Arts and Humanities Commons^™

Reimagining Haydn’S Seven Last Words For String Quartet: Recasting, Retelling, And Reorchestrating For A Modern Audience, Jeremy J. Kienbaum

Dissertations, Theses, and Capstone Projects

Joseph Haydn’s Seven Last Words of Christ on the Cross stands as an anomaly not just in Haydn’s oeuvre but in the catalogues of all formidable composers over the past three hundred years. It is unique in its construction: seven slow sonata form movements sandwiched by an introduction and a surprising earthquake finale; and even more outstanding that Haydn published three distinct versions of the work over a ten-year period. Further, the transformation of the Seven Last Words from a sacred to secularly performed work in Haydn’s time warrants further discourse, especially considering its present-day performance practice and reception.

This …

“Elegy For A Flower” - Remote Orchestral Session/Score-Focused Film, Logyn Okuda

Student Scholar Symposium Abstracts and Posters

Within the many aspects of a film exists the epicenter that is visual storytelling. Music production within film always becomes a point of discussion after the fact, as composers will use their musical expertise to aid the established vision of the filmmaker. Despite music technology having evolved to recreate the sound of an orchestra, the role of music remains the same. However, what if the roles were reversed? Through this endeavor, I sought out to find the impact of a multimedia work when music becomes the primary focus of storytelling. Explored in the past by Disney's "Fantasia" and Phillip Glass' …

Recommendations For Improving The Recruitment Of High School Orchestra Students Using Basic Psychological Needs Theory, Ryan Michael Silvestri

Doctoral Dissertations and Projects

Student recruitment and retention are paramount for music educators at the secondary level, where enrollment is often non-compulsory. It is difficult for directors to build and maintain successful programs without sufficient retention from middle to high school. Low enrollment can lead to the elimination of string teacher positions and put programs at risk. The academic and social demands on students today are great, and music educators must find creative ways to make their classes appealing to students while maintaining the rigor required for musical excellence. In recent years, researchers have used basic psychological needs theory, a subset of Self-Determination Theory, …

Sequencing Orchestral Repertoire For Collegiate Orchestras: Addressing The Educational Needs Of Students In Various Stages Of Development, Cheuk Nok Francis Ku

LSU Doctoral Dissertations

Sequencing is a fundamental aspect of music education, not only in individual instrumental teaching but also in large-ensemble instruction. Collegiate orchestras, like other educational ensembles, experience turnover of students each academic year, and face unique challenges in repertoire selection due to the diverse skill levels and experience of their members. This document presents a case study of the LSU Symphony Orchestra program spanning from 2021 to 2024, and complements a performance featuring works by Amy Beach, Ludwig van Beethoven, Joseph Haydn, and José Pablo Moncayo. The document also delved into the study of performance practice during the Classical period and …

The Indomitable Basque: An Orchestral Work In Three Movements Inspired By The Basque Whalers Of Labrador Of The Sixteenth Century, Aiden Hartery

Electronic Thesis and Dissertation Repository

The Indomitable Basque is an orchestral tone poem depicting the early activities of the Basque whalers who came to the coast of Labrador during the sixteenth century. The piece specifically focuses on the interactions of an individual, Juan Martínez de Larrume, who overwintered in Red Bay, Labrador, with his crew between 1576 and 1577. The music creates soundscapes which portrays the men sailing, constructing their semi-permanent camp, hunting, and living through a Labrador winter. The piece also features three traditional Basque instruments (the txistu, the alboka, and the txalaparta). Throughout the composition, unique melodies and harmonies were created by incorporating …

Women Guitar Orchestra Conductors, 1885 To Present, Part 1, Mariette Stephenson

Music Faculty Publications

Passion, innovation, musicianship: these are reflected in the careers and offerings of women and the guitar. As I continue my research on women’s contributions to guitar orchestras, I became interested in discovering how many women have led guitar orchestras since they began in the 1800’s and learn what women today are experiencing in this role. Guitar orchestras have played an important role in many musicians’ development throughout its history, but unfortunately women have been often unacknowledged and under-represented in this ensemble format’s leadership roles.

This article includes a list I have compiled of women guitar orchestra conductors (past/present), will discuss …

Orchestra Community Engagement: Factors Of Environmental Impact, Travis Newton

Theses and Dissertations--Arts Administration

The symphony orchestra industry in the United States was founded with the goal of serving the elite, but these orchestras are organized as not-for-profit organizations and are currently mandated to benefit the community more broadly. Professional symphony orchestras in the United States are beginning to address this disconnect between their elite-oriented origins and the more modern federal mandate of community-oriented service in a variety of ways, including through community engagement programming. There are a number of items that remain unknown, including the impact that environmental factors have on orchestras’ community-oriented work, and what “community engagement” means to orchestras.

The purpose …

Through The Keyhole, Anna Higgins

Graduate Theses, Dissertations, and Problem Reports

Through the Keyhole derives inspiration from the lyrical styles of Tchaikovsky and Rachmaninoff. The transformational form of the piece follows an organic growth process leading up to a true climax. The piece stops, yet it does not end, leaving the listener to feel incomplete. Two melodic themes shape the piece alongside timbral developments. The harmony helps to portray the emotional journey of the piece, changing slightly throughout.

The Art Of Sustaining Orchestras Through Intentional Educational Experiences, Kimberly Souther

Dissertations, 2020-current

The purpose of this study is to identify the most current and successful advances in audience engagement that champion connection and result in sustainability through purposeful educational experiences.

The Symphony Orchestra currently serves an audience which represents a multiplicity of perspectives, background, and understanding. In an era of expanded canon and outreach to local communities, the orchestra must acknowledge that change is necessary if we are to truly create fulfilling experiences for our listeners. Unfortunately, many orchestras fail to connect their outreach to the concert hall, woefully categorizing their patrons into pre-determined subsets. What if all patrons were trusted with …

Orchestra Fall Concert, Cedarville University

Ensemble Concerts

No abstract provided.

Remote Learning In Collegiate Instrumental Courses: The Impact Of Remote Learning During The Covid-19 Pandemic And The Future Of Remote Learning, Beverly R. Gard

Doctoral Dissertations and Projects

During the 2020-2022 COVID-19 pandemic, many colleges were required to transition to a remote learning platform. This was a new concept to many professors and proved to impact college courses, including courses that relied on in-person learning and interactions, such as instrumental music courses. Courses were affected because teaching and learning methods that applied to in-person learning were not entirely possible with remote learning due to the mandates of social distancing and the lack of face-to-face instruction. Many music professors were required to make necessary changes to the curriculum, teaching styles, and educational technologies. Courses required new and innovative ways …

Exploring The Experiences Of Black, Brown, Indigenous, And People Of Color In High School Concert Bands And Orchestral Ensembles, Matthew J. Smith

Doctor of Education Program Dissertations

The traditional concert band/orchestra model in many public high schools often passively presents content regarding Black, Indigenous, and People of Color (BIPOC). BIPOC students in these ensembles bring a wealth of experience from their communities. Meanwhile, BIPOC face barriers including invalidation and a diminished sense of representation in these ensembles. This qualitative investigation explored how BIPOC students in a public 9-12 high school district experienced social, pedagogical, curricular practices in their school’s concert band/orchestra. Guided by critical race theory and culturally responsive pedagogy, and employing interpretive phenomenological analysis, this study addressed the lack of inclusivity and representation experienced by BIPOC …

Perceptions Of Preparedness Regarding Administrative Responsibilities: A Comparative Analysis Of Preservice And In-Service Secondary Music Educators., Ashley Ann Hokenson

Electronic Theses and Dissertations

This study investigated perceptions of knowledge and preparation regarding administrative responsibilities among in-service and preservice music teachers. Samples were selected randomly through NAfME and NASM databases. Data collection and analysis answered research questions asking how knowledgeable these groups felt about administrative topics, how they felt their undergraduate coursework prepared them for administrative responsibilities, and if there were any significant differences in preparedness among different subject areas taught by in-service directors. The findings report in-service teachers felt more knowledgeable of all administrative topics. Among in-service and preservice teachers, one significant difference was found; regarding preparedness pertaining to laws of communication via …

"Praise Him With Instruments" The Successful Implementation Of Orchestral Ensembles In The Modern Contemporary Worship Service, William Armour

Doctoral Dissertations and Projects

Despite the high demand for contemporary worship musicians to lead contemporary worship services, there remain classically trained orchestral musicians who desire to worship God with their instruments. Biblical evidence reveals, God, who highly values diversity and creativity, desires these traits in worship. Likewise, this evidence suggests God accepts and is pleased with all who offer Him true worship, regardless of their instrument. As such, there must be ways to accept these classically trained orchestral musicians into contemporary worship contexts and utilize them to enhance worship. Based on biblical evidence, industry resources, and music education materials, this qualitative study identifies the …

Symphony: Tambora, Logan Purcell

Graduate Thesis Collection

Symphony: Tambora is a piece for chamber orchestra that is inspired by the 1815 eruption of Mount Tambora in the Lesser Sunda Islands of the Phillipines. Its three movements deal with the genesis of Mount Tambora, the magma chambers filling up and spilling over, and the series of eruptions that resulted in some of the worst climate crises in recorded history. The thesis includes a score of the work, and an accompanying analysis.

The History And Development Of Solo Tuba Repertoire, Vasilios Tidwell

Honors Theses

The tuba's solo repertoire increased in quantity and quality as a result of developments in the instrument’s design and usage. Following the invention of the tuba in 1835, instrument makers experimented with design concepts to maximize the versatility and potential of the bass brass voice. Composers explored the various uses of the instrument, eventually making the tuba part of the standard orchestral instrumentation by the mid-nineteenth century. Following the instrument's acceptance into bands and orchestras, the first solo works for tuba emerged in the late nineteenth century.

Evolving from novelty pieces accompanied by wind or brass bands, tuba solo music …

Orchestra Spring Concert, Cedarville University

Ensemble Concerts

No abstract provided.

Auso: Waus Thank You Concert, Andrews University

Concerts and Event Programs 2022-2023

Andrews University Symphony Orchestra perform the "WAUS Thank-You" concert.

Featured soloists for this concert are faculty Carla Trynchuk and Chris Wild.

A Contemporary Analysis Of Bradley Knight’S Musical Compositions, Ryan James Flug

Masters Theses

While there is a plethora of music arrangers within the Christian and gospel music industries, Bradley Knight’s arranging style and techniques have shown to set him apart among contemporary arrangers. The combination of musical techniques that uniquely contribute to Knight’s choral and orchestral arrangements include distinct rhythmic choices, intricate harmonies within orchestration and choral parts, and dynamic instrumental and vocal builds. Utilizing a qualitative approach, this study will use descriptive and exploratory research design to explain both the specific techniques and cultural contexts within the greater gospel genre that fashion Knight’s arrangements. While gospel music, choral arrangements, and contemporary music …

Approaching Fifth To Sixth Grade Flute Pedagogy Considering Vark Learning Styles Model, Julie Vanderlugt

Senior Honors Theses

The benefits of learning an instrument for childhood development intersecting with the positive growth trend in homeschooled families generates increased demand in value for supporting resources. Creating resources that would include learning styles defined by the VARK model (Visual, Auditory, Read/Write, Kinesthetic) designed to engage students during their particular developmental stage enhances at-home music education. The compiled research surrounding VARK learning styles and flute specific pedagogy would provide a foundation for specialized flute exercises and activities for fifth to sixth grade students learning to play the flute in a homeschooled or private lesson setting. The structure of the thesis is …

Showcase Concert, Andrews University

Concerts and Event Programs 2022-2023

Showcase Concert held during the Andrews University Choir & Orchestra Music Festival 2023

The Three E’S Of Horn Repertoire: From Excerpts To Etudes To Employment, Briana Pepilascov-Childers

Theses and Dissertations--Music

This project explores effective solutions for practicing orchestral excerpts, a challenge often faced by young musicians preparing for auditions. It introduces a method of adapting practice ideas and composition to facilitate a more profound understanding of fifteen orchestral excerpts. While primarily directed at horn players, the concepts and techniques explored in this study are applicable to musicians of all instruments, offering specific ideas, practice tips, and original etudes tailored to each excerpt. These etudes serve a dual purpose by addressing technical aspects of both the horn and the excerpt itself while familiarizing the musician with the standard orchestral repertoire commonly …

Fagotte Forgotten? The Bassoon In The Early Symphonies Of Mozart, Haydn And Contemporaries In The 1760s And 1770s, Katherine J. Walpole

Theses: Doctorates and Masters

This research project investigates the role of the bassoon in the basso of the early symphonies of Mozart, Haydn and Contemporaries in the 1760s and 1770s. It draws on surviving primary source material pertaining to bassoonists and orchestral practices across Europe before 1780. Autograph scores of Haydn, Mozart and his contemporaries usually scored early Classical symphonies for pairs of oboes, horns, two violin sections, viola and basso. Modern scholars have described these compositions as symphonies for pairs of oboes, pairs of horns and strings, and have translated basso to mean cellos and basses. Eliminating the eighteenth-century term basso has also …

Auso Christmas Concert, Andrews University

Concerts and Event Programs 2022-2023

Andrews University Symphony Orchestra under the direction of Marc Élysée featuring works by Chopin, Rimsky-Korsakov and Sheldon.

Fred And Dinah Gretsch School Of Music Newsletter, Georgia Southern University

School of Music Newsletters (2017-2023)

• Student News
• Faculty News
• Coming Events
• Support the Gretsch School of Music

Recuerdos De Mi Niñez, Noel Barsenas

Theses and Dissertations

This thesis contains an original work for orchestra that features programmatic elements and musical gestures referencing previous generations of composers as well as other influential relatives of the author that are then recombined into a personal style. The document also contains commentary about the piece’s personal, historic, and cultural contexts, as well as a theoretical analysis addressing the form, structure, and harmonic content of the work.

Fred And Dinah Gretsch School Of Music Newsletter, Georgia Southern University

School of Music Newsletters (2017-2023)

• Student News
• Congratulations!
• Faculty News
• Coming Events

The Cedarville University Orchestra Concert, Cedarville University

Ensemble Concerts

No abstract provided.

“For The Orchestra Musicians: Conducting On The Beat Is Effective Or Too Late?”, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

There are a lot of conductors, and every conductor is different. There are as many conducting techniques as well. But one of the most famous approaches in conducting an ensemble, whether a wind ensemble, orchestra, or chorus, is to deliver the beat and expecting the ensemble for an immediate ‘attack’ of the note. An instant reciprocation and reaction at the same exact time as the ‘ictus’ of the conductor. Basically, doing it exactly together. The other notion is that the conductor beating should be beating ahead of time (almost a beat ahead) to give the ensemble some time to prepare …

The Effective Concertmaster: A Look At The 21st Century Role, Eva Toncheva

Musicology and Ethnomusicology: Student Scholarship

The role and responsibilities of the orchestral concertmaster have evolved alongside the orchestra over the last several centuries, shifting away from composing music for the ensemble and organizing events, and towards being aware of union standards, etiquette, and musician morale, as well as the important task of writing bowings. What makes an effective concertmaster? In attempting to answer this question, this paper will be examining both the musical and extra-musical duties of the modern day concertmaster, primarily focusing on leadership qualities such as cueing and leading with the bow. The paper will draw on biographical sources of current concertmasters of …