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Articles 31 - 35 of 35
Full-Text Articles in American Literature
Reflection On Michael Coogan’S God And Sex, Sierra Garwood
Reflection On Michael Coogan’S God And Sex, Sierra Garwood
Best Integrated Writing
Sierra Garwood reflects on themes of love, sex, and the bible in Michael Coogan’s God and Sex in this essay written for REL 2040: Great Books: Bible and Western Culture, taught by Dr. Sharon A. Showman at Wright State University’s Lake campus.
The Conflict Of Time: Tradition Vs. Modernity In Love In The Time Of Cholera, Rachel Smith
The Conflict Of Time: Tradition Vs. Modernity In Love In The Time Of Cholera, Rachel Smith
Best Integrated Writing
Rachel Smith analyzes themes of time, tradition, and modernity in Gabriel García Márquez’s Love in the Time of Cholera, in this essay written for the Integrated Writing course CST 2310: Non-Western Cultures, taught by Dr. Alpana Sharma at Wright State University.
Trends Of The Portrayal Of Yahweh In The Hebrew Bible, Kenneth Price
Trends Of The Portrayal Of Yahweh In The Hebrew Bible, Kenneth Price
Best Integrated Writing
Kenneth Price explores trends of the portrayal of Yahweh in the Hebrew bible in this essay written for the Integrated Writing course ENG 2040: Great Books, Bible and Western Culture, taught by Dr. Heidi Wendt at Wright State University.
Contents And Acknowledgements
Best Integrated Writing
Table of Contents and acknowledgements for Best Integrated Writing: Journal of Excellence in Integrated Writing Courses at Wright State. Fall 2014. 1st Edition. Wright State University Department of English Language and Literatures.
Tom Robbins' Chink: A Posthumous Zarathustra, Charles S. Taylor
Tom Robbins' Chink: A Posthumous Zarathustra, Charles S. Taylor
Charles S. Taylor
This essay examines the ideas of one of the central characters in Tom Robbins’ 1977 novel, Even Cowgirls Get the Blues/ in relation to the thinking of Friedrich Nietzsche’s Zarathustra. It makes no argument for any influence of Nietzsche upon Robbins but rather considers similarities in thought as such.
This essay was first published by The Enigma Press, the private-press of Earl R. Nitschke, Professor of Printmaking at Central Michigan University in a limited edition.