Arts and Humanities Commons^™

“Where Are We Now?” The Image Construction Of Arabs And Muslims In Bodyguard, Safa K. Khairy

Theses and Dissertations

Over the past decade Arab and Muslim representations in the media have been either negative or overly simplified as a way to avoid criticism from watchdog groups. Arab and Muslim culture is viewed by the mainstream Western perspective as different, and inferior. According to Edward Said this divide and hierarchy between Eastern and Western comes through the process of Othering and is at the heart of Orientalism. This thesis investigates how Arabs and Muslims are Othered through a case study of the successful BBC television series Bodyguard.

Bodyguard presents the British government and police force attempting to stop various terrorist …

Plasticity In Animated Children’S Cartoons: The Neoliberal Transforming Bodies And Static Worlds Of Ok Ko And Gumball, Rachel E. Cox

USF Tampa Graduate Theses and Dissertations

Through the study of OK KO! Let’s Be Heroes! and The Amazing World of Gumball, I argue that children’s cartoons represent and recreate anxieties toward money’s plasticity in the plasticity of the cartoon bodies and worlds. I closely examine the ambivalence towards abstraction’s plasticity in contemporary children’s cartoons to trace the neoliberal ambivalence towards money’s plasticity. While much scholarship has grappled with what can be understood as animatic plasticity, very little of it takes on the questions raised about neoliberal culture by televised children’s cartoons. Cartoons are important to study in this respect because their form allows for unbridled plasticity. …

Representative Biodiversity: The Ecosystem Of Cartoon Network, Carl Suby

Film and Media Studies (MA) Theses

As a capitalist organism the television program, as explained by Todd Gitlin, uses its slant to sell itself to advertisers with similar leanings on contemporary social issues to maintain its flow of revenue. However, this concept of slant does not account for the broader network, which, like the singular program, cultivates a catalog of programming into a singular slanted message becoming an ecosystem of shows relying on each other to maintain viewership. The successful televised ecosystem will then be home to programs who enjoy long runs and display an easily recognized shared slant. As an example of the televised ecosystem, …

Production Design In The Film And Television Space: An Analysis, Kaitlyn N. Ryan, Charles Howard

Honors Thesis

Due to the differences between film and television production, the methodologies for doing production design in film and television are necessarily different, as both can fall victim to a number of disparate constraints and limitations that affect the art department. However, a large part of the difference also comes down to the individual designer, as well as the intentions of the film or TV show. To further explain this conclusion, I will give a brief overview of the history and general methodology of production design as a whole. I will then dive into my research on the subject, which includes …

Raised On Tv: A Queer Teen's Guide To Syndicated Sexualities, Francesca Petronio

Dissertations, Theses, and Capstone Projects

This thesis explores the contemporary landscape of LGBTQ adolescent television programming over the past decade. Applying a three-pronged approach to media content analysis—emphasizing a textual reading of the series, the networks’ political economy of production, and audience reception among scholars, culture critics and fans—the author provides both surface and symptomatic readings of Freeform’s Pretty Little Liars (2010-2017), MTV’s Faking It (2014-2016), and ABC’s The Real O’Neals (2016-2017). Thematically and chronologically, this period of programming spans the end of what has been called the gay-positive era, characterized by the politics of anti-bullying campaigns, and the emerging post-gay genre, born after the …