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Articles 1621 - 1650 of 1706

Full-Text Articles in Art and Design

Portfolio, 1958, Risd Archives, Center For Student Involvement (Csi) Jan 1958

Portfolio, 1958, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


A Comparative Analysis Of Individual Painting Styles Of Selected Artists And Students, Barbara Marx Fife Jan 1958

A Comparative Analysis Of Individual Painting Styles Of Selected Artists And Students, Barbara Marx Fife

Masters Theses

No abstract provided.


Portfolio, 1957, Risd Archives, Center For Student Involvement (Csi) Jan 1957

Portfolio, 1957, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


Portfolio, 1956, Risd Archives, Center For Student Involvement (Csi) Jan 1956

Portfolio, 1956, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


Creative Use Of Metals In Art Education, James Susumu Kaneko Jan 1956

Creative Use Of Metals In Art Education, James Susumu Kaneko

University of the Pacific Theses and Dissertations

Statement of the problem: This study is to show how metal sculpture can be used in art education.


Portfolio, 1955, Risd Archives, Center For Student Involvement (Csi) Jan 1955

Portfolio, 1955, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


Ua94/7/1 Washington Marches On, Sarah Richardson Feb 1954

Ua94/7/1 Washington Marches On, Sarah Richardson

Student/Alumni Personal Papers

Program for Training School fourth grade play Washington Marches On. Cover art by Sarah Richardson.


School Of Practical Art Course Catalog (1954-1955), School Of Practical Art Jan 1954

School Of Practical Art Course Catalog (1954-1955), School Of Practical Art

Art Institute of Boston (AIB) Course Catalogs

It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …


Portfolio, 1954, Risd Archives, Center For Student Involvement (Csi) Jan 1954

Portfolio, 1954, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


Spectrum December 1953, Students Of Risd, Risd Archives Dec 1953

Spectrum December 1953, Students Of Risd, Risd Archives

All Student Newspapers

Spectrum was a publication released in the early 1950s by the undergraduate students at Rhode Island School of Design. This issue from December 1953 includes editorials, student-submitted articles, hand drawn illustrations, poetry, and advertisements primarily for local businesses. Also, this issue has information about various scholarships, RISD club news and a brief history of RISD from 1878-1953 by John R. Frazier, RISD President from 1955-1962.


Portfolio, 1953, Risd Archives, Center For Student Involvement (Csi) Jan 1953

Portfolio, 1953, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


School Of Practical Art Course Catalog (1952-1953), School Of Practical Arts Jan 1952

School Of Practical Art Course Catalog (1952-1953), School Of Practical Arts

Art Institute of Boston (AIB) Course Catalogs

It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …


Portfolio, 1952, Risd Archives, Center For Student Involvement (Csi) Jan 1952

Portfolio, 1952, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


Portfolio, 1951, Risd Archives, Center For Student Involvement (Csi) Jan 1951

Portfolio, 1951, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


Portfolio, 1950, Risd Archives, Center For Student Involvement (Csi) Jan 1950

Portfolio, 1950, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


Paintings Ceramics Textiles By Harriett Gill And Joseph Cox, College Of Liberal Arts, College Of Education Jan 1949

Paintings Ceramics Textiles By Harriett Gill And Joseph Cox, College Of Liberal Arts, College Of Education

Historical Material

Brochure for the 1949 exhibition of work by Harriett Gill and Joseph Cox held at the Audigier Gallery, Hoskins Library, University of Tennessee, Knoxville.

Harriett Gill was an Assistant Professor of Art Education, College of Education. She graduated from Milwaukee State College and Studied at Cranbrook Academy of Art.

Joseph Cox was an Associate Professor of Fine Arts. He began teaching at the University of Tennessee in September 1948, having previously been a member of the Fine Arts faculty at the University of Iowa since 1939.


Portfolio, 1949, Risd Archives, Center For Student Involvement (Csi) Jan 1949

Portfolio, 1949, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


The Voice Of The Phi Sigma -- 1948 --, Phi Sigma Jan 1948

The Voice Of The Phi Sigma -- 1948 --, Phi Sigma

The Voice of the Phi Sigma

This item is part of the Phi Sigma collection at the College Archives & Special Collections department of Columbia College Chicago. Contact archives@colum.edu for more information and to view the collection.


Yearbook, 1948, Risd Archives, Center For Student Involvement (Csi) Jan 1948

Yearbook, 1948, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


School Of Practical Art Course Catalog (1948-1949), School Of Practical Arts Jan 1948

School Of Practical Art Course Catalog (1948-1949), School Of Practical Arts

Art Institute of Boston (AIB) Course Catalogs

It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …


School Of Practical Art Course Catalog (1947-1948), School Of Practical Arts Jan 1947

School Of Practical Art Course Catalog (1947-1948), School Of Practical Arts

Art Institute of Boston (AIB) Course Catalogs

It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …


Yearbook, 1947, Risd Archives, Center For Student Involvement (Csi) Jan 1947

Yearbook, 1947, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


Spartist Yearbook, 1946, School Of Practical Art Jan 1946

Spartist Yearbook, 1946, School Of Practical Art

Art Institute of Boston (AIB) - Yearbooks

1946 Spartist. Yearbook published by the School of Practical Art. Original volume available for browsing in the Lesley University Archives.


The Yearbook, 1946, Risd Archives, Center For Student Involvement (Csi) Jan 1946

The Yearbook, 1946, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


School Of Practical Art Course Catalog (1946-1947), School Of Practical Arts Jan 1946

School Of Practical Art Course Catalog (1946-1947), School Of Practical Arts

Art Institute of Boston (AIB) Course Catalogs

It is the purpose of the School of Practical Art to train students so thoroughly in the various phases of commercial art, that they may upon completion of the course earn a good living in their chosen career. Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation …


School Of Practical Art Course Catalog (1945-1946), School Of Practical Art Jan 1945

School Of Practical Art Course Catalog (1945-1946), School Of Practical Art

Art Institute of Boston (AIB) Course Catalogs

Earnest effort and thorough preparation are necessary if the student is to become successful professionally. Enthusiastic and excellent working habits must be developed early and maintained throughout the course. Deadlines must be given and met punctually. Good design, composition, color and technical skill must be evident in all finished work. In preparation for this high standard the beginner receives a thorough foundation of basic work in graphic analysis, principles of freehand drawing, constructive design, composition, perspective, lettering, color theory, anatomy and life drawing. This is followed by the practical application of fundamentals. Here problems are assigned which are in every …


Yearbook, 1945, Risd Archives, Center For Student Involvement (Csi) Jan 1945

Yearbook, 1945, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


School Of Practical Art Course Catalog (1944-1945), School Of Practical Art Jan 1944

School Of Practical Art Course Catalog (1944-1945), School Of Practical Art

Art Institute of Boston (AIB) Course Catalogs

The School of Practical Art was established in 1912 by Roy Atherton Davidson. For twenty-nine years it has regularly and consistently trained its students to engage in remunerative work in those branches of art which are necessary to business and industry. Today it occupies an important position in the training and placing of artists in this work.

The drawings and paintings reproduced in this catalog are all original, and were made by students who began their art school training with no more talent than you are familiar with in high school work. Unusual talent is not necessary and you should …


Rhode Island School Of Design, 1944, Risd Archives, Center For Student Involvement (Csi) Jan 1944

Rhode Island School Of Design, 1944, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.


School Of Practical Art Course Catalog (1943-1944), School Of Practical Art Jan 1943

School Of Practical Art Course Catalog (1943-1944), School Of Practical Art

Art Institute of Boston (AIB) Course Catalogs

The School of Practical Art was established in 1912 by Roy Atherton Davidson. For twenty-nine years it has regularly and consistently trained its students to engage in remunerative work in those branches of art which are necessary to business and industry. Today it occupies an important position in the training and placing of artists in this work.

The drawings and paintings reproduced in this catalog are all original, and were made by students who began their art school training with no more talent than you are familiar with in high school work. Unusual talent is not necessary and you should …