Arts and Humanities Commons^™

Volume 20, Various Authors

Journal of Music Theory Pedagogy

No abstract provided.

The Sonic Representation Of Mathematical Data, Charlie Cullen

Doctoral

Conveying data and information using non-speech audio is an ever growing field of research. Existing work has been performed investigating sonfication and its applications, and this research seeks to build upon these ideas while also suggesting new areas of potential. In this research, initial work focused on the sonification of DNA and RNA nucleotide base sequences for analysis. A case study was undertaken into the potential of rhythmic parsing of such data sequences, with test results indicating that a more effective method of representing data in a sonification was required. Sonification of complex data such as DNA and RNA was …

Memory, Mythmaking, And Museums: Constructive Authenticity And The Primitive Blues Subject, Stephen A. King

Faculty Research and Creative Activity

This essay explores how museums, public memory, and authenticity intersect to privilege an understanding of the past. Reflecting White control over the promotion of blues music, the curators at the Delta Blues Museum, located in Clarksdale, Mississippi, employ two rhetorical strategies to satisfy the expectations of (White) tourists who share culturally specific memories of the blues. First, the museum's rhetorical depiction of blues artists reflects White fascination with the mythic image of the primitive blues subject. Second, the exhibit recreates an early 20th century Delta society to complement tourism goals to market the Mississippi Delta as America's last remaining “pure” …

Memory, Mythmaking, And Museums: Constructive Authenticity And The Primitive Blues Subject, Stephen King

Faculty Research and Creative Activity

This essay explores how museums, public memory, and authenticity intersect to privilege an understanding of the past. Reflecting White control over the promotion of blues music, the curators at the Delta Blues Museum, located in Clarksdale, Mississippi, employ two rhetorical strategies to satisfy the expectations of (White) tourists who share culturally specific memories of the blues. First, the museum's rhetorical depiction of blues artists reflects White fascination with the mythic image of the primitive blues subject. Second, the exhibit recreates an early 20th century Delta society to complement tourism goals to market the Mississippi Delta as America's last remaining “pure” …

Title Page

Sound Scripts

No abstract provided.

Nietzsche’S “Gay” Science, Babette Babich

Articles and Chapters in Academic Book Collections

Offers a reading of the allusion to the 'Provencal' in Nietzsche’s The Gay Science, including the troubadour’s art (or 'technic') of poetic song, an art at once secret, anonymous and thus nonsubjective, but also including logical disputation, for which it is the model, and comprising, perhaps above all, the important ideal of action (and pathos) at a distance: l’amour lointain. But beyond the Provençal character and atmosphere of the troubadour, Nietzsche’s conception of a joyful science, Nietzsche's 'gay' science also adumbrates a critique of science understood as the collective ideal of scholarship, and including classical philology as much as logic, …

Review Of Hail! Hail! Rock 'N' Roll, Michael Adams

Publications and Research

Review of Taylor Hackford's Chuck Berry documentary Hail! Hail! Rock 'n'Roll: http://www.media-party.com/discland/2006/08/chuck-berry-hail-hail-rock-n-roll.html

Elementary Music Assessment And Report Card Practices In Livingston County, Michigan, Jennifer R. Patterson

Master's Theses and Doctoral Dissertations

This descriptive study explored how elementary schools in the five public school districts in Livingston County, Michigan, report musical achievement to parents. The purposes were to examine what is assessed in K–4 music classrooms, what grading systems are used to report the assessment data, and how school districts use report cards to convey information about students’ musical progress to parents. The study involved questioning district curriculum directors, elementary school principals, and music teachers with response rates above 70%. In addition, music report cards were reviewed and a small sample of parents were surveyed. Analysis of descriptive statistics revealed that elementary …

Energy's Human Face: Immigrant Stories In Song, David K. Ripley

The University Dialogue

My proposal for the UNH Discovery Dialogue concerns a form of social energy at the roots of our American social experience. This is the energy of those individuals who came as immigrants to our country as a result of their own personal decisiveness.

Symphony Iii, Michael Berthelot

LSU Master's Theses

In the summer of 2003 in the outskirts of Portland, Oregon, inspiration was found, and Symphony III is the result. It was here that two conflicting ideas became clear. The juxtaposition of these two ideas is evident throughout this work. Symphony III is a one-movement piece of twenty minutes in duration that consists of five different sections in the arch form ABCBA. One idea is very lyrical, as in Section A, while the other is very rhythmic, as in Section B. The lyrical inspiration can be heard in the opening flutes, and in the piccolo trio, which perfectly reflects the …

Application Of Binaural Recording In The Video Game Industry, Max Leong

Theses : Honours

The video game industry is one of entertainment technologies' largest growing industries. There are thousands of games in the market covering a variety of different genres. There is also a high level technical sophistication in current games along with the game console that runs it. Games are realistic with astonishingly life like graphics. The backing audio and music tracks are performed by leading orchestras and written by renowned composers. Great technological strides have been made in the areas of graphic and audio design. The end user expects the very best and the video game industry is constantly improving software and …

Beatbox (Score), Gary Smart

Music Faculty Research and Scholarship

This group of short pieces for two pianists playing one piano was composed for a tour of central Japan in the summer of 2006. At a concert in Kyoto I premiered this collection, as secundo pianist, with six of my former Japanese piano students, each playing one movement with me. Each movement is dedicated to that individual and I like to think that these movements reflect, to some extent, each pianists’ personality.

The title “Beatbox” refers to the repetitive rhythmic motives which serve as the basis for each movement. This music features energetic ostinati, and thick, bopish textures. Movement five …

Department Of Music Programs 2005 - 2006, Department Of Music

School of Music: Performance Programs

Includes the music program flyers for the year 2005 - 2006.

From Composition To Performance, Jacquelyn Dayle Zwiefel

Presidential Scholars Theses (1990 – 2006)

As partial fulfillment of my senior thesis requirement, I chose to present a senior voice recital. This recital was a culmination of all that I learned as an undergraduate in the field of music. The music that I chose to perform allowed me to grow as a scholar, a musician, and a performer. I have also gained knowledge and strengthened my experience in ways that will be valuable to my career in music education. This presentation of music allowed me to grow in a way beyond that which is possible in the classroom.

The Hand Horn In Performance, Elisa Balon

Senior Honors Theses and Projects

Using a natural horn similar to those used in the late eighteenth through the late nineteenth centuries, I performed music written for instruments of this type in a Department of Music and Dance Student Recital. The hand stopping method was used and this helped me to gain insights into performance practices of the natural horn in the Classical and Romantic Periods.

The Violin Concerto And Its Development In Bulgaria, Mario Dimitrov

LSU Doctoral Dissertations

My interest in the history and problems of the Bulgarian composers' school and specifically in the establishment and development of the Bulgarian violin concerto goes far back in my musical career. The Bulgarian composers and their concertos had essential contribution to my development as a violin player and greatly influenced me over the period of my formal education. It is important to notice the very specific and original nature of the Bulgarian music culture. Bulgaria did not exist on the political map of Eastern Europe because of the fact that it had suffered the turmoil of the Ottoman Empire for …

John Coltrane: Jazz Improvisation, Performance, And Transcription, Garry J. Bertholf

Honors Theses

John William Coltrane (1926-1967) was a prominent African-American jazz saxophonist and prolific composer. The evolution of his mature career seems, from my perspective, to fall roughly into the following periods: (1) “Vertical” (ca.1955-59), (2) “Modal” (ca.1960-63) and (3) “Avant-garde” (ca. 1964-67). During this entire 12-year interlude, the artist was moving in several different directions.

Unfortunately, his working band was not well documented. However, a recording of this group in concert at Carnegie Hall in 1957 was discovered and issued in 2005 by Blue Note Records. The Blue Note compilation is the first and only full-length high-quality recording of the group. …

Ua1b2/1/1 Wku: A Century Of Spirit, Western Kentucky University

WKU Archives Records

Musical cd-rom created for WKU centennial celebration.

Transforming Messiaen : The Application Of Elements Of The Musical Language Of Olivier Messiaen To The Contemporary Jazz Orchestra, Johannes Luebbers

Theses : Honours

The music of Olivier Messiaen is a unique and interesting contribution to the canon of 20^th Century art music, but one that has received little attention from the jazz world. Through a detailed study of his music, this dissertation aims to gain a deeper understanding of Messiaen's musical language and investigate the possibilities of applying that language within the jazz idiom. In addition to a discussion of Messiaen and his music, a detailed analysis of the author's own composition for pipe organ and jazz orchestra, Auguries of Innocence, will explore the results of this application. The complete scores and …

Bob Brookmeyer: Composer, Performer, Pedagogue, Mace Francis

Theses : Honours

Before my California stay (1968-1978) I considered myself a player first and a writer second, although I did a lot of writing, from Ray Charles to Thad [Jones] and Mel [Lewis].1 Since 1979 I have come to view myself as a composer who also plays trombone; add conducting and teaching and that gives me 4 hats to wear. I do not have a swollen head, so they all fit nicely. (Brookmeyer, 1997, n.p.)

Although acknowledged as one of the pivotal figures in twentieth-century jazz, the career and the music of Bob Brookmeyer has received scant attention in secondary literature. This …

The Classical Guitar In Paris: Composers And Performers C.1920-1960, Duncan Robert Gardiner

Theses : Honours

The rise in status and popularity, and even the acceptance of the classical guitar, is a twentieth-century phenomenon which owes much to the labour of the famed Spanish guitarist Andres Segovia. It is because of the talents of Segovia and his contemporaries that the classical guitar has a wealth of first-class repertoire to call its own. Since the conception of the first twentieth-century work composed specifically for the classical guitar by Manuel de Falla, and because of the efforts of Segovia, a great interest in the instrument-and a large body of guitar music has come out of France. This dissertation …

Liberace, Janet Butler Munch

Publications and Research

Liberace was a pianist and popular entertainer who projected old-world elegance and set the tone for showmanship in the postwar era.

Symphonic Revelations, Carlo Vincetti Frizzo

LSU Master's Theses

Symphonic Revelations is scored for 3-3-3-3, 4-3-3-1, 1 timpani, 3 percussionists, harp, piano, and strings and is approximately 20 minutes in length. It is a single movement symphonic work that consists of three major sections and is built from the pitch class set [0, 1, 3]. The first section’s overall form resembles both a large crescendo and an accelerando. The music begins softly and slowly and over time gradually builds becoming louder and faster. Eventually in bars 225 to 229, the section comes to an end with a tutti passage that marks one of the loudest and fastest moments in …

Notes From The Editor, Bruce Gleason

Research & Issues in Music Education

When I first began developing the idea for this on-line journal, I envisioned a platform that would not only serve as a venue for disseminating quality research within several different research methodologies, but one that would also provide an arena for thoughtful, well informed discourse—substantive articles based on experience through teaching, formal and informal education, and professional dialogue.

The Paradox Of Assessment: Assessment As Paradox, Doug Orzolek

Research & Issues in Music Education

Like many in the field of education, I follow the path of the assessment paradigm with great interest. Through the efforts of “No Child Left Behind” and the many accountability systems put into place in our states and districts, assessment of student learning is on the minds of many. One would only review a listing of presentations at professional development workshops, any educational journal or the editorial pages of your local paper for support of the notion that assessment has become a part of our country’s educational landscape.

Assessment has become inseparable from formal education--and it’s probably here to stay. …

The Occupational Aspirations And Expectations Of Music Education Majors In Mexico, Karendra Devroop, Beatriz Aguilar

Research & Issues in Music Education

The purpose of this study was to investigate the occupational aspirations and expectations of students majoring in music education in Mexico. Participants (N = 83) included the entire population of music education majors enrolled at the National School of Music at the National Autonomous University of Mexico during the 2002 academic year. Questionnaires were administered by one of the researchers, with a return rate of 92%.

The analysis of occupational aspirations and expectations revealed some disparities in the types of occupations subjects preferred and expected. The majority of students indicated they aspired to a combination of occupations however most students …

Flamenco In Focus: An Analysis Of A Performance Of Soleares, Peter L. Manuel

Publications and Research

No abstract provided.

It Can “Spoil All The Beauty”: The Duplicating Of Solo Dissonances In Seventeenth-Century Thorough-Bass Accompaniment, Roland Jackson

Performance Practice Review

17th-century accompaniments avoid duplicating the dissonances present in solo parts. This is borne out in available written-out versions (composer's copies, orchestral scorings), e.g. by R. Dowland, Cesti, A. Scarlatti, and Purcell. The same is evident in unrealized accompaniments (bass lines with or without figures) if interpreted according to contemporary strictures (e.g. Rule of Octave). Following these guidelines, harmonizations are suggested for laments by Monteverdi, Cavalli, and Cesti.

Musical Time And Revealed Timelessness, Michael Vincent Blandino

LSU Master's Theses

Scholarship on musical time recognizes the depiction of timelessness in music as a possibility. However, many theories of musical timelessness center around total stasis as the ideal method for creation of the effect, tolerating relative motion only out of necessity and viewing such motion as a weakening force in this regard. There is little investigation of the interaction between other modes of musical time and the mode of timelessness. Hence, no theory offers a comprehensive expansion of scope to include more complex depictions of timelessness in relation to time. This paper addresses these points, offering a framework for understanding musical …

The Effect Of Music Tempo On Movement Responses Of Preschool Children, Melanie Woods Alexander

LSU Master's Theses

The purpose of this study was to examine the effect of tempo on movement responses of children ages one to three. For two weeks, 17 children between the ages of 22 and 36 months were videotaped twice per week to observe and measure their movement responses to fast and slow musical stimuli. During these sessions, the children were videotaped in their classrooms, engaged in either free play or in a quiet group activity. The videotaped sessions were then analyzed using a Motor Observation Form. Once all of the tapes had been viewed and scored, overall percentages of movement and no …