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Film and Media Studies

Theses/Dissertations

2019

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Full-Text Articles in Arts and Humanities

Artifacts Of Imagination, Rachel Emily Simpson Jan 2019

Artifacts Of Imagination, Rachel Emily Simpson

Graduate Theses, Dissertations, and Problem Reports

My MFA thesis and supporting exhibition focus on works ranging from video and sculpture to installation. The work has evolved from an intimate spiritual dialogue and interaction with the terrestrial world. This personal narrative is a jumping off point to pursue more universal themes and ideas of layering of information, shared versus collective perceptions and creating systems of understanding. Many of the processes involved in this exhibition contain some form of collage. The use of these various collage techniques furthers the idea of complexity in perception and expression and the many layers of experience. I will explain how the creation …


Everyday Transcendence: Contemporary Art Film And The Return To Right Now, Aaron Pellerin Jan 2019

Everyday Transcendence: Contemporary Art Film And The Return To Right Now, Aaron Pellerin

Wayne State University Dissertations

“Everyday transcendence” names a style of filmmaking exemplified in recent works by Terrence Malick (The Tree of Life), Richard Linklater (the Before series and Boyhood), Ari Folman (Waltz With Bashir), and Douglas Gordon and Philippe Parreno (Zidane: A 21st Century Portrait). In each of these films, time operates on two interrelated levels: time as we experience it and understand it in our daily lives, and time as an overarching big picture. This big-picture temporality varies from film to film and is often ambiguous: for Malick, it appears as divine eternity; for Linklater, as a secular concept of an eternal Now; …


Comedy Basque Style: A Recontextualization Of Commedia All'italiana, Zackary Michael Adams Jan 2019

Comedy Basque Style: A Recontextualization Of Commedia All'italiana, Zackary Michael Adams

Graduate College Dissertations and Theses

Commedia all'italiana, a genre of Italian film satires that emerged in the late 1950s and sustained through the late 1970s, is primarily understood through its close relationship to Italian culture. The evolution of the genre appears to be less tied to the revision of iconography and narrative codes of previous films than it is to the trajectory of Italian society during its years of prominence. The following thesis will attempt to find a definition of commedia all'italiana that is discrete from the genre's strong link to Italian culture by isolating the films' common narrative strategies. The aim in constructing this …


A Comparison Of Older Adult Suicide And Adolescent Suicide Through Film Representations, Catherine Longmore-Micham Jan 2019

A Comparison Of Older Adult Suicide And Adolescent Suicide Through Film Representations, Catherine Longmore-Micham

Honors Projects

Approximately, 47,173 people in the United States died by suicide in 2017, making it the 10th leading cause of death. Although middle-aged adults have the highest rate of suicide, 20.2 per 100,000, older adults (i.e., individuals 60 years and older) closely follow with a rate of 20.1. Adolescent age groups have much lower rates for suicide: a rate of 14.46 per 100,100 in 2017 (American Foundation for Suicide Prevention, 2017). The risk factors that affect adolescents and older adults are similar in some ways, but they differ in one major aspect: impulsivity. The issues that can be said to ‘cause’ …


Constructing Memory In The Wake Of Tragedy: An Analysis Of Film As A Tool Of Collective Memory In The Aftermath Of The Dictatorships In Argentina And Chile, Megan C. Schneider Jan 2019

Constructing Memory In The Wake Of Tragedy: An Analysis Of Film As A Tool Of Collective Memory In The Aftermath Of The Dictatorships In Argentina And Chile, Megan C. Schneider

CMC Senior Theses

Acting as an audiovisual vector of catharsis, film has proved an innovative and effective tool in the process of reconstructing collective memory in the aftermath of traumatic events. This thesis focuses on the emergence of filmmakers and their movies in the post-dictatorial periods in Argentina and Chile as both nations sought to confront their violent pasts. A general overview of the process of memory construction is included to provide background for the subsequent analysis of film as a vector of collective memory following trauma. An examination and comparison of various films produced for both domestic and international audiences detail each …


The Winchester Gospel: The 'Supernatural' Fandom As A Religion, Hannah Grobisen Jan 2019

The Winchester Gospel: The 'Supernatural' Fandom As A Religion, Hannah Grobisen

CMC Senior Theses

This thesis explores how fandom can be interpreted as a religious experience, specifically examining the fandom of the television show Supernatural. I focus on how fans are emotionally influenced by and drawn to the source material, fan labor/content creation, LGBTQ content and interpretations by the fandom, and toxicity within the fandom.


Star Wars And Franchising: Emotional Ownership And Tensions In The Digital Age, Claire A. Pukszta Jan 2019

Star Wars And Franchising: Emotional Ownership And Tensions In The Digital Age, Claire A. Pukszta

Scripps Senior Theses

This paper unpacks the franchise system and the often-tumultuous relationship between Producers and Consumers, especially around the release of new films by the Producers. Star Wars represents far more than just a corporate product. There is a thriving ecosystem around pieces that have touched fans lives personally.

The reaction of fans to new media texts in existing franchises is in constant flux. Tumultuous emotions of betrayal come in waves from fans immediately following the release of new content. Specifically focusing on reception to prequel films, Episode 1: The Phantom Menace (1999) and Solo: A Star Wars Story (2018), reveals …


Evolution Of The Final Girl: Exploring Feminism And Femininity In Halloween (1978-2018), Maya Zhou, Maya Zhou Jan 2019

Evolution Of The Final Girl: Exploring Feminism And Femininity In Halloween (1978-2018), Maya Zhou, Maya Zhou

Scripps Senior Theses

Decades of horror film research and theorizations have shown us that there is a reason why this particular genre has been an important part of film history from the beginning: namely, the idea that horror both reflects and shapes our historically and culturally specific anxieties.

By examining the Final Girl trope in Halloween (the 1978 original versus 2018 version), this paper traces the evolution of female protagonists and whether a more modern film accurately reflects the increasing role of feminism in society, or sticks to traditional conventions of misogyny and male-dominated visual pleasure. Placing the newer film in the context …


The Mountains At The End Of The World: Subcultural Appropriations Of Appalachia And The Hillbilly Image, 1990-2010, Paul L. Robertson Jan 2019

The Mountains At The End Of The World: Subcultural Appropriations Of Appalachia And The Hillbilly Image, 1990-2010, Paul L. Robertson

Theses and Dissertations

There is an aversion within the field of Appalachian Studies to addressing the cultural formulations of the Appalachian/hillbilly/mountaineer as an icon of aggressive resistance. The aversion is understandable, as for far too long images of the irrationally and savagely violent mountaineer were integral to the most gross popular culture stereotypes of Appalachia. Media consumers often take pleasure or comfort in these images, which usually occur in a reactionary context with the hillbilly as either a type of nationally necessary savage OR as an unregenerate barbarian against whom a national civilization will triumph and benefit by the struggle.

I bookend my …


(And I Can't Stress This Enough) In My Mouth: Extradiegetic Affect As Material, C. Klockner Jan 2019

(And I Can't Stress This Enough) In My Mouth: Extradiegetic Affect As Material, C. Klockner

Theses and Dissertations

(and i can’t stress this enough) in my mouth: Extradiegetic Affect as Material is a non-linear exploration into the structures of feeling that exist in relation to cinema in its role as a technology for generating subjectivity. In the development of this research, a proposal of cinema’s likeness to the ecological circulation of microplastics is drawn in order to illustrate cinema’s materiality and nearly invisible ubiquity. The notion of extradiegetic affect is outlined as a post-cinematic condition in which lived experience becomes secondary to cinematic representation and which, simultaneously, becomes directly shaped by engaging with these representations.


Depictions Of Genetic Research In Film Across Film Genres, Jennifer Lund Jan 2019

Depictions Of Genetic Research In Film Across Film Genres, Jennifer Lund

Undergraduate Honors Theses

When people do not have personal experience to draw on, the experiences of characters in film can serve in the mind as a substitute. This research sought to determine what kind of impression films depicting genetics research leave on the audience. These genres were romance (Code 46, 2004), horror (Splice, 2009), thriller (Children of Men, 2006), and drama (Gattaca, 1997). Scenes from the films were analyzed to determine their likely effect on the audience perception of genetics. The researcher hypothesized that the drama and romance films would portray genetics research as neutral, but the science …


The Attention Crisis Of Digital Interfaces And How To Consume Media More Mindfully, Kristen M. Liu Jan 2019

The Attention Crisis Of Digital Interfaces And How To Consume Media More Mindfully, Kristen M. Liu

Scripps Senior Theses

Digital forms of media are monopolizing individuals' attention spans, utilizing visual strategies that demand our interactions. Throughout the history of media technology, mediums have become increasingly immersive, presenting more information than ever before. The user interface designs of digital platforms can damage our ability to focus and distribute attention in meaningful ways. Through analysis of our digital media consumption, this capstone project ultimately proposes mindful practices that help us lead more balanced lives and thrive in the digital age. The second half of this capstone project is a digital zine with digital illustrations, animations, and editorial-style articles. The digital zine …


Brown Condor, Anand Fozard-Mccall Jan 2019

Brown Condor, Anand Fozard-Mccall

LMU/LLS Theses and Dissertations

The true story of an African American pilot, John Robinson, who broke through racial barriers to become a pilot and commander of the Ethiopian Air Force in their 1935 fight for freedom against fascist Italy.


Gender, Politics, Market Segmentation, And Taste: Adult Contemporary Radio At The End Of The Twentieth Century, Saesha Senger Jan 2019

Gender, Politics, Market Segmentation, And Taste: Adult Contemporary Radio At The End Of The Twentieth Century, Saesha Senger

Theses and Dissertations--Music

This dissertation explores issues of gender politics, market segmentation, and taste through an examination of the contributions of several artists who have achieved Adult Contemporary (AC) chart success. The scope of the project is limited to a period when many artists who figured prominently in both the broader mainstream of American popular music and the more specific Adult Contemporary category were most commercially viable: from the mid-1980s through the 1990s. My contention is that, as gender politics and gendered social norms continued to change in the United States at this time, Adult Contemporary – the chart, the format, and the …


A Geocritical Approach To Coloniality And Aesthetics: Mapping The Spatial Narratives Of The Amazon Basin, Michael Wang Jan 2019

A Geocritical Approach To Coloniality And Aesthetics: Mapping The Spatial Narratives Of The Amazon Basin, Michael Wang

CGU Theses & Dissertations

Coloniality, or the living legacies and practices of the 500 years of European colonization, has produced racial, political, and cultural hierarchies around the colonial difference dividing East from West, center from periphery, civilization from the Global South. This dissertation examines a particular strand of coloniality in the Western narration and aesthetics of the Amazon basin, particularly the consequences of travel writing, science fiction and cinema of Amazon’s tropicality and its enduring effects on spatial cartography. In addressing Western representations of the jungle terrain, this paper focuses on the dichotomous relationship between the metropolitan center and the colonial outer-periphery exemplified by …


Cedar Hill: A Case Study In Preservation And Education In A Digital World, Lin Barnett Jan 2019

Cedar Hill: A Case Study In Preservation And Education In A Digital World, Lin Barnett

Senior Projects Spring 2019

Visit Cedar Hill (now Annandale-on-Hudson) as it stood over a century ago, reconstructed in virtual reality. This interactive project retells an important aspect of Hudson Valley History, its mill communities, which do not get preserved in the archeological record and are not as closely maintained as its neighboring communities of Bard College and Montgomery Place. The project analyzes the structures' changing purposes, as well as their changing architectural qualities, to trace the story of the hamlet's decline.


Muse, Bettina L. Campomanes Jan 2019

Muse, Bettina L. Campomanes

Senior Projects Spring 2019

Senior Project submitted to The Division of Arts of Bard College.

Artist’s Satement:

Bettina Campomanes is a Filmmaker and Music Producer specializing in online content creation and short form narrative film. Her films and music videos have garnered viral success and have earned multiple festival selections for categories such as best student director, best short, and best music video. As an electronic producer, she performs under the stage name “Valiant Vermin” and continues to mix or produce for other musical acts.

Muse is a short film about a writer who is unable to live in the present when his authorial …


Bass Reeves: A Screenplay, James Walzel Jan 2019

Bass Reeves: A Screenplay, James Walzel

Open Access Theses & Dissertations

This Thesis does not have an abstact.


Homelessness In Akron: A Research Documentary, Tyler Gunter Jan 2019

Homelessness In Akron: A Research Documentary, Tyler Gunter

Williams Honors College, Honors Research Projects

This Honors Research Project at The University of Akron is one that will serve as a learning experience relative to my Major and will also become a useful tool to show my expertise to potential employers. My project is a filmed and edited mini-documentary on homelessness in the city of Akron. The link to the project can be found on page 15.

Through this project, I am hoping to bring more awareness to the issues of homelessness in Akron, and some of the different services and programs that are assisting those who are in need. I will be doing this …


Designing A Website For A Non-Profit Organization, Kristen Lauck Jan 2019

Designing A Website For A Non-Profit Organization, Kristen Lauck

Williams Honors College, Honors Research Projects

The purpose of this honors project is to redesign and launch a website for the nonprofit organization Better Future Facilitators. Better Future Facilitators is a 501c3 non-profit organization that helps homeless men and women start their own businesses by providing them with the education, skills, and support necessary to be successful and break the cycle of homelessness.

Starting June 3rd, I will be writing website copy, taking photographs, reorganizing content, and designing a simple website layout for betterfuturefacilitators.org via Wix.com’s website creator. This website will allow the organization to better communicate with their target public and create a secure place …


Show Her It's A Man's World: How The Femme Fatale Became A Vehicle For Propaganda, Leann Bishop Jan 2019

Show Her It's A Man's World: How The Femme Fatale Became A Vehicle For Propaganda, Leann Bishop

Williams Honors College, Honors Research Projects

During World War II women joined the workforce in droves due to propaganda such as Rosie the Riveter. When Soldiers began returning from the war they wanted stability and normalcy. They wanted to return to the America they left where women ran the household and men went to work. Women, however, experienced a new sense of freedom from working and wanted to continue their liberation. It was during this time that femme fatales, the sultry women of film noir became popular. They represented the liberated women of the 1940s. The film industry saw an opportunity to use these women found …


El Cine De Honduras: El Neorrealismo, El Expresionismo Y La Transformacion Social En Los Filmes De Sami Kafati E Hispano Duron, David Joseph Inczauskis Jan 2019

El Cine De Honduras: El Neorrealismo, El Expresionismo Y La Transformacion Social En Los Filmes De Sami Kafati E Hispano Duron, David Joseph Inczauskis

Master's Theses

Sami Kafati e Hispano Durón son dos de los directores más importantes en la historia del cine hondureño, pero sus obras han recibido poca atención académica. De hecho, muchos investigadores ignoran el cine hondureño por completo. Este estudio define algunas características esenciales de la historia fílmica del país al argumentar que tendencias neorrealistas y expresionistas captan los deseos de los directores de describir las fuerzas estructurales opresivas en Honduras, retratar la angustia que estas fuerzas producen y utilizar esta angustia para alentar al espectador a transformar la nación hacia la justicia social y la equidad de género.


Out Of The Margins: Evolving Narrative Representation Of Women In Video Games, Rowan Lucas Jan 2019

Out Of The Margins: Evolving Narrative Representation Of Women In Video Games, Rowan Lucas

Theses and Dissertations

This thesis examines narrative representation of female characters in video games and how game narratives and representations contribute to socio-cultural discourse. First, this thesis explores and defines the cultural background for female representation in video games. It then defines video games as a type of text and describes the features that are unique to games, such as the use of avatars, and what impacts these features have on game narratives. The thesis attempts to establish evidence of an evolutionary arc of comprehensive female representation in video games by first exploring historical female narrative tropes, and then comparing them to narrative …


The Puppets Look Like Flowers At Last, Evie Metz Jan 2019

The Puppets Look Like Flowers At Last, Evie Metz

Theses and Dissertations

The urge to uncover aspects of human condition permeates my work, from the fundamental curiosity of a child tearing apart their doll to uncover what lies within to continuing a quest in uncovering basic human urges through my puppet animated dramas and tragedies. There is a controversial line between the childlike and the adult-like that can be ambiguous, and at some times more discernible while other times less. I create handcrafted stop-frame puppet animations that explore self-conscious emotions such as embarrassment, shame, and envy within unpredictable life scenarios. These are animations about inner life, attempting to resolve conflicting elements of …


Adaptive Acts: Queer Voices And Radical Adaptation In Multi-Ethnic American Literary And Visual Culture, Michael M. Means Jan 2019

Adaptive Acts: Queer Voices And Radical Adaptation In Multi-Ethnic American Literary And Visual Culture, Michael M. Means

Theses and Dissertations

Adaptation Studies suffers from a deficiency in the study of black, brown, yellow, and red adaptive texts, adaptive actors, and their practices. Adaptive Acts intervenes in this Eurocentric discourse as a study of adaptation with a (queer) POC perspective. My dissertation reveals that artists of color (re)create texts via dynamic modes of adaptation such as hyper-literary allusion, the use of meta-narratives as framing devices, and on-site collaborative re-writes that speak to/from specific cultural discourses that Eurocentric models alone cannot account for. I examine multi-ethnic American adaptations to delineate the role of adaptation in the continuance of stories that contest dominant …


Graphic Content Warning; Personal And Political Traumas, Emily K. Wardell Jan 2019

Graphic Content Warning; Personal And Political Traumas, Emily K. Wardell

Theses and Dissertations

The written portion of this thesis work is meant to address and further investigate the visual work created using mediums of print and found video. This artistic research has been interested in examining varying associations with truth, recollection, and evidence. This includes the recollection of public histories and news-media narratives as well as my own history and trauma. Through this work my aim was to create a deconstruction and revolt against how associations are formed, and how to understand imagery as information. This thesis first discusses my relationship to appropriated imagery, then connects and examines it through the addition of …


Silver Sands, David Riley Jan 2019

Silver Sands, David Riley

Theses and Dissertations

Silver Sands is a thirty-minute documentary film and accompanying installation that traces the story of Marc Hampton, a gay, desert-dwelling Vietnam vet, former Playgirl model, and vintage car collector who lost two lovers to AIDS. Drawing on videotaped interviews, shots of his house and environs, and extensive use of his personal photographic archive, this work addresses evolving ideas of memory and representation within the queer community. The film is divided into various chapters which function as meditations on masculinity, aging, loss, spirituality and intergenerational relationships. Marc becomes an archetypal figure––the survivor––whose meandering recollections illustrate some of the complexities of gay …


Power To The People: Responsible Facilitation In Co-Creative Story-Making, Amanda Hill Jan 2019

Power To The People: Responsible Facilitation In Co-Creative Story-Making, Amanda Hill

Electronic Theses and Dissertations

Power to the People: Responsible Facilitation in Co-Creative Story-Making describes and applies a tool for recording and analyzing the co-productive creation process of digital storytelling (DST) workshops to be used by project facilitators for the purposes of reflection and for developing an ethics of responsibly in story-making practices. It provides a method for analyzing digital storytelling practices that focuses on the rhetorical, dialogic, co-productive, creative story-making space rather than the finished stories or the technologies. Looking through a new media lens, this dissertation aligns the DST genre and practice in relation to alternative media broadly, and tactical media specifically, to …


Globalized Interfaces And Anticolonial Engagements With Material Technologies Of Empire: Tabita Rezaire And Morehshin Allahyari’S Works, Neelufar Franklin Jan 2019

Globalized Interfaces And Anticolonial Engagements With Material Technologies Of Empire: Tabita Rezaire And Morehshin Allahyari’S Works, Neelufar Franklin

Scripps Senior Theses

The virtual is far from immaterial and its expressions are multifarious. The infrastructure of a technologic-globalism has opened new pathways of desecration, created new networks of exploitation, and reinforced fraught foundations. Tabita Rezaire and Morehshin Allahyari are two artists whose radical technofeminist and new materialist practices engage with counterdiscourses in the face of the globalized interfaces of technology; from mappings of submarine fiber optic network cables or understanding water as a knowledge repository, to 3D printed queered figures of Islamic mysticism and hypertext narratives. In these anachronistic approaches to technological use and analyses, archives become possibilities for renderings of futurity …


Never Seen Before--Again: Aesthetic Adaptation And Transmedia Storytelling Networks In The Age Of Digital Cinema, Mike Mccleary Jan 2019

Never Seen Before--Again: Aesthetic Adaptation And Transmedia Storytelling Networks In The Age Of Digital Cinema, Mike Mccleary

Theses and Dissertations (Comprehensive)

The primary purpose of this study is to re-evaluate the theorization of the narrative/non-narrative divide in cinema because there is still far too much rich information that is being lost in the chasm left between these two positions, particularly when it comes to the study of spectacular imagery. Working beyond the binary construction of a narrative/non-narrative divide allows for a more nuanced and dynamic analysis of the information that is conveyed by the cinematic image and, more specifically, by way of its aesthetic design. By no means is this study championing image over story or any other such formulation; rather …