American Popular Culture Commons^™

Book Review: Something In The Water: A History Of Music In Macon, Georgia, 1823-1980, Timothy Cole Hale

Georgia Library Quarterly

No abstract provided.

Adaptation Production Plan For “Cardigan, Betty, And August” From Taylor Swift's Folklore, Carlie Hillhouse

FUSION

This multimodal project creates a production plan for a fictional movie adaptation of Taylor Swift's popular songs "cardigan, betty, and august" from her 8th studio album, folklore. The production plan consists of details and descriptions for each cast member, filming locations, soundtrack, and key scenes to film for the movie.

The project was created in response to an assignment prompt that asked students to analyze how adaptation affects the way stories are told in different genres. Students had to consider audience reception, the portrayal of heroism, how mode affects a story's point-of-view, and how elements like key scenes and …

Give The Drummer Some: A Dive Into Drum Breaks And Drum Break Production, Kyle Kaldhusdal

Capstone Projects and Master's Theses

This paper traces the history of hip-hop culture through the evolution of the drum break, the original context of drum breaks in funk and soul music, their influence on DJ culture, and the subsequent impact of drum breaks on music and music production. It follows the development of breakbeat compilations in the 1970s and 1980s, parallel to the development of turntablism and sampling techniques. It also examines in detail how copyright litigation in the 1990s shaped the development of sample-based music genres and created a niche market for originally-recorded drum breaks over the subsequent decades.

A Part From You, Kenneth Rick Briggenhorst Jr.

MSU Graduate Theses

I invite empathy through art that is technologically assisted to find alternative interpretations for nontheologically informed faith. The sudden passing of my dearest friend, Jimmy, encouraged me to dig through my archives of data, to cherish all the bytes that remain of him. In this endeavor, I find that death is not the end, but a post-physical state of being. I express this sentiment in a part from you, where the work utilizes inanimate constructs to place your faith in, to make sense of the complexities of grief in a digitally tethered way of life. This life that allows many …

Audiovisual Afterlives: The Soundtrack Of Liberal Nostalgia, Max W. Kaplan

Dissertations, Theses, and Capstone Projects

Following the 2016 American Presidential election, celebrity endorsements proved to be a more narrow gauge of public opinion than ever. The symbolic alignment with popular musicians, which had long abetted the Democratic Party’s standing with youth and particular identity groups, seemed only to reaffirm the party’s establishment status, drawing disavowal in a wave of anti-establishment sentiment on both the left and right. ‘Retromania,’ a term first coined by Simon Reynolds in 2010, can be tracked conceptually from the nostalgic inclinations of twenty-first century popular culture to the ideological sphere, where nostalgic, essentialized constructions of community, identity, and progress have coalesced …

Momentary Musics: How Spotify And The Attention Economy Transformed Music From Art Form To Affect, Tobias Hess

Senior Projects Spring 2022

The rise of music streaming platforms such as Spotify, and the concurrent emergence of what is broadly known as "the attention economy" have radically shifted the aesthetics of the music industry, as well as the artistic subjectivities of artists that operate within this paradigm. Through a formal analysis of Spotify's recommendation algorithm, I argue that algorithmic curation systems such as Spotify's create a new cultural paradigm that has replaced Adorno's conception "culture industry." What has replaced it is a dispersed meritocracy where success is determined by how well individual cultural actors conform to the preferred aesthetics of algorithmic platforms. Using …

Aloof: Black Divas Of Refusal, Kwame K. Ocran

Dissertations, Theses, and Capstone Projects

“Aloof: Black Divas of Refusal” studies performers Lena Horne and Billie Holiday as the progenitors of a new tradition of authentic representation of Black female interiority in the entertainment arts. As interiority denotes the wide-ranging amalgamation of human expression, these divas equipped themselves with a sense of refusal and aloofness to strategically posture themselves in conditions that suited their personal predilections best and considered their status as representatives of the Black community. Lena Horne’s evolution as an aloof diva successfully saw the singer and actress escape classist thought of racial uplift to the full embracing of the totality of Black …

"When I Wore A Younger Man's Clothes": The Nostalgia Topic In The Music Of Billy Joel, Kendall Waters

James Madison Undergraduate Research Journal (JMURJ)

My father and I often listened to Billy Joel together as I grew up, and I eventually formed nostalgic connections to Joel’s music. While music is well known as a conductor of nostalgia, this paper explores the idea that the nostalgia I feel while listening to specific songs in Joel’s catalog is not simply a result of the indexical connections I have built with these tracks. Rather, it is a result of a “nostalgia topic” in Joel’s work. This paper compares the soundtrack and select works from Joel’s catalog to reveal that there is no one gesture, melody, or harmonic …

Dancing Through Time: A Biographical Look On The Evolution Of Tap Dance, Jaimie Cranford

Dissertations, Theses, and Capstone Projects

A uniquely American art form, tap dance has often been misrepresented and under-appreciated when positioned alongside other dance forms. This is largely due to the form’s racialized history, which builds upon contributions from African-American culture. Unlike other dance forms, which stem from white European traditions, tap dance evolved out of a necessity for cultural preservation as enslaved Africans adapted to life in America. As tap dance evolved, its association with slave culture led to it not being taken seriously; if anything, tap dancers were viewed simply as “entertainers” – certainly not as artists. Using a biographical lens, this work looks …

A Guiding Force, Jessica Palmer

Faculty Curated Undergraduate Works

In this paper, I will be addressing the main factors which influenced Bruce Springsteen’s career and songwriting, specifically regarding interpersonal relationships the singer has had and how that is evident in his work thus far. I will be relating that concept to his latest album release, “Letter to You” by analyzing track by track and attempting to find that common thread of connection that seems to speak so well to him and his audience.

Talk This Way: A Look At The Historical Conversation Between Hip-Hop And Christianity, Joshua Swanson

Electronic Theses and Dissertations

Christianity and Hip-Hop culture are often said to be at odds with one another. One is said to promote a lifestyle of righteousness and love, while the other is said to promote drugs, violence, and pride. As a result, the public has portrayed these two institutions as conflicting with no willingness to resolve their perceived differences. This paper will argue that there has always been a healthy conversation between Hip-Hop and Christianity since Hip-Hop’s inception. Using sources like Hip-Hop lyrics, theologians, historians, autobiographies, sermons, and articles that range from Ma$e to Tipper Gore, this paper will look at the conversation …

Finding Aid For The Blues Archive Poster Collection (Mum01783)

Archives & Special Collections: Finding Aids

These blues posters, broadsides, and oversize printings, collected by various individuals and institutions, document the world of blues advertising.

Curation And Independent Record Shops, Lee Ann Fullington

Publications and Research

No abstract provided.

Electronics And The Music Of Miles Davis, Darren E. Shekailo

Theses and Dissertations

Miles Davis produced a wealth of music relying on the use of electronic instruments and new technology. With their adoption, the famous trumpeter began his “electric” period. Examining the electric period of Davis’s career helps us trace the profound impact of electronic instruments and technological advances on his music.

From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp

Student Scholar Showcase

Known as the ‘King of Swing’, clarinetist and band leader Benny Goodman (1909-1986) threatened the Nazi cause during WWII. With intent of improving music pedagogy, the purpose of this research was to investigate swing music during World War II. The particular problems of this study were to: (1) identify how the swing music of Benny Goodman (1909-1986) influenced adolescents in the United States of America, United Kingdom, and Germany; (2) explore the Nazi party view on ‘swing’ music of the era; (3) examine how the music of Charlie and his Orchestra became used as a tool for Nazi propaganda; and …

Reclaiming The Black Personhood: The Power Of The Hip-Hop Narrative In Mainstream Rap, Morgan Klatskin

Criterion: A Journal of Literary Criticism

Hip hop, as a cultural phenomenon, leverages rap as a narrative form in periods of acutely visible political unrest in the Black American community to combat pejorative narratives of Black America as revealed in the American criminal justice system’s treatment of Black Americans. Hip-hop themes were prevalent in golden-age rap of the 1980s in response Regan-era war-on-drugs policy, which severely disadvantaged the Black community and devalued the Black personhood. Hip hop used narrative to reclaim the Black personhood while it served to encourage political involvement in the Black community, urging Blacks to participate in rewriting the narrative of Black America. …

On Vinyl: Revival & Survival, Thom Leavy

Capstones

As a record collector and journalist, I take stock of what they mean to me while searching to better understand the “Vinyl Revival” of the past decade. I meet and pick at people who’ve worked with the medium at its height, its demise, and today. We talk about what digitization has done and will do to music, and what vinyl means to them.

https://readymag.com/u29439050/onvinyl/

From Woody Guthrie To The Big Muddy: The Evolution Of Political Music In America From World War I To The Late 1960s, Alexander B. Kouwenhoven

Honors Theses

Throughout the course of American history, music has served as a vital cultural mode for the expression and articulation of the collective American experience. Perhaps the most iconic connection between music and politics in American history occurred during the 1960s in the era of the counterculture and the Vietnam War. During this period, rock ‘n’ roll musicians became the figureheads for the Anti-War campaign and represented the political objectives of the New Left. However, the iconic status of these political musicians did not arise in a vacuum. These musicians, and their political importance in America can trace its origins to …

Promise That You Will Sing About Me: Kendrick Lamar In Posterity, Brandon Apol

Music and Worship Student Presentations

Sometimes it would seem that the quietest moments turn out to have the loudest repercussions. This would seem to be a consistent case for twenty eight-year old Kendrick Lamar, whose career has been defined by surprise and unannounced publications of music that shortly afterward are spun into respected works of art. With an album that no one anticipated going to the 2013 Grammy awards, another album that leaked a week ahead of schedule (and brought Kendrick 5 Grammys), and an album that was released with almost no warning whatsoever, Kendrick Lamar Duckworth makes headlines with his art; of this there …

A Long Strange Trip Through The Evolution Of Fan Production, Fan-Branding, And Historical Representation In The Grateful Dead Online Archive, Anna Richardson

Masters Theses

This study explores how a digital music archive tells the story and contributes to the public memory of cult bands. Utilizing the Grateful Dead Archive Online (GDAO) as the primary data source, the researcher obtained a population of 26,835 items and categorized them by the production method of fan or band, item type, era, and logo. Content analysis illustrated themes within the archive in relation to the fannish production and activity within the fandom of the Grateful Dead. The span of this specific fandom spreads across five decades and sheds light onto the ways in which the fandom surrounding cult …

Raymond E. Jackson And Segregation In The American Federation Of Musicians, 1900-1944, Lance Boos

History Theses

In 1944, the American Federation of Musicians abolished the practice of subsidiary local chapters, granting autonomous charters to the twelve chapters of African American musicians who were bound to a white parent chapter in their respective cities. While most black musicians in the AFM were organized in “separate but equal” chapters, those under subsidiary status were obligated to pay dues to the white local but generally had no access to union offices, voting rights in union elections, control over booking of and payment for jobs, or representation at the national convention. This change was prompted by years of advocacy by …

Rave Reviews The History Of Akron's Tuesday Musical, Thomas Bacher, Cynthia Harrison, Sharon Cebula

Thomas Bacher

The Tuesday Musical Club was founded in 1887 by thirteen young Akron women who had an overwhelming desire to share their love of music. With further support of Gertrude Penfield Seiberling, the wife of industrialist Frank Seiberling, the organization grew like many other musical organizations across the country. Unlike similar clubs, the Akron-based entity continued to expand and is one of a very few that have survived. Among the artists who have appeared as a part of the rich history of Akron's Tuesday Musical Organization are Vladimir Horowitz, Artur Rubinstein, Yehudi Menuhin, Yascha Heifetz, Glenn Gould, Van Cliburn, Isaac Stern, …

Second Lines, Story Circles, And Freedom Songs: A Call And Response, Ann-Meredith Wootton

Capstone Collection

Community Is Survival

In New Orleans, all the grandmothers tell the story about the live oaks. Our roots don't grow deep into the swamp, but they grow wide – weaving, growing, and binding together with all of the surrounding trees, so that when the hurricane winds come, we will not fall. Together we can stand up against the strongest Gulf force winds (and the many faces of the Cradle to Prison Pipeline) – pushing, pulling, and leaning on one another when we need – and survive to see another day.

Live oaks also carry the story tradition of being a …

For The Love Of Music: A Story Of Organizational Culture And Change, Malii Brown

Capstone Collection

For the Love of Music: A Story of Organizational Culture and Change is an examination of culture and possibilities for change at an organization that manages one top-tier, U.S. classical music orchestra. The research was carried out for the purpose of making and refining meaning from collective employee experiences at a canon cultural organization whose practices reflect and influence our society beyond the context of music. The inquiry at the heart of the work is, ‘How does the organizational culture of the subject organization, Orchestra, Inc.[1], affect its readiness for organizational change?’ The research methodology consisted of organizational culture assessments …

Rave Reviews The History Of Akron's Tuesday Musical, Thomas Bacher, Cynthia Harrison, Sharon Cebula

University of Akron Press Publications

The Tuesday Musical Club was founded in 1887 by thirteen young Akron women who had an overwhelming desire to share their love of music. With further support of Gertrude Penfield Seiberling, the wife of industrialist Frank Seiberling, the organization grew like many other musical organizations across the country. Unlike similar clubs, the Akron-based entity continued to expand and is one of a very few that have survived. Among the artists who have appeared as a part of the rich history of Akron's Tuesday Musical Organization are Vladimir Horowitz, Artur Rubinstein, Yehudi Menuhin, Yascha Heifetz, Glenn Gould, Van Cliburn, Isaac Stern, …

Phoebe Snow: Odd, Rare And Sublime, Vincent L. Stephens

Vincent L Stephens

A draft from my work-in-progress essay collection on post-war American popular singing "Sound Love." The essay argues that Phoebe Snow is unique among her generation of singer-songwriters as she is more notable as an interpreter than as a writer. Her synthesis of elements from blues, jazz, pop, gospel and R&B defy category as does her artistry.

Negrocity: An Interview With Greg Tate, Camille Goodison

Publications and Research

No abstract provided.

"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner

Theatre Faculty Articles and Research

This essay analyzes the Hyers Sisters, a Reconstruction-era African American sister act, and their radical efforts to transcend social limits of gender, class, and race in their early concert careers and three major productions, Out of Bondage and Peculiar Sam, or The Underground Railroad, two slavery-to-freedom epics, and Urlina, the African Princess, the first known African American play set in Africa. At a time when serious, realistic roles and romantic plotlines featuring black actors were nearly nonexistent due to the country’s appetite for stereotypical caricatures, the Hyers Sisters used gender passing to perform opposite one another as heterosexual lovers in …

Soft Rock, Vincent L. Stephens

Vincent L Stephens

Soft rock refers to melodic vocal music with romantic themes and lush production typically associated with middle-aged taste cultures. I define the genre's place in the history of radio broadcasting, controversies over its artistic merit and its eclectic aesthetic.

What Child Is This?: Closely Reading Collectivity And Queer Childrearing In Lackawanna Blues And Noah’S Arc, Vincent L. Stephens

Vincent L Stephens

Increasing hostilities toward intimate change are rooted in longstanding affective investments in a sexual normativity that oppresses multiple strands of intimacy, including African American kinship networks and same-sex coupling. Since homosexuality is always racialized sexuality and African American kinship patterns have always been marginal by U. S. heteronormative standards, the present essay unmasks the ways sexual normativity has obscured collectivity as a resistive strategy in the lives of two "alternative" intimate groups with important overlaps, black gay and lesbian communities and African American extended families. The essay interrogates sexual normativity by defining and affirming the relevance of black collectivity to …