Arts and Humanities Commons^™

In Defense Of Preservation, Jeffrey A. Kroessler, Eric W. Allison, Dorothy Minor, Anthony C. Wood

Publications and Research

"In Defense of Preservation" is the transcript of a presentation at the Gotham History Festival at the CUNY Graduate Center, October 6, 2001. The discussants argued that historic preservation is vital to New York City's economic and cultural health, and countered arguments that preservation was elitist and hindered the city's growth. Dorothy Minor discussed the legal basis for preservation and reviewed the Penn Central decision and other court cases. Anthony C. Wood discussed the history of historic preservation in New York. And Eric W. Allison presented the intersection of preservation with the liveable cities movement.

Special Focus: Personal Writing, Jane E. Hindman

Publications and Research

This introduction to a special section of College English treats the nature, role, and problematics of personal academic discourse and professional work. It address the place of personal writing in professional contexts and aims to clarify the myriad denotations of "the personal" in academic discourse and to suggest viable criteria for evaluating the effectiveness of personal writing's contributions to knowledge-making in English studies.

The Invisible Can Or, Gendering Corporate Globalization Trouble: Technological Utopianism And The Language Of Erasure, Marleen S. Barr

Publications and Research

In the following, noted science fiction scholar Marleen S. Barr argues for an increased attention to science fiction as a literature of the potentials of globalization, a genre that has largely been marginalized in discussions of the future of a globalized techno-culture. Further, Barr argues for greater attention being paid to feminist utopian fiction which helps to reimagine women's roles in the increasingly complex, and increasingly capitalistic, globalized techno-culture that has continued to marginalize the female body (and consciousness) in much the same way that scholars have denied the possibilities of utopian science fiction.

Historical Fabrications On The Internet: Recognition, Evaluation, And Use In Bibliographic Instruction, John A. Drobnicki, Richard Asaro

Publications and Research

Although the Internet provides access to a wealth of information, there is little, if any, control over the quality of that information. Side-by-side with reliable information, one finds disinformation, misinformation, and hoaxes. The authors of this paper discuss numerous examples of fabricated historical information on the Internet (ranging from denials of the Holocaust to personal vendettas), offer suggestions on how to evaluate websites, and argue that these fabrications can be incorporated into bibliographic instruction classes.

Trapping The Gaze: Objects Of Desire In James's Early And Late Fiction, Phyllis E. Vanslyck

Publications and Research

The object of desire in James's fiction is an ironic construct designed to expose the inevitable deformations of the gaze. What we long for--to be seen (understood) from our own perspective or, conversely, to understand another from his or her own perspective--is impossible. Instead there is always a gap, an abyss, between what we see and what we imagine or wish to be true about the Other. For Jacques Lacan, the gaze is, simply, "the subject sustaining itself in the function of desire" (Four Fundamental Concepts 84). In James's fiction, the powerful impulse to create an "ideal" and to believe …

On The Grounds Of Globalization: A Topography For Feminist Political Engagement, Cindi Katz

Publications and Research

Globalization is nothing new. Global trade has been going on for millennia—though what constitutes the "globe" has expanded dramatically in that time. And trade is nothing if not cultural exchange, the narrow distinctions between the economic and the cultural having long been rendered obsolete. Moreover, our forbears, like us, were great "miscegenators." If here I gloss the racialized and gendered violence often associated with miscegenation, I do so strategically to note that all recourse to purity, indigeneity, or aboriginality—however useful strategically—should be subject to at least as much scrutiny as the easy romance with hybridity (see Mitchell 1997). Globalization has …

Davis Eli ("David") Ruffin, John A. Drobnicki

Publications and Research

David Ruffin was a singer who had a successful career both as a solo artist and as a member of The Temptations, who were inducted into the Rock and Roll Hall of Fame in 1989.

Wolfman Jack (Robert Weston Smith), John A. Drobnicki

Publications and Research

Wolfman Jack was a radio personality, television host, actor, and commercial spokesperson.

Review Of William Blake, Antoni Pizà

Publications and Research

Although William Blake is the quintessential multidisciplinary artist – his achievements in literature and the visual arts are for the most part uncontested – as far as we know, he was never particularly interested in music. Indeed, neither his poetry nor his pictures describe or depict music directly. Yet, in the last 200 years or so, his work has made an astounding mark on composers and music. One sees Blake's influence primarily in the numberless musical settings of his poems, but also in more general, indefinite, and ineffable way – a very Blake-ian one, I am tempted to say. I …

A Space For Co-Constructing Counter Stories Under Surveillance, María Elena Torre, Michelle Fine, Kathy Boudin, Iris Bowen, Judith Clark, Donna Hylton, Migdalia Martinez, 'Missy', Rosemarie A. Roberts, Pamela Smart, Debora Upegui

Publications and Research

Using our experiences as members of a participatory action research committee (from the City University of New York Graduate Center and the Bedford Hills Correctional Facility) documenting the impact of college in a maximum security prison, this essay illustrates the power of Participatory Action Research in the construction of counter stories. We raise for discussion a set of theoretical, methodological and ethical challenges that emerged from the co-production of counter stories under surveillance: the creation of a critical space for producing 'counter knowledge'; the co-mingling of counter and dominant discourses, the negotiation of power over and within research in prison, …

Blue Vaudeville: Sex, Morals, And The Mass-Marketing Of Amusement, 1895-1915, Andrew L. Erdman

Dissertations, Theses, and Capstone Projects

Vaudeville was the most popular form of entertainment in the United States, from roughly the 1890s through World War I. In fact, it can reasonably be called the first truly mass form of entertainment in the United States, and perhaps the world. This dissertation examines how vaudeville grew as the first national, large-scale form of amusement in America. It attempts to locate the rise of this first form of mass entertainment within an era when powerful businessmen in many industries were beginning to market products and services to a national market as well.

Furthermore, this dissertation examines some of the …