Arts and Humanities Commons^™

Of Race, Racism And Racially Motivated Offences: A Review Of The Hate Crime And Public Order (Scotland) Act 2021, Olufemi O. Ilesanmi, Danielle Mckandie

Class, Race and Corporate Power

A relationship of social and legal significance seems to exist between the prohibition of expressions or manifestations of racism and the society’s preservation of racial diversity. To discourage racial prejudice and thereby protect each race, the state must manage its diversity well by legislating against racist hate offences. In Scotland, for example, the government boldly accepted that hate crimes, including racially motivated offences, are a serious problem requiring closer attention. Through its Hate Crime and Public Order (Scotland) Act 2021, the state resolves to tackle related criminality.

Focusing on the Act, this review examines whether or how race within the …

The Music For “Victory At Sea”: Richard Rodgers, Robert Russell Bennett, And The Making Of A Tv Masterpiece, By George J. Ferencz. Rochester: University Of Rochester Press, 2023 [Review]., Elizabeth A. Wells

Music & Musical Performance

No abstract provided.

Beethoven The European, Edited By Malcolm Miller And William Kinderman. Turnhout: Brepols, 2023 [Review, German]., Jürgen Thym

Music & Musical Performance

No abstract provided.

Beethoven The European, Edited By Malcolm Miller And William Kinderman. Turnhout: Brepols, 2023 [Review]., Jürgen Thym

Music & Musical Performance

No abstract provided.

Maestro, Directed By Bradley Cooper. 2023., Elizabeth A. Wells

Music & Musical Performance

No abstract provided.

Orthography, Jeremy Gill

Music & Musical Performance

The myth of Pope Gregory I taking melodic dictation from a magical singing bird is the imaginative starting point of Western musicʼs love-hate relationship with the music notation systems it later developed. This essay traces that development through Thomas Tallis and J. S. Bach to the dichotomous modern examples of Brian Ferneyhough and Arvo Pärt. In it, I suggest that Western musicʼs eventual development hinged upon that earliest desire to document and codify melodies, answering Gregoryʼs contemporary Isidore of Seville, who lamented that “unless sounds are held by the memory of man, they perish, because they cannot be written down.”

Metric Expressivity: An Introduction, Felipe Avellar De Aquino

Music & Musical Performance

This article discusses how meter and musical impulses can generate distinct character traits in music according to a performer’s interpretation of the metric notation. It is part of an ongoing research project focused on interpretative elements and using analytical as well as auto-ethnographical methods. This article includes analysis and comparisons of historical recordings contiguous to performance-focused analysis. It is based on the study of metric components, organizational structures, and metric-structuring elements and concepts developed by Edward T. Cone (1968), David Epstein (1995a, 1995b), Roy Howat (1995), Mine Doğantan-Dack (2012, 2014), and Nicholas Cook (2001). These writers’ thoughts are placed in …

Mozart’S Jewish Librettist: A Brief History Of A Poorly Kept Secret, Robert L. Marshall

Music & Musical Performance

Lorenzo da Ponte, the librettist of Mozart’s three greatest Italian operas, was born a Jew, a fact rumored about during his lifetime but not definitively established until 1900. The treatment (or not) of Da Ponte’s Jewish origins as documented from his time to the present constitutes a history of concealment, rumor, discovery, denigration, and exploitation. Its nadir was reached during the Nazi period, its zenith most recently, as the poet, hitherto a secondary player in the Mozart biographies, has emerged as the colorful protagonist in substantial biographies of his own.

In Praise Of Simplicity: Marie Hinrichs’S Op. 1, Neun Gesänge, Stephen Rodgers

Music & Musical Performance

In a chapter from German Lieder in the Nineteenth Century (1996), Jürgen Thym describes the historiography of the German Lied as “a hike through the high-peak area of a mountain landscape where the trail along the ridge leads from one glorious peak to the next.” Beneath the high peaks of Schubert, Schumann, Brahms, and Wolf, he notes, are smaller peaks not reachable by trail. Thym clears paths through this unexplored landscape by surveying the Lieder of Carl Loewe, Fanny Hensel, Franz Liszt, Robert Franz, Clara Schumann, and Peter Cornelius. My essay extends one of these paths, exploring the songs of …

The Art Of The Mug Shot, Juliana Triana

ArtSpeak

No abstract provided.

Ilisa Rosal: A Lifetime In Flamenco, Raymond Elman, Izzy Canizares

ArtSpeak

No abstract provided.

Bill Littlefield: It’S Not Just A Game, Raymond Elman, Gabriela Fuentes

ArtSpeak

No abstract provided.

Barbara Hulanicki: The Queen Of Biba, Raymond Elman, Adrienne Bon Haes, Lee Skye

ArtSpeak

No abstract provided.

3x U.S. Poet Laureate Robert Pinsky’S Autobiography: “Jersey Breaks”, Raymond Elman, Lee Skye

ArtSpeak

No abstract provided.

Operatic Soprano: Cecilia Violetta López, Raymond Elman, Cindy Sadler, Gabriella Fuentes

ArtSpeak

No abstract provided.

Stéphane Denève: The Second Artistic Director Of The New World Symphony, Raymond Elman, Lee Skye

ArtSpeak

No abstract provided.

Richard Milstein: A Lifetime Of Embracing The Arts, Raymond Elman, Daniela Thoelke, Lee Skye

ArtSpeak

No abstract provided.

Lawrence Wright: Master Storyteller, Raymond Elman, Lee Skye

ArtSpeak

No abstract provided.

Leonor Anthony: Arctic Queen, Raymond Elman, Lee Skye

ArtSpeak

No abstract provided.

Representing Minority Groups And Their Heritage Across Access And Preservation Of Unique Audio Recordings A Grant Overview, Veronica Gonzalez, Ximena Valdivia

Athenaeum: Scholarly Works of the FIU Libraries Faculty and Staff

In 2021, the Florida International University (FIU) Libraries received the Recordings at Risks (R&R) grant from the Council on Library and Information Resources (CLIR). The funds allowed us to digitize, create metadata, and provide online access to hundreds of unique Caribbean and Latin American songs produced between 1900 and 1935 that are included in the Diaz Ayala Cuban and Latin American Popular Music Collection (DAC) Cassette Series. The digitized materials comprise more than 1,000 cassettes with approximately 1,200 songs, recorded originally in 78rpms by Columbia, Victor, and other historical record companies. The music represents a variety of genres and is …

Ethical Data Considerations For Engaging In Reparative Archival Practice, Jamie Rogers, Rhia Rae

Works of the FIU Libraries

Archival textually-rich materials--such as warranty deeds, mortgages, legal documents, and letter correspondence--can provide valuable historical insights, and if transcribed and analyzed, can produce data points in the form of unstructured text, tabular data, and geospatial assets. This presentation will provide an overview of the process Florida International University librarians went through to turn the papers of Dana A. Dorsey, Miami's first Black Millionaire, into data. Their work is guided by the concept of "collections as data" as a form of reparative archival practice, enabling the elevation of marginalized individuals' histories. The goal of reparative archival practice is to create a …

Berlioz's Mysterious Amélie, Pascal Beyls, Peter Bloom

Music & Musical Performance

In September 1864, in a letter to his long-time confidante, the Princess Carolyne von Sayn-Wittgenstein, Berlioz mentioned the name of the woman with whom, as he had earlier confided to the Princess, he had conducted a brief but passionate affair: “her name was Amélie.” Until now, the Berlioz scholars have been unable properly to identify this mysterious person. From other letters and documents, including Ernest Legouvé’s Soixante ans de souvenirs, we have known the approximate dates of the beginning and ending of the relationship. But only now, on the basis of the birth and death certificates of the …

Revolutionary Alchemy: Incantation And Collage As Magical Methods In Rock Of The Countercultural Era, Jay Keister

Music & Musical Performance

Magic held a special fascination for the post-war counterculture, a movement that valued music and art as tools of the imagination to counter what Theodore Roszak called the “technocracy” in which science was to blame for cultural disenchantment in the West. At a time when countercultural rhetoric was bolstering a newfound faith in the power of music to generate social change, rock music began to be conceived by many musicians and perceived by audiences as a kind of magic. This article considers music by the Beatles, the Doors, Pink Floyd, Frank Zappa, Captain Beefheart and others to show how musicians …

William Albright's Whistler (1834-1903): Three Nocturnes: "Why The Hell . . . Should Anyone Listen To This?!", R. Douglas Reed

Music & Musical Performance

William Albright's Whistler (1834-1903): Three Nocturnes: "Why the hell...should anyone listen to this?!"

By Douglas Reed--2022

The article explores William Albright's Whistler (1834-1903): Three Nocturnes (1989) through historical context, musical analysis, performance practice, and the composer's essay on the relationship between his composition and Whistler's paintings. Commentary by composer Sydney Hodkinson gives information about the 1960s new music scene in Ann Arbor (the ONCE Group, The Grate Society) composition study with Ross Lee Finney.

The Profits Of (The Critique Of) Patriarchy: On Toxic Masculinity, Feminism, & Corporate Capitalism In The Barbie Movie, Bryant W. Sculos

Class, Race and Corporate Power

This article explicates the political, social, economic, and cultural contribution of Barbie (2023). Through a critical and normative analysis of four different prominent reviews of the film, this essay explores the quality of discourse surrounding Barbie, with particular emphasis on its feminist critique of toxic masculinity and lack of a coherent criticism of capitalism.

Apple “Porn” 2.0: Apple’S Vision (Pro), Suzanne E. Ferriss

Class, Race and Corporate Power

This article extends the argument made in “Apple ‘Porn’: Design Videos as Seduction and Exploitation” (Ferriss 2018) to consider the corporation’s filmed representation of its newest device: an augmented reality headset dubbed Vision Pro. It argues that Apple’s latest narratives further relegate human work and community to the margins by presenting human experience as thoroughly mediated by computer-enhanced simulation, its pinnacle achieved through its Apple Vision Pro headset that turns the home and workspace into one immersive audiovisual world. Rather than its devices and software becoming an inseparable part of our personal and shared spaces, they become the spaces. We …

Make Art Great Again, Juliana Triana

ArtSpeak

No abstract provided.

Author Nicholas Griffin: From Ping Pong To Jai Alai, Elman, Turner, Diego

ArtSpeak

No abstract provided.

Joel Hoffman: Interpreting + Preserving Vizcaya, Elman, Peralta

ArtSpeak

No abstract provided.

Johann Zietsman: Making A Difference At The Adrienne Arsht Center For The Performing Arts Of Miami-Dade County, Elman, Skye

ArtSpeak

No abstract provided.