Open Access. Powered by Scholars. Published by Universities.®

American Popular Culture Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 13 of 13

Full-Text Articles in American Popular Culture

Heroism And Indeterminacy In Oliver Stone's Jfk And Don Delillo's Libra, Tim Engles Jan 2020

Heroism And Indeterminacy In Oliver Stone's Jfk And Don Delillo's Libra, Tim Engles

Faculty Research & Creative Activity

No abstract provided.


Where Have All The Good Men Gone? A Psychoanalytic Reading Of The Absent Fathers & Bad Dads On Abc's Lost, Melissa R. Ames Jun 2014

Where Have All The Good Men Gone? A Psychoanalytic Reading Of The Absent Fathers & Bad Dads On Abc's Lost, Melissa R. Ames

Faculty Research & Creative Activity

Fictional fathers in narratives are often allegorical in nature and contemporary television is not immune from this. ABC’s groundbreaking television drama, Lost, offers a multitude of father figures that suggests not only a crisis concerning the role of the father in the 21st century but also the crisis of national security experienced by Americans after the attacks. In particular, the program showcases three specific types of troubled father/child relationships: those in which the father is absent and/or dead, those where the father is portrayed as abusive and/or evil, and those where the father and child are estranged and/or their relationship …


Where Have All The Good Men Gone? A Psychoanalytic Reading Of The Absent Fathers & Bad Dads On Abc's Lost, Melissa R. Ames Jun 2014

Where Have All The Good Men Gone? A Psychoanalytic Reading Of The Absent Fathers & Bad Dads On Abc's Lost, Melissa R. Ames

Faculty Research & Creative Activity

Fictional fathers in narratives are often allegorical in nature and contemporary television is not immune from this. ABC’s groundbreaking television drama, Lost, offers a multitude of father figures that suggests not only a crisis concerning the role of the father in the 21st century but also the crisis of national security experienced by Americans after the attacks. In particular, the program showcases three specific types of troubled father/child relationships: those in which the father is absent and/or dead, those where the father is portrayed as abusive and/or evil, and those where the father and child are estranged and/or their relationship …


Bodies Of Debt: Interrogating The Costs Of Technological Progress, Scientific Advancement, And Social Conquests Through Dystopian Literature, Melissa R. Ames Jan 2013

Bodies Of Debt: Interrogating The Costs Of Technological Progress, Scientific Advancement, And Social Conquests Through Dystopian Literature, Melissa R. Ames

Faculty Research & Creative Activity

This essay discusses the successes and challenges of teaching a particular cross-curricular course that focused on controversial issues appearing in scientific research and dystopian literature. The course studied narratives that wrestle with ethical concerns surrounding “progress” (societal achievements, technological advancement, scientific discoveries, and so forth). Contemporary debates and specific issues addressed throughout this course included cloning, stem cell research, black market organ transplants, human trafficking, surveillance technology, euthanasia, and capital punishment. In alignment with research concerning best practices in teaching social responsibility topics, this course was centered on a set of inquiry questions that stretched across all units, texts, and …


Time In Television Narrative: Exploring Temporality In 21st Century Programming, Melissa R. Ames Jan 2012

Time In Television Narrative: Exploring Temporality In 21st Century Programming, Melissa R. Ames

Faculty Research & Creative Activity

This collection analyzes twenty-first-century American television programs that rely upon temporal and narrative experimentation. These shows play with time, slowing it down to unfold the narrative through time retardation and compression. They disrupt the chronological flow of time itself, using flashbacks and insisting that viewers be able to situate themselves in both the present and the past narrative threads. Although temporal play has existed on the small screen prior to the new millennium, never before has narrative time been so freely adapted in mainstream television. The essayists offer explanations for not only the frequency of time play in contemporary programming, …


When Predator Becomes Prey: The Gendered Jargon Of Popular Culture, Melissa R. Ames Jan 2011

When Predator Becomes Prey: The Gendered Jargon Of Popular Culture, Melissa R. Ames

Faculty Research & Creative Activity

Throughout the first decade of the twenty-first century the vernacular of popular culture has been bombarded by sexualized terminology. Although these terms are often formed with humorous intent, their staying power and use as cultural descriptive categories is both intriguing and disturbing. Also troubling is the fact that the majority of these new terms, such as puma (a thirty-something female “dating” a younger male), cougar (a forty-plus female “dating” a younger male), and MILF (“mother I’d like to fuck”), are restricted to the female gender alone. This article analyzes the etymology of these terms, their use in popular culture (ranging …


Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames Jan 2011

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Faculty Research & Creative Activity

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.


Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames Jan 2011

Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames

Faculty Research & Creative Activity

The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.


The (Inter)Active Soap Opera Viewer: Fantastic Practices & Mediated Communities, Melissa R. Ames Jan 2010

The (Inter)Active Soap Opera Viewer: Fantastic Practices & Mediated Communities, Melissa R. Ames

Faculty Research & Creative Activity

In today’s cultural realm, everything exists within a hierarchy of sorts – fandom has not escaped this process of judgmental ranking and social stratification. Admitting to be a “fan” of something often earns people mixed responses depending on the subject of their devoted following. The more one’s object of choice strays from the mainstream, the lower one exists on the fan hierarchy. If the masses find the fan subject matter to exist on the cultural periphery, fans are often quite ridiculed. This has historically been the case for soap opera fans. What is often overlooked, however, is the utility of …


Twilight Follows Tradition: Analyzing "Biting" Critiques Of Vampire Narratives For Their Portrayals Of Gender & Sexuality, Melissa R. Ames Jan 2010

Twilight Follows Tradition: Analyzing "Biting" Critiques Of Vampire Narratives For Their Portrayals Of Gender & Sexuality, Melissa R. Ames

Faculty Research & Creative Activity

Vampires have dominated print literature since the 18th century, eventually becoming more visible as they crossed mediated boundaries and genre divides. Now flourishing in neo-gothic realms like science fiction and fantasy, in print genres like chick-lit and young adult, and in the visual realm (from Hollywood’s big screen to daytime television’s sudsy small screen), vampire narratives are finding increased popularity. Stephenie Meyer’s Twilight series has shined a new spotlight on the all-encompassing umbrella genre that is “vamp lit,” and with it has come renewed attention to the so-called anti-feminist messages present in such narratives, such as the perceived negative characterization …


The (Inter)Active Soap Opera Viewer: Fantastic Practices & Mediated Communities, Melissa R. Ames Jan 2010

The (Inter)Active Soap Opera Viewer: Fantastic Practices & Mediated Communities, Melissa R. Ames

Faculty Research & Creative Activity

In today’s cultural realm, everything exists within a hierarchy of sorts – fandom has not escaped this process of judgmental ranking and social stratification. Admitting to be a “fan” of something often earns people mixed responses depending on the subject of their devoted following. The more one’s object of choice strays from the mainstream, the lower one exists on the fan hierarchy. If the masses find the fan subject matter to exist on the cultural periphery, fans are often quite ridiculed. This has historically been the case for soap opera fans. What is often overlooked, however, is the utility of …


Twilight Follows Tradition: Analyzing "Biting" Critiques Of Vampire Narratives For Their Portrayals Of Gender & Sexuality, Melissa R. Ames Jan 2010

Twilight Follows Tradition: Analyzing "Biting" Critiques Of Vampire Narratives For Their Portrayals Of Gender & Sexuality, Melissa R. Ames

Faculty Research & Creative Activity

Vampires have dominated print literature since the 18th century, eventually becoming more visible as they crossed mediated boundaries and genre divides. Now flourishing in neo-gothic realms like science fiction and fantasy, in print genres like chick-lit and young adult, and in the visual realm (from Hollywood’s big screen to daytime television’s sudsy small screen), vampire narratives are finding increased popularity. Stephenie Meyer’s Twilight series has shined a new spotlight on the all-encompassing umbrella genre that is “vamp lit,” and with it has come renewed attention to the so-called anti-feminist messages present in such narratives, such as the perceived negative characterization …


Fantastic Covers, Ellen Corrigan Jan 2008

Fantastic Covers, Ellen Corrigan

Faculty Research & Creative Activity

Introductory and caption text from “Fantastic Covers,” an independently curated exhibit on display at Booth Library, Eastern Illinois University, October-December 2008. The exhibit featured cover art from a collection of pulp science fiction paperbacks and magazines dating from the 1950s to the early 1970s, housed in the library's Special Collections. Text reformatted from original presentation.