Arts and Humanities Commons^™

Imagining Costumbrismo: Connecting Image And Text In Nineteenth-Century Colombian Cuadros De Costumbres, María Sol Echarren

FIU Electronic Theses and Dissertations

Influenced by nineteenth-century scientific trends, Costumbrismo was a literary and artistic genre combining aspects of Romanticism and Realism and presenting traditional customs of autochthonous daily life. Nineteenth-century cuadros de costumbres, or “sketches of manners,” often used local color to depict national scenes, regional types, and cultural traditions. The cuadros, comprised of short but illustrative writings published as periodical pamphlets, contained visually charged descriptive language infused with a didactic objective in order to shape readers’ perspectives about the nation and present specific sociopolitical philosophies.

This dissertation analyzes the connections between literature and art through the written cuadros de costumbres …

A Non-Normative Paradigm: Disability And Gender In Nineteenth-Century Gothic Literature, Malena Sol Pendola Biondi

FIU Electronic Theses and Dissertations

Within nineteenth century society, normalcy is presented through unfeasible means of appearance and identity, leading to a rejection of the self. By exploring characters in Victorian gothic literature, who are marginalized by society, and invoking the work of Gail Weiss, Kim Hall, and others, this essay investigates the way these norms are immortalized through published representations and how they expose the lingering presence of rejection of disabled, queer, and gender-fluid bodies. Through the analysis of Mary Shelley’s Frankenstein and Oscar Wilde’s The Picture of Dorian Gray, I look at the contextualization of marginalized existence compared to able-bodiedness and normalized …

Son For Everybody: Exploring Afro Cuban And African American Relations Through Langston Hughes’ Translations Of Nicolas Guillén’S Poetry, Hayley R. Fernandez

FIU Electronic Theses and Dissertations

The purpose of this thesis was to analyze the translation decisions made in Cuba Libre, Translated from the Spanish By Langston Hughes and Ben Frederic Carruthers, and to explore the contemporary image of Nicolás Guillén as expressed in recent projects regarding his work and legacy. Particular attention was paid to the historical and social frameworks Guillén employed in his own work and the same frameworks he and his poetry have been associated with in recent years. The larger importance of this piece was to take a look at how international Blackness existed and was worked with in literature at the …

Develando La Cuba Profunda: Tradición Mágico-Religiosa En El Teatro Cubano Contemporáneo, Jeniffer Fernández Hernández

FIU Electronic Theses and Dissertations

Contemporary Cuban theater has proved to be a fertile platform for the representation, promotion, and dissemination of traditional popular culture, especially that vein derived from the African heritage. From the ritual legacy of Afro-Cuban religious beliefs—santería, palo monte, sociedad secreta abakuá, voodoo, espiritismo cruzado—and the rich mythology on which they are inspired, a cultural production has emerged that uniquely affects Cuban performing arts. It is in this respect that, after the triumph of the Cuban Revolution in 1959, several theater groups and creators throughout the Island have imbued, as an aesthetic motto, dramatic writing and staging with such magico-religious practices. …

Miedo, Celebración Y Otredad Racial En El Cambio De Siglo: Hacia La Construcción Del Negro En El Discurso Artístico-Literario Cubano (1880-1933), Alberto Sosa Cabanas

FIU Electronic Theses and Dissertations

The disrupting visual and literary languages of the turn of the 19^th century to the 1930’s constitute an area of research as a moment of crystallization of the Cuban national consciousness or identity. Writers and artists in Hispanic Caribbean region had to face the challenge of finding ways to include highly racialized elements (such as religion and popular culture) within the rhetorical space of the elites, in other words, what Angel Rama has labeled the "Republic of letters". The result of these efforts not only opened a new kind of negotiation of the idea of nation, but also meant …

Growth Theory, Samantha Leon

FIU Electronic Theses and Dissertations

GROWTH THEORY reckons with a natural world in distress and imagines what attributes and learnings are needed for the individual to become a more beneficial part of the natural world. What does a person’s interaction with their surroundings say about them, and say about the surroundings? Violence, art, relationships, community are all examined along with the mediums through which we record our reality: speaking, writing, singing, taking photos. Despite covering a breadth of physical places and topics, a central tension that takes place between fear and curiosity colors the manuscript throughout. Poems are ordered by subject or temporal consideration, but …

Monstrous Maternity: Folkloric Expressions Of The Feminine In Images Of The Ubume, Michaela Leah Prostak

FIU Electronic Theses and Dissertations

The ubume is a ghost of Japanese folklore, once a living woman, who died during either pregnancy or childbirth. This thesis explores how the religious and secular developments of the ubume and related figures create a dichotomy of ideologies that both condemn and liberate women in their roles as mothers. Examples of literary and visual narratives of the ubume as well as the religious practices that were employed for maternity-related concerns are explored within their historical contexts in order to best understand what meaning they held for people at a given time and if that meaning has changed. These meanings …

Re-Imagining The Victorian Classics: Postcolonial Feminist Rewritings Of Emily Brontë, Yannel Celestrin

FIU Electronic Theses and Dissertations

ABSTRACT OF THE THESIS

RE-IMAGINING THE VICTORIAN CLASSICS: POSTCOLONIAL FEMINIST REWRITINGS OF EMILY BRONTË

by

Yannel M. Celestrin

Florida International University, 2018

Miami, Florida

Professor Martha Schoolman, Major Professor

Through a post-structural lens, I will focus on the Caribbean, specifically Cuba, Guadeloupe, Marie-Galante, and Roseau, and how the history of colonialism impacted these islands. As the primary text of my thesis begins during the Cuban War of Independence of the 1890s, I will use this timeframe as the starting point of my analysis. In my thesis, I will compare Emily Brontë’s Wuthering Heightsand Maryse Condé’s Windward Heights. Specifically, I …

The Crafting Of The Self In Private Letters And The Epistolary Novel: El Hilo Que Une, Un Verano En Bornos, Ifigenia, Querido Diego, Te Abraza Quiela, And Cartas Apócrifas, Angelica A. Nelson

FIU Electronic Theses and Dissertations

The inherent flexibility of the letter form or epistolary mode of writing frees the writer within the framework of salutations and closings to use vocabulary and language to create, to omit or to invert conventional constraints imposed on women by a patriarchal society. The letter begins as a blank page but becomes the space for writing one’s personal thoughts and emotions to the absent other in a communicative effort to minimize the separation.

This dissertation examines the female narrator in actual letters written during the Spanish emigration to the New World in the sixteenth century and four epistolary novels written …

Fragile Saints, Mary-Claire Ibarra

FIU Electronic Theses and Dissertations

FRAGILE SAINTS is a magical realist novel set in contemporary Peru. Elsa is struggling with her recent divorce and childhood memories of her family’s silk-producing farm haunt her, so when Elsa’s dying grandmother requests to see her, she visits Peru. There, Elsa learns she has inherited a country house, near the old family hacienda, which is haunted by a dark secret. Elsa is intrigued with the house, its caretakers, and her new lover Gustavo, yet she encounters disturbing ghostly visitors.

The novel is written primarily from Elsa’s point of view, as she discovers her purpose, but an omniscient narrator is …

"The Whole Foundations Of The Solid Globe Were Suddenly Rent Asunder": Space Place And Homelessness In Poe's "The Narrative Of Arthur Gordon Pym" And Melville's "Benito Cereno", Francis H. Hill

FIU Electronic Theses and Dissertations

My project examines the phenomenon of the hazy spaces on the periphery of the antebellum imagination that, while existing geographically at the very fringes of daily American life, are nonetheless active in the conceptualization, production, and representation of an idiosyncratic American sense of space: an anxiety of spatial fragmentation, formlessness, and modulation. In particular I am interested in Poe's “The Narrative of Arthur Gordon Pym” and Melville's “Benito Cereno,” both of which deal with American transoceanic travel to the proximity of Antarctica and its surrounding seas. These gothicized nautical fictions demonstrate an important dialectic playing out in these extreme spaces: …

Zora Neale Hurston And The Narrative Aesthetics Of Dance Performance, Jennifer M. Sittig

FIU Electronic Theses and Dissertations

Zora Neale Hurston’s literature involves dance and performance. What makes this a viable topic of inquiry is her texts often exhibit the performative, whether portraying culture or using dance and associated folk rituals to create complex meaning. Hurston’s use of black vernacular and storytelling evokes lyrical expression in "Their Eyes Were Watching God." African and Caribbean Diasporas in Hurston’s literature reflects primitive dance performances and folklore. This novel requires lyrical analysis. The storytelling feature of performance arts and reclamations of the body are present in Hurston’s text. In recent academic settings, the body has come to occupy a crucial place …

Women Creators: Artistry And Sacrifice In The Novels Of Virginia Woolf, Issel M. Guigou

FIU Electronic Theses and Dissertations

This thesis examines different facets of feminine artistry in Virginia Woolf's novels with the purpose of defining her conception of women artists and the role sacrifice plays in it. The project follows characters in "Mrs. Dalloway," "To the Lighthouse," and "Between the Acts" as they attempt to create art despite society's restrictions; it studies the suffering these women experience under regimented institutions and arbitrary gender roles.

From Woolf’s earlier texts to her last, she embraces the uncertainty of identity, even as she portrays the artist’s sacrifice in the early-to-mid twentieth century, specifically as the creative female identity fights to adapt …

What We’Ve Got Here Is A Failure To Communicate: A Postmodern Analysis Of Representations Of Higher Education In Cinema, Carlos E. Gonzalez

FIU Electronic Theses and Dissertations

The primary purpose of this study was to explore representations of higher education in film. In order to achieve that objective this study consisted of a narrative analysis of the themes that emerged in films regarding higher education. This study focused on films from the 1950s to the present. The narratives that emerged from the analysis of the films were compared and contrasted to the scholarly literature regarding higher education. The analysis of the films also included juxtaposing the film narratives to the work of postmodern theorists such as Michel Foucault in order to inform the claims made by the …

The Central American Question: Nicaraguan Cultural Production And Francisco Goldman's The Ordinary Seaman, Oscar A. Gonzalez

FIU Electronic Theses and Dissertations

This study examines the cultural production and political history of Nicaragua from the 1960s to the early 1990s and interprets Francisco Goldman’s The Ordinary Seaman alongside Central America’s literary boom period, the nation-building project of the revolutionary letrados, and race relations between Nicaragua’s Pacific region and its two autonomous sectors of the Atlantic coast. It is argued that Central American ways of seeing are colored by the interplay between a revolutionary past, the myth of the pure Indio or mestizo, and the erasure of national identity in the US contact zone. Rather than recuperating a Central American identity, it …

The Landscape Parks Of Jane Austen: Gender And Voice, Lauren N. Rey

FIU Electronic Theses and Dissertations

This thesis examines the function of specific garden features in Jane Austen’s novels, particularly in the seminal texts Pride and Prejudice and Mansfield Park. Male power, politics and land ownership dominated eighteenth-century society. Despite this, Austen’s woman protagonists utilize the tree avenues feature of landscape parks, voicing a need to redefine moral responsibility associated with land ownership. This thesis draws on the literary theories of gender studies and ecocriticism to examine garden spaces in Austen’s texts, though the primary focus of the investigation relies on exploring the primary texts themselves with a historical approach. In addition to this secondary critical …

Children's Literature, Ideology, And Cultural Identity Before And After The Cuban Revolution, Zeila M. Frade

FIU Electronic Theses and Dissertations

Mediante de un acercamiento cronológico, esta disertación analiza la función de la ideología como herramienta poderosa para construir la nación y moldear al futuro ciudadano en la narrativa infantil cubana pre y pos-revolucionaria. Aunque una tradición y un proceso de formación de identidad nacional anteceden la literatura infantil publicada antes del triunfo de la Revolución, en los períodos posteriores existe una estrecha relación entre el contexto social de los textos y su función ideológica. Partiendo de “La Edad de Oro” (1889) de José Martí, este estudio se enfoca en los cambios socio-culturales que influyen en el desarrollo de una narrativa …

Gender Benders: Shakespeare's Rosalind And Woolf's Orlando, Katrina Armenteros

FIU Electronic Theses and Dissertations

English Renaissance playwright, William Shakespeare and twentieth century modernist author, Virginia Woolf’s works, “As You Like It” (1599) and “Orlando” (1928), respectively posit a vision of gender that transcends the physical sex of the body. The play’s heroine, Rosalind, and the novel’s protagonist, Orlando, each challenge the stability of the binary categories of male and female, demonstrating how gender is not absolute but rather a constantly adapting and evolving construct. This thesis traces the development of Rosalind and Orlando by analyzing and comparing both protagonists’ journeys towards concordia discors, considering how gender transformation plays a pivotal role in helping …

La Representación De La Masculinidad Y La Violencia De Género En La Novela Española De La Posguerra, Alfredo M. Pastor

FIU Electronic Theses and Dissertations

While it may be argued that aggression against women is part of a culture of violence deeply rooted in Spanish society, the gender-related violence that exists in today’s Spain is more specifically a legacy of Franco’s dictatorship (1939-1975). Franco’s Spain endorsed unequal gender relations, championed patriarchal dominance and power over women, and imposed models of hegemonic and authoritarian masculinities that internalized violence by rendering it a feature inseparable from manhood and virility.

This dissertation provides a comprehensive analysis of masculinity and gender violence in Franco’s Spain, by analyzing the novel as the primary cultural vehicle of social criticism and political …

Simply Genre Films: Extracting “King Lear” From “House Of Strangers” And “Broken Lance", Sophia G. I. Funk

FIU Electronic Theses and Dissertations

The purpose of this thesis is to evaluate and refute Yvonne Griggs’ claims that the films “House of Strangers” (1949) and “Broken Lance” (1954) are as Griggs deems “genre-based adaptations” of William Shakespeare’s “King Lear.” I argue that the films, although they have some essential elements of “King Lear,” lack intentionality and reception, pivotal components in determining viability as a Shakespearean film adaptation. Using Griggs’ book as my critical background, I will show that these films are better classified under their respective genre categories, Western and film noir, not as “King Lear” genre adaptations. I will …

Anti-Romance: How William Shakespeare’S “King Lear” Informed John Keats’S “Lamia”, Shelly S. Gonzalez

FIU Electronic Theses and Dissertations

The purpose of this thesis is to analyze John Keats’s “Lamia” and his style of Anti-Romance as informed by William Shakespeare’s own experimentation with Romance and Anti-Romance in “King Lear.”

In order to fulfill the purpose of my thesis, I explore both the Romance and the Anti-Romance genres and develop a definition of the latter that is more particular to “King Lear” and “Lamia.” I also look at the source material for both “King Lear” and “Lamia” to see how Shakespeare and Keats were handling the originally Romantic material. Both Shakespeare and Keats altered the original material by subverting the …

The Enchanter's Spell: J.R.R. Tolkien's Mythopoetic Response To Modernism, Adam D. Gorelick

FIU Electronic Theses and Dissertations

J.R.R. Tolkien was not only an author of fantasy but also a philologist who theorized about myth. Theorists have employed various methods of analyzing myth, and this thesis integrates several analyses, including Tolkien’s. I address the roles of doctrine, ritual, cross-cultural patterns, mythic expressions in literature, the literary effect of myth, evolution of language and consciousness, and individual invention over inheritance and diffusion. Beyond Tolkien’s English and Catholic background, I argue for eclectic influence on Tolkien, including resonance with Buddhism.

Tolkien views mythopoeia, literary mythmaking, in terms of sub-creation, human invention in the image of God as creator. Key mythopoetic …

Hermetic Text And Subtext: Paranormal Phenomena In The Works Of Alejandro Tapia Y Rivera And Benito Pérez Galdós, Agnes Ruiz-López

FIU Electronic Theses and Dissertations

This research seeks to establish a connection between the Hermetic tradition and the paranormal phenomena found in the works of Alejandro Tapia y Rivera --- “Un alma en pena” (1862), Póstumo el transmigrado (1872) and Póstumo el envirginado (1882) --- and Benito Pérez Galdós´s La sombra (1870) and “Celín” (1871). By establishing a Hegelian influence in their works, we uncover the possible origin of these paranormal events.

German Idealism, so widespread during the first half of the 19^th century, seems to have given both authors access to new currents of thought, allowing them to explore the union of art …