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Full-Text Articles in Arts and Humanities
Subtle Asian Womxn, Long Tran
Subtle Asian Womxn, Long Tran
Global Honors Theses
My involvement with the Global Honors Program culminates with a senior capstone project for T GH 496 Experiential Learning in Global Honors. Over the course of spring quarter, I had the opportunity to produce a documentary film, under the supervision of my faculty advisor, Dr. David Coon, to fulfill the requirements to graduate with a minor in Global Engagement and earn the full distinction from the program. My film actively engages with the intersection of the historical representations of Asian womxn and their lived experiences with dating. As of Wednesday, May 1, 2019, I have been able to interview 14 …
Encuentro Con La Precariedad: La Reaparición Del Gitano En El Cine Documental Español De La Crisis De 2008, María Julia De León Hernández
Encuentro Con La Precariedad: La Reaparición Del Gitano En El Cine Documental Español De La Crisis De 2008, María Julia De León Hernández
Theses and Dissertations--Hispanic Studies
In 2008, Spain’s financial crisis had a great impact on the primary sector on which the nation’s ‘economic miracle’ was founded: housing.Land speculation, the increase in housing construction, and easy loans had become one of the hallmarks of twenty-first-century Spanish identity. The crisis del ladrillo (“brick crisis”) plunged the national economy into chaos and condemned many Spanish citizens to job insecurity, loss of earning power, threat of eviction, and put them at high risk of social marginalization. This dissertation studies the unusual proliferation of documentary films during the years surrounding this economic downturn about the ghettoization of the Spanish Gypsy …
The Mountains At The End Of The World: Subcultural Appropriations Of Appalachia And The Hillbilly Image, 1990-2010, Paul L. Robertson
The Mountains At The End Of The World: Subcultural Appropriations Of Appalachia And The Hillbilly Image, 1990-2010, Paul L. Robertson
Theses and Dissertations
There is an aversion within the field of Appalachian Studies to addressing the cultural formulations of the Appalachian/hillbilly/mountaineer as an icon of aggressive resistance. The aversion is understandable, as for far too long images of the irrationally and savagely violent mountaineer were integral to the most gross popular culture stereotypes of Appalachia. Media consumers often take pleasure or comfort in these images, which usually occur in a reactionary context with the hillbilly as either a type of nationally necessary savage OR as an unregenerate barbarian against whom a national civilization will triumph and benefit by the struggle.
I bookend my …