American Literature Commons^™

Cultivating Spaces For American Citizenship In Pauline Hopkins’S Contending Forces, Jonathan Puckett

Honors Theses

Rediscovered through archival recovery in the late 1970s, Pauline E. Hopkins (1859-1930) was an African American author, journalist, and activist at the beginning of the twentieth century. In Contending Forces: A Romance Illustrative of Negro Life North and South (1900), Hopkins’s African American characters craft spaces, both sacred and secular, where they can freely exercise their citizenship in the Jim Crow era. As Hopkins utilizes the sentimentalist genre to portray realistically life at the turn of the century, my thesis highlights the historical and literary significance of sacred spaces like Boston’s black Baptist churches. I also review two minor characters …

Strangers In The Village: James Baldwin, Teju Cole, And Glenn Ligon, Monika Gehlawat

Faculty Publications

This essay uses Edward Said’s theory of affiliation to consider the relationship between James Baldwin and contemporary artists Teju Cole and Glenn Ligon, both of whom explicitly engage with their predecessor’s writing in their own work. Specifically, Baldwin’s essay “Stranger in the Village” (1953) serves a through-line for this discussion, as it is invoked in Cole’s essay “Black Body” and Ligon’s visual series, also titled Stranger in the Village. In juxtaposing these three artists, I argue that they express the dialectical energy of affiliation by articulating ongoing concerns of race relations in America while distinguishing themselves from Baldwin in terms …

Beyond Postsouthern: The Return Of The Rural In Twenty-First Century Southern Literature, Jeremy Ryan Gibbs

Dissertations

This dissertation analyzes how twenty-first century southern literature employs rurality as a means of critiquing the dominant neoliberal impulse of an increasingly urban-attuned society. In times of transition, southern literature has traditionally turned to representations of rurality in order to understand, navigate, or resist change; rapid globalization has influenced contemporary writers to return to the rural in their fiction in order to expose manifestations of the urban/rural hierarchy and offer alternatives to a prevailing urban consciousness. This study’s Introduction discusses ways in which pastoral and anti-pastoral literary modes have framed rurality in southern fiction, specifically through depictions of the plantation …

Guest Editor's Introduction, Angela Jill Cooley

The Southern Quarterly

Guest Editor's Introduction to the special issue on Foodways in the South.

Table Of Contents

The Southern Quarterly

Table of Contents for the special issue on Foodways in the South

The Return Of The Dead: Resurrecting Chappell's Family Gathering, Jonathan Moore

Master's Theses

This thesis examines Fred Chappell’s virtually overlooked collection of poetry Family Gathering (2000), and how the poems operate within the mode of the grotesque. I argue that the poems illuminate both the southern grotesque and Roland Barthes’s theory of photography’s Operator, Spectator, and Spectrum. I address Family Gathering as a family photo album full of still shots, snapshots, and even selfies, which illumines how Chappell’s use of the grotesque in this collection derives more from its original association with visual arts rather than only depicting the grotesque typically associated with characteristics deemed explicitly shocking or terrifying. I argue that …

Decolonizing The Ya North: Environmental Injustice In Sherri L. Smith’S Orleans, Micah-Jade M. Coleman

Master's Theses

Young Adult (YA) dystopias, in recent years, have imagined a future world fueled by the overuse and misuse of technology, the advancement of science for human gain, as well as societies ruled by governments that govern based on their own self-interests and economic gain. Such novels have opened the door for discussion about how the present-day actions of societies can impact the future of the environment; yet many only focus their attention on societies in the North— regions considered “developed” by the western world. In her YA novel, Orleans (2014), Sherri L. Smith focuses attention on the aftermath of Hurricane …

Robert Frost’S Ulteriority: Saying One Thing In Terms Of Another – The Inexpressible, Nicolette S. Stackhouse

Honors Theses

Robert Frost’s poetry, which is famously rich in double meaning—saying one thing but meaning something else—is also concerned with pragmatism. Pragmatism implies that there is no one fundamental universal truth. I contend that Robert Frost’s poetry says that duplicity of meaning, or ulteriority, is something to be embraced. Frost wants the uncertainty of meaning to be understood by the reader as vital to life and the mind’s processes. The simple fact that so many readers search for the hidden meanings in his poetry justly proves this point. As a pragmatist, Frost was aware that the process of getting to a …

"Out Of The Dark Confinement!" Physical Containment In Mid-Nineteenth-Century American Protest Literature, Allison Lane Tharp

Dissertations

Most scholarship on American protest literature tends to focus on the protest literature of specific, politically marginalized groups, such as black protest, women’s protest, or working class protest. My project redefines how we read nineteenth-century American protest literature by investigating the connections between the protest texts of these three marginalized groups. In particular, I argue that mid-nineteenth-century protest authors incorporate images of physical confinement and entrapment within their texts to expose to privileged readers the physical and ideological containment and control marginalized subjects encounter in their daily lives. Drawing from rhetorical theories of argumentation and audience engagement, and incorporating historical …

Robert Frost’S New Hampshire, Philip Larkin’S England, And Seamus Heaney’S Ireland: Non-Urban Place And Democratic Poetry, Faisal I. Rawashdeh

Dissertations

In Anglo-American Modernist poetry, place is reduced to an analogue for the cultural degradation brought forth by the disruptive experience of modernity. This demotion stands in sharp contrast to the representation of place as a center of value in the poetry of Robert Frost, Philip Larkin, and Seamus Heaney. In this dissertation, I shall explain this value in terms of its connection to a particular cultural substance which Frost, Larkin, and Heaney deem foundational for their non-ideological terms of belonging to place. Frost embraces New England vernacularism first as the basis for his egalitarianism and second as the core substance …

A Poetic Poioumenon: Coterie And Ekphrasis In David Lehman's "The Breeders' Cup", Anna Beth Rowe

Master's Theses

David Lehman’s poem “The Breeders’ Cup” uses cross-generational coterie and ekphrasis to create a poetic poioumenon. When read in terms of art criticism, Lehman’s “The Breeders’ Cup” models creative processes from the past and calls for a rehabilitative ethic in postmodern poetics. Lehman follows the ekphrastic form, which associates a poem with a work of visual art, from his New York School predecessor Frank O’Hara. “The Breeders’ Cup” addresses Édouard Manet’s 1865 painting Olympia through ekphrasis, and the painting of a prostitute becomes a patron saint of parody for postmodern poetics. The poem introduces lust as a metaphor for creative …

Protecting Dixie: Southern Girlhood In Children's Literature, 1852-1920, Laura Anne Hakala

Dissertations

Most scholarship about girlhood in children’s literature tends to rely on national models of girlhood. My project complicates those models by demonstrating how region shapes distinct forms of American girlhood. In particular, I examine representations of southern girlhood in children’s literature published between 1852 and 1920, drawing on the four types of literature that most featured southern girls during this time period: abolitionist literature, Confederate literature, postbellum plantation fiction, and family stories. Using a historicist methodology and spatial analysis, I place these texts in relation to information about the spatial arrangements and protocols of southern domestic sites. By viewing girlhood …

The Orphan Train Adventures Series: The Kelly Siblings’ Trek To Responsibility, Ashten T. Redell

Honors Theses

The Orphan Train Adventures, a series of historical novels by Joan Lowery Nixon (1927-2003), is concerned with the responsibility exercised by its child characters during the antebellum and Civil War periods. This thesis examines how Nixon, by illustrating the positive effects of responsibility through her child characters, suggests the value of cultivating responsibility in children of the contemporary period. Nixon’s use of the mid-nineteenth-century setting and the rearing practices associated with this time allows her to demonstrate positive acts of responsibility in her main characters—six siblings sent west from New York City on …

‘My Freedom Is A Privilege Which Nothing Else Can Equal’: The Life And Writings Of Venture Smith And Phillis Wheatley, American Slaves, Donald Holmes Ii

Honors Theses

Slavery in the United States was an evolving institution that lasted nearly 400 years. To understand the colonial era of slavery within the United States, I examine the life and times of Venture Smith, as documented in his autobiography, A Narrative of the Life and Adventures of Venture, A Native of Africa (1798), and that of Phillis Wheatley using The Collected Works of Phillis Wheatley (1988). Both Smith and Wheatley were African-born slaves brought to America during the eighteenth century. In Smith’s narrative, he concludes by proclaiming “my freedom is a privilege which nothing else can equal” (31). This statement …

Updike, Morrison, And Roth: The Politics Of American Identity, Christopher Steven Love

Dissertations

My dissertation analyzes American identity in the works of John Updike, Toni Morrison, and Philip Roth. Specifically, I examine American identity in Updike’s Rabbit tetralogy (1960-1990); Morrison’s trilogy of novels Beloved (1987), Jazz (1992), and Paradise (1998); and Roth’s trilogy comprising the novels American Pastoral (1997), I Married a Communist (1998), and The Human Stain (2000). The studied texts of these three novelists, I argue, attack national myths and undermine exclusive narratives that are incongruent with the nation’s ideal identity as a pluralistic and democratic nation.

Explorations: Five Science Fiction Stories, Daniel Joseph Pinney

Dissertations

These stories explore a universe populated by the stuff of space opera—enormous space stations, mysterious alien artifacts, starships and terraforming and emission nebulae, a human civilization that over millennia has spread across the galaxy. These explorations are not conducted by the usual swashbuckling heroes of space opera, however, but rather by the sorts of people who would have to live and make a living in such a future.

The perspectives from which this future is explored include those of an asteroid miner who loses his ship even as he is discovering the wonders of art, a man whose misuse of …

Moral Performances: Melodrama And Nineteenth-Century American Literature, Jeffrey Taylor Pusch

Dissertations

Despite a high number of ticket sales, theater reviews, and innumerable letters and diary entries detailing trips to the theater, the stereotype that theater in nineteenth-century America was almost culturally invisible continued well into the twentieth century. Indeed, a scan of anthologies of American literature fails to yield any examples of nineteenth-century drama, even though figures like Henry James were also theater critics and playwrights. Just as it did in American life, theater exhibits a strong presence in the literature of the time. Considering theater’s pervasiveness, this dissertation seeks to restore it to its proper place in our study of …

"Their Past In My Blood": Paule Marshall, Gayl Jones, And Octavia Butler's Response To The Black Aesthetic, Williamenia Miranda Walker Freeman

Dissertations

Paule Marshall’s The Chosen Place, The Timeless People (1969), Gayl Jones’ Corregidora (1975), and Octavia Butler’s Kindred (1979) enhance our conceptualization of black aestheticism and black nationalism as cultural and political movements. The writers use the novel as genre to question the ideological paradigm of a black nationalist aesthetic by providing alternative definitions of community, black women’s sexuality, and race relations. Because of the ways in which these writers respond to black aestheticism and black nationalism, they transform our understanding of movements often perceived as sexist, racist, homophobic, and anti-Semitic. An examination of their works reveals the need for additional …

"Blessed Are The Dead Which Die In The Lord": The Influence Of The American Tract Society On The Historical Evolution Of American Literary Sentimentalism, Joel Bridges Henderson

Dissertations

Studies of American literary sentimentalism usually focus on either the genre's origins in the novels of the early republic or its zenith as represented by the midnineteenth- century bestsellers. Such a focus reveals two distinctly different versions of sentimentalism. While the novels of Susanna Rowson, Hannah Foster, and William Brown evidence a genre influenced by Calvinism, the bestsellers of Harriet Beecher Stowe, Maria Cummins, and Susan Warner represent a sentimentalism inextricably fused with nineteenth-century evangelicalism. The evolution of the genre is more clearly explained by the intervention of the American Tract Society (ATS). In its ongoing efforts to convert the …