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Full-Text Articles in Arts and Humanities
The Lunatic's Fancy And The Work Of Art, Shelly J. Eversley
The Lunatic's Fancy And The Work Of Art, Shelly J. Eversley
Publications and Research
No abstract provided.
Hip-Hop/Scotch: "Sounding Francophone" In French And United States Cultures, Francesca Sautman
Hip-Hop/Scotch: "Sounding Francophone" In French And United States Cultures, Francesca Sautman
Publications and Research
This essay adresses the relationship between "being/speaking Francophone" and forms of ethnic-cultural dissent in France and the U.S. In both countries, terms such as Francophone and Francophonie are often captured by specific political agendas and practicies. What it means to be "Francophone" involves complex interfacings between various langages, including English and French, between competing discursive claims made on the basis of linguistic home and the particular forms of cultural and linguistic hybridity, such as French hip-hop culture and world music.
The Sexual Democracy Of Miscegenation: Jossianna Arroyo Examines The Homoerotic Narratives Of The Father Of Racial Democracy, Marcelo Montes Penha
The Sexual Democracy Of Miscegenation: Jossianna Arroyo Examines The Homoerotic Narratives Of The Father Of Racial Democracy, Marcelo Montes Penha
Center for LGBTQ Studies (CLAGS)
Investigations of the sexual Other generally attempt to explain sexual practices by characterizing their practitioners as "homosexual" or "gay." Jossianna Arroyo, Assistant Professor of Spanish at the University of Michigan, went beyond this approach during her March 28 colloquium presentation, "Brazilian Homoerotics: Cultural Subjectivity and Representation in Gilberto Freyre." Arroyo explores not just sexual practices but also the construction of the Brazilian nation through a reading of Gilberto Freyre's two novels, Dona Sinha e o Filho Padre (1964) and O Outro Amor de Dr. Paulo (1977).
Remembering Beyond The Self: Crossing Borders 2001, Jill Dolan
Remembering Beyond The Self: Crossing Borders 2001, Jill Dolan
Center for LGBTQ Studies (CLAGS)
In a passionate keynote address at the third in CLAGS's series of "Crossing Borders" conferences, Cherríe Moraga called on conference participants to "hold the pussy in public," to join otherwise isolated Latina/o artists in bringing racialized queerness into public debate. Presented at the University of Texas at Austin in February, "Crossing Borders 2001: U.S. Latina/o Queer Performance" was linked by its coalitional politics around race and ethnicity—broadly figured as latinidad—and gender and sexuality. This three-day gathering was sponsored by CLAGS through a generous gift from the Michael C.P. Ryan Estate and co-sponsored by the Center for Dramatic and Performance Studies …