Arts and Humanities Commons^™

Alligator Skull, Katherine Weaver

PANDION: The Osprey Journal of Research and Ideas

Artist Statement

Alligator Skull was created through mimicking the shadows on the bones of a giant creature with the dots of my pen. Living in Florida, I have known these animals my entire life, and I have been mesmerized by them the whole time. To see one humbled into a skeleton form is so intriguing. They are apex predators that encompass fear in many, but they are just as mortal as the rest of us. They only kill to survive, but the power they possess over the waters has humans either petrified or entranced. This individual from the Alligator mississippiensis …

Seven Steps Of Poesis, Neil Baldwin

LASER Journal

This text responds to a request from Ashwin Vaidya, co-editor of LASER, in the spirit of his journal’s mission, “to explore links between science and art.” I have published ten volumes of nonfiction -- biography, history, essays and cultural studies – and two collections of poetry and translation over the past five decades. And I was founding director of The (virtual, interdisciplinary) Creative Research Center at Montclair State University from 2010-2020. This is my first attempt to write systematically and analytically about the phases, stages and challenges of generating and structuring a full-length monograph, peering downward from a thirty-thousand foot …

Modernity And The Water Calligraphy Experience, Maddie Oprica

Chinese Language Teaching Methodology and Technology

This article explores how Chinese calligraphy has evolved in the modern world, utilizing one particular focus: water calligraphy. Water calligraphy is a fascinating, non-invasive, and communal form of street art. It recontextualizes traditional calligraphy and offers insight into modern Chinese society and the concepts of art and creation. The simple trade of ink and paper for water and the ground has produced one highly intriguing practice. The following article will go through water calligraphy's link to modernity, its general appeal, and my own personal experience attempting it.

Nothing To See Hear, Adam Kuykendall

Electronic Theses and Dissertations

Nothing to See/Hear is a research experiment into minimalist visual narrative via the short film Not the Boss of Me, in which the criteria for production mandated only the bare essential elements required to construct and convey a plot and its characters be used while filming within a nondescript space - in this case, a mostly empty soundstage. How does one tell a story and define its characters without direct expository dialogue? What is needed to establish and define locations and/or environments when limited to only one or two items? Can an audience engage their imagination to fill in the …

Examining Our Relationship With Death: A Participatory Art Project, Lia A. Davido

Electronic Theses and Dissertations

Death is a fact of life, yet researchers such as Caitlin Doughty, Todd Harra, Ernest Becker, and others, have found that people deem death a taboo topic of conversation. Doughty herself started a social movement, death positivity, to encourage this taboo to be broken, and to normalize talking about death. However these researchers published their findings in the early to mid 2010’s, before a major pandemic made death a more common occurrence for people. Inspired by previous researchers' experiences, this project asks the question: How do people feel about death now, and can socially engaged art create a space where …

Ways To Endure, Skyler J. Maggiore

Graduate Theses and Dissertations

Ways to Endure is an installation of photographic-based inquiry through light, steel, emulsion, glass and, healing welted skins. Topographic satellite imagery of flood-prone peaks and valleys within my rural home county are abstracted by a Google Earth glitch. Acupuncture needles are a reminder of sorrow and relief and an indicator of boundary and location. The Fresnel lens has a historical responsibility as a beacon, a tool of survival and navigation, originally used to concentrate and project light in lighthouses, and fire starters in survival kits. The Fresnels are fixed in front of intimate portraits to magnify and abstract. This installation …

“Tradish-Ish”: Call Me By My Name: The Language Of Calls For Native Artists, Jessica Mehta

Amplify: A Journal of Writing-as-Activism

“Tradish-ish: Call Me by Your My Name” examines the recent language used in open calls for Indigenous works of public art. It explores which terms are "trending" to refer to these artists, who is behind these calls, and what this means for Indigenous artists.

Developing A Holistic Outlook Through Art, Jennifer K. Fortuna

The Open Journal of Occupational Therapy

Dr. Guy McCormack, PhD., OTR/L, FAOTA, an occupational therapist and retired academic program director based in Seaside, California, provided the cover art for the Summer 2023 edition of The Open Journal of Occupational Therapy (OJOT). “Tree of Life” is a 20” x 24” painting made from acrylic on panel. McCormack has served as an occupational therapist and educator for nearly 50 years. His career includes many notable clinical and academic achievements. Today, he finds joy in painting landscapes, animals, and abstract compositions. Since his retirement, art has helped McCormack develop a more holistic outlook on life.

Neal, James, Wendy Chapkis

Querying the Past: LGBTQ Maine Oral History Project Collection

Jim Neal is a 65 year old gay man born and raised in Galesburg, Illinois. Following his parents’ divorce at age 7, he moved with his mother and brother into their grandmother’s home. Neal discusses how, throughout his childhood, he witnessed predatory men in positions of power abusing boys; this served to inform his early perception of homosexuality. Those experiences also presented an internal struggle for Jim Neal between his own identity as a gay man and his perception of adult gay men. As a child, he found support in his family and closest community for his non-traditional gender interests …

The Power Of Image: Sixteenth-Century German Witchcraft Imagery, Amie Fillet

Voces Novae

No abstract provided.

The Art And Artifacts Of Solidarity, Yasmin Merali

New England Journal of Public Policy

In Complex Adaptive Systems in a Contentious World I showed how viewing social systems as Complex Adaptive Systems exposes the systemic mechanisms that underpin their resilience and sustainability. In this article I show the utility of that approach for elucidating the role of art and artists in the evolution of resilient social movements. I do this by exploring the way in which art and artifacts were implicated in the evolution of the Polish Solidarność movement.

Exiles: Trauma, Art & Design, Edwin Lew-Højbak Paquette

University Honors Theses

A BFA thesis about the researching, writing, illustrating, and printing of a graphic novel. The story, an auto-biographical exploration of trauma using magical realism, is based on the Jungian psychology concept of shadow work and Internal Family Systems (IFS).

Economic Empowerment Through Art, Ava Ellis

Thinking Matters Symposium

Economic Empowerment Through Art: Final Abstract

Ava Ellis, Shaw Innovation Fellow, USM, MSW graduate student

My research project focused on using drawing and one-to-one art workshops as a way into discussing money habits. Participants shared their beliefs about money and responses to questions about money. They considered ways they may want to alter habits related to money within the 1 hour workshop, art was used as a scaffold to envision future-oriented economic goals. Participants mentioned uncertainty regarding financial planning and a lack of education regarding money in childhood. All felt they often needed more financial insight, in terms of developing …

On The Black Book As Durational: Noah Purifoy’S Desert Library, Paul Benzon

Criticism

What happens to a library in the desert? How does it transform as a material object under these pressures, and what might these transformations tell us about its capacity for bearing and registering history? This article considers these questions in relation to the artist Noah Purifoy’s found-object installation Library of Congress, one of approximately thirty works that make up the ten-acre space of the Noah Purifoy Desert Art Museum of Assemblage Art in Joshua Tree, California. The museum consists of a wide range of found-object sculptures, all deeply enmeshed within the space of the desert. The museum, and indeed Purifoy’s …

Intertidal No. 1, Adriana Dutra, Anna Madruga, Ashley Lang, Asmahan Karam, Brigitte Kim, Chloe Kelly, Claire Chan, Dana Craighead, Elizabeth Brown, Elsie Wordal, Gavin Hart, Gazelle Chen, Alexandra Hardcastle, Ian Pines, Isaac Rudnick, Jack Fowler, Jade Stankowski, Janae Pabon, Jenna Dierkes, Joshua B. Venz, Josie Doan, Maddie Stein, Madison Gonzalez, Malia Weingarten, Noah Ackerman, Noelle Amey, Maxwell H. Johnson, Rebekah Lee, Rebekah Shane, Sam Mosteller, Sarah Chayet, Sarina Vachhani, Shelby Anderson, Sophie Stoll, Sydney Lehr, Taylor Lozano

Intertidal

For the first year ever, Intertidal has surfaced to showcase the art of Cal Poly's students and faculty. An 'intertidal zone' is an area where the ocean meets the land--hidden during the high tide and exposed during the low. Our journal embodies the moment where the tide recedes, revealing stories previously hidden.

I, Others, World - A Glass Circuit, Ariel Aravot

Masters Theses

In the summer of 2022, I had an epiphany about what an art-work is in its most expansive form: a circuit, activated by art creation, between self and others, and between them to wider worlds, and back to the self. ‘A GLASS CIRCUIT’ is the tale of my ongoing exploration of myself as a glass artist, the conscious discovery of my path, which is both consistent and incessantly changing. My works are the stepping stones that sustain my creative process as a glass blower and at the same time introduce experimentality, new questions, and new research topics.

The circuit is …

Ai Art: Artists’ Best Friend Or Mortal Enemy?, Ethan Gabrys

Tredway Library Prize for First-Year Research

This paper analyzes the impacts and implications of generative AI software on art and examines the ethics of using such tools. Through the argument that careless use of these tools presents a danger to the art world as they risk devaluing human expression, Gabrys states that “as what it means to be human changes with each generation, new artists express sentiment through their art. Art has the ability to tell us about the human experience.” He concludes that the use of AI tools takes the skill and sentiment of human artists out of the equation, begging the question: if the …

Both Human And Holy: A Veneration Of Personhood Through Mythic Means, Abigail Porter

MFA in Visual Arts Theses

Mythology acts as a reflection of humanity, a connection of personhood and storytelling that spans through history. This essay covers how the ideas of myth, personhood, archetype, and portraiture remain central to my work. The nature of mythology is innately human in all aspects, centering on ideas being both fictitious and truthful - which allows the ideas of the dualistic aspects between the personhood and mythos with the figures worked with. My work is about people; I elevate the figure into mythic while using those myths to discuss the aspects of identity. My work leans heavily upon my own fixation …

El Mundo Del Amor: Un Sitio Para Apoyar A Lxs Hispanohablantes Locales Y Crear La Percatación Y La Diversidad En El Condado De San Luis Obispo, Daniele Lauran Mcclements

World Languages and Cultures

This project is a collective piece of tangible material that is a product of my years of learning, listening, and witnessing the overlap between the depth of different Spanish-speaking and Latinx cultures, and the various identities within the LGBTQ+ community. Taking a critical lens on what I have learned as an anglo student at Cal Poly through the words of a language that is not mine, this project speaks to the many layers to which my love, fascination and dedication with the Spanish language and cultures have impacted my life. Essentially, this project is a love letter and encapsulation of …

Evanescent: Animating Space, Kyle Servando

City and Regional Planning

A redesign of the open space of The Geffen Contemporary at MOCA into an plein air gallery for the public to be their own artists.

The Artistry Of Mediation: A Look At Mediation’S Effectiveness For Resolving Cross-Cultural Disputes Through The Leonardo Da Vinci Conflict Between France’S Louvre Museum And Italy’S Uffizi Gallery, Sophia D. Casetta

Pepperdine Journal of Communication Research

Art is powerful, as it symbolizes the history and identity of the country that claims it. However, through timely transitions, such as trade and wars, the ownership of meaningful artworks blurs, with museums fighting to claim their heritage to put on honorable display for their people. Mediation can be a peaceful means to resolve art ownership disputes, as it accounts for respecting the individual cultures of the countries represented in the dispute. Using the key medication traits described within this essay, a prepared mediator involved in such a cross-cultural conflict should be able to help resolve the issue at hand. …

Gandy Dancer 11.2, Gandy Dancer

Gandy Dancer Archives

Gandy Dancer is a literary magazine, publishing fiction, poetry, creative nonfiction, and visual art. We invite submissions from student writers and artists at all of the SUNY campuses. Edited by students at SUNY Geneseo, Gandy Dancer is published twice yearly. For more information, visit www.gandydancer.org. Gandy Dancer 11.2 is the twenty-first issue, published Spring 2023.

Melting, Dripping, Becoming: The Operations Of Memory From The Perspective Of Wax, Naomi Yu

Bachelor of Fine Arts Senior Papers

In my thesis, I explore how different compositional and material techniques are used to re-create a memory. Looking at artists such as Kiki Smith, Guadalupe Maravilla, and Anselm Keifer, I investigate the ways in which they utilize 2D and 3D materials to re-create feelings of memory.

I argue that the art object can conserve and portray memory through metaphorical acts of preservation. I will be specifically studying the acts of encasing and layering as a means to simulate the feelings of memory. I argue that these metaphorical actions create an artificial sense of time that imbues these objects with created …

A Meditation On Loneliness And The Mind's Limits: Combining Buddhism And Art To Better Understand Our Relationship To The Unknown, William Masters

Bachelor of Fine Arts Senior Papers

In this essay, I explain how my art practice instigates inquiry into uncomfortable subjects such as loneliness and how our limits of perception and cognition prevent us from understanding and connecting fully with our environments. I begin by illustrating how I make such subjects more approachable by exploiting the inherent capacity of art to be both pleasurable and painful: a work's pleasing aesthetic can make one more receptive to its disquieting content. I then describe how eastern philosophy and western art have influenced my practice. I highlight how Buddhist insights into the relationship between calmness, security and clarity have informed …

Accompanied Solo: A Singer/Songwriter's Look Into The Music Industry From Design To Debut Album, Vivienne Mccracken

Honors Theses

Vivi McCracken is my self-titled debut Extended Play Record (or EP) that consists of five original songs. This project encompasses all of my creative passions, with the aim of gaining knowledge of the music industry and what it takes to debut an album from concept to completion. I wrote the music, sang the songs for the recordings, and, for my BFA thesis exhibition, I designed all the graphics, merchandise, and collateral.

The cover art is intentionally minimal. I wanted the imagery to be the main focus, so I chose a condensed sans serif typeface that felt playful enough to complement …

Eco-Interoception: What Plants, Fungi And Protista Have Taught My Body, Sara Riley Dotterer

Art Theses and Dissertations

To me, ecology is the relational, full-body awareness that I am made up of and deeply connected to everything around me; and for better or worse, this is reciprocal. I form ecotones, an ecological transitional zone between two ecosystems, with the world around me. I use this ecotonal lens to blur binaries and dissolve boundaries between me and the world “outside my body.” During my Masters of Fine Arts at Southern Methodist University, I have continuously explored and represented the lives of various more-than-human species outside of my body, including plants, fungi and protista through an ecotonal lens. Although these …

The Hospitality Of Doubt, Ian Grieve

Art Theses and Dissertations

This paper discusses the last two years of research toward a Master of Fine Art in Studio Art. I mainly address my painting practice, but while in the program, I have worked in collage, ceramics, intaglio printmaking, and sculpture. My paintings are thick, multilayered, and often contain ambiguous narratives. The pictures develop through engagement, openness, and response within the work. I seek and embrace connection with viewers of the work. The spectator ‘completes’ the art and enhances or alters the artworks meaning by observing it and applying their individual perspectives. I seek to incorporate a sense of nostalgia and familiarity. …

Speak Now To Forever Hold Your Piece: On Aesthetic Ownership And Interpretation, Spencer Heitman

Honors Theses

The primary objectives of this research are to describe ways in the interpretation of art-objects is shaped by their ownership and to endorse fan culture participation as a mechanism through which people might be led to aesthetic value. This analysis shall be grounded in an understanding of trust and shall point the reader toward care, noting that these phenomena positively correlate and help interpreters to receive meaning of more abundance and depth. It will be initially claimed that art interpretation is itself contribution to aesthetic dialogue with artists. This claim is grounded in an understanding of art’s communicative capacities and …

Heretic Territories: Spells For Fracture, Mia Greenwald

Masters Theses, 2020-current

This monograph accompanies the MFA thesis exhibition, Heretic Territories: spells for fracture. The show uses video, weaving, clay, and bacterial/fungal bodies in three main bodies of work: Inter; Lost, remain, fracture; and For, Of Them. The pieces, and the relationship between them, explore themes of magic, the body, and land in contradiction and opposition to colonial and capitalist structures. I approach the artificial hierarchies that subjugate people, non-human creatures, and land while trying not to replicate the mistakes of posthumanist scholarship that bypasses the fact that not all people are afforded full access to the category …

“She Didn’T Know I Was In The Room”: The Effects Of Hatfield’S Illustrations On Readers’ Interpretations Of “The Yellow Wallpaper”, Mason Repas

The Downtown Review

When Charlotte Gilman's short story, "The Yellow Wallpaper," was first published in New England Magazine in 1892, staff illustrator Joseph Hatfield created three realistic-style images to accompany the text. Research suggests that Gilman had no control or influence over these images, which altered readers' perception of her story about the dangers of the rest cure for female hysteria. While Hatfield faced artistic limitations and his intentions are not discoverable today, the choices and details in his illustrations support interpretations of the short story as a piece of horror fiction in which his cohesive series of images is a more reliable …