ 5:30-7pm: Discussion/Workshop: DIY Touring & Exhibition Strategies for Visual and Media Artists

11/4 @ 7-10pm: Pop-Up Photography Exhibit & Concert: TRI-X NOISE, with Zine Exhibition …

Galloway, Ewing, 1881-1953 (Sc 2502), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 2502. Correspondence of Ewing Galloway, a native of Henderson, Kentucky and the owner of a photography agency in New York City, with Mary Marks, a geography professor at Western Kentucky University, related to a gift of photographs made to the Kentucky Library & Museum at WKU. Also includes clippings, chiefly related to Galloway’s return to Henderson, Kentucky and the gift to WKU.

Pennsylvania Folklife Vol. 43, No. 3, Thomas E. Gallagher Jr., Elaine Mercer, Kenneth E. Kopecky, Eric O. Hoiberg, Gertrude E. Huntington, Marilyn E. Lehman, Samuel S. Stoltzfus, William B. Fetterman, Bernadette L. Hutchison, John W. Friesen

Pennsylvania Folklife Magazine

• The Old Order Amish
• Amish Quilts: Creativity Supported by Rules and Traditions
• Conflict: A Mainspring of Amish Society
• Occupational Opportunities for Old Order Amish Women
• The Amish Taboo on Photography: Its Historical and Social Significance
• Our Changing Amish Church District
• Images of the Amish on Stage and Film
• Amish Gardens: A Symbol of Identity
• The Myth of the Ideal Folk Society Versus the Reality of Amish Life