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Articles 31 - 60 of 515
Full-Text Articles in Arts and Humanities
Light Of Light, William L. Blizek
Light Of Light, William L. Blizek
Journal of Religion & Film
This is a film review of Light of Light (2023), directed by Neritan Zinxhiria.
Girls Will Be Girls, Christopher R. Deacy
Girls Will Be Girls, Christopher R. Deacy
Journal of Religion & Film
This is a film review of Girls Will Be Girls (2024), directed by Shuchi Talati.
Hit Man, Christopher R. Deacy
Hit Man, Christopher R. Deacy
Journal of Religion & Film
This is a film review of Hit Man (2024), directed by Richard Linklater.
Handling The Undead, Christopher R. Deacy
Handling The Undead, Christopher R. Deacy
Journal of Religion & Film
This is a film review of Handling the Undead (2024), directed by Thea Hvistendahl.
Brief History Of A Family, John C. Lyden
Brief History Of A Family, John C. Lyden
Journal of Religion & Film
This is a film review of Brief History of a Family (2024), directed by Jianjie Lin.
Thelma, John C. Lyden
Thelma, John C. Lyden
Journal of Religion & Film
This is a film review of Thelma (2024), directed by Josh Margolin.
Sujo, Christopher R. Deacy
Sujo, Christopher R. Deacy
Journal of Religion & Film
This is a film review of Sujo (2024), directed by Astrid Rondero and Fernanda Valadez.
Little Death, Christopher R. Deacy
Little Death, Christopher R. Deacy
Journal of Religion & Film
This is a film review of Little Death (2024), directed by Jack Begert.
Freaky Tales, Christopher R. Deacy
Freaky Tales, Christopher R. Deacy
Journal of Religion & Film
This is a film review of Freaky Tales (2023), directed by Ryan Fleck.
Ghostlight, Christopher R. Deacy
Ghostlight, Christopher R. Deacy
Journal of Religion & Film
This is a film review of Ghostlight (2024), directed by Kelly O'Sullivan.
Mr. Dressup: The Magic Of Make-Believe, Ken Derry
Mr. Dressup: The Magic Of Make-Believe, Ken Derry
Journal of Religion & Film
This is a film review of Mr. Dressup: The Magic of Make-Believe (2023), directed by Robert McCallum.
Fingernails, Khalidah Ali
Fingernails, Khalidah Ali
Journal of Religion & Film
This is a film review of Fingernails (2023), directed by Christos Nikou.
Mast-Del, Sherry Coman
Mast-Del, Sherry Coman
Journal of Religion & Film
This is a film review of Mast-Del (2023), directed by Maryam Tafakory.
Chuck Chuck Baby, Sherry Coman
Chuck Chuck Baby, Sherry Coman
Journal of Religion & Film
This is a film review of Chuck Chuck Baby (2023), directed by Janis Pugh.
Days Of Happiness, Sherry Coman
Days Of Happiness, Sherry Coman
Journal of Religion & Film
This is a film review of Days of Happiness (2023), directed by Chloe Robichaurd.
Dear Jassi, Sherry Coman
Dear Jassi, Sherry Coman
Journal of Religion & Film
This is a film review of Dear Jassi (2023), directed by Tarsem Singh Dhandwar.
I Do Not Come To You By Chance, Katie Maguire
I Do Not Come To You By Chance, Katie Maguire
Journal of Religion & Film
This is a film review of I Do Not Come to You by Chance (2023), directed by Ishaya Bako.
Androgagy, Katie Maguire
Androgagy, Katie Maguire
Journal of Religion & Film
This is a film review of Androgagy (2023) directed by Wregas Bhanuteja.
Hey, Viktor!, Ken Derry
Hey, Viktor!, Ken Derry
Journal of Religion & Film
This is a film view of Hey, Viktor! (2023) directed by Cody Lightning.
Limbo, Ken Derry
Limbo, Ken Derry
Journal of Religion & Film
This is a film review of Limbo (2023), directed by Ivan Sen.
The Convert, J. Barton Scott
The Convert, J. Barton Scott
Journal of Religion & Film
This is a film review of The Convert (2023), directed by Lee Tamahori.
Kill, J. Barton Scott
Kill, J. Barton Scott
Journal of Religion & Film
This is a film review of Kill (2023) directed by Nikhil Nagesh Bhatt.
Lost Ladies, J. Barton Scott
Lost Ladies, J. Barton Scott
Journal of Religion & Film
This is a film review of Lost Ladies (2023), directed by Kiran Rao.
Lee, Sherry Coman
Lee, Sherry Coman
Journal of Religion & Film
This is a film review of Lee (2023) directed by Ellen Kuras.
Irena's Vow, Sherry Coman
Irena's Vow, Sherry Coman
Journal of Religion & Film
This is a film review of Irena's Vow (2023), directed by Louise Archambault.
Muslim Heroes On Screen, Ahmad Nuril Huda
Muslim Heroes On Screen, Ahmad Nuril Huda
Journal of Religion & Film
This is a book review of Daniel O'Brien, Muslim Heroes on Screen (Palgrave Macmillan, 2021).
Representing Religion In Film, Joseph P. Laycock
Representing Religion In Film, Joseph P. Laycock
Journal of Religion & Film
This is a book review of Tenzan Eaghll and Rebekka King, eds., Representing Religion in Film (London: Bloomsbury Academic, 2022).
The T&T Clark Handbook Of Jesus And Film, Joel Mayward
The T&T Clark Handbook Of Jesus And Film, Joel Mayward
Journal of Religion & Film
This is a book review of Richard Walsh, ed. The T&T Clark Handbook of Jesus and Film (London: T&T Clark, 2021).
Secularism And Silent Films, Elijah Siegler
Secularism And Silent Films, Elijah Siegler
Journal of Religion & Film
This is a review of two books: Phillip Maciak, The Disappearing Christ: Secularism in the Silent Era (Columbia University Press, 2019), and Terry Lindvall, Souls for Sale: Rupert Hughes and the Novel Hollywood Religion (Cascade Books, 2021)
From Patriarchal Stereotypes To Matriarchal Pleasures Of Hybridity: Representation Of A Muslim Family In Berlin, Rahime Özgün Kehya Dr
From Patriarchal Stereotypes To Matriarchal Pleasures Of Hybridity: Representation Of A Muslim Family In Berlin, Rahime Özgün Kehya Dr
Journal of Religion & Film
Sinan Çetin’s blockbuster Berlin in Berlin (1993) is a Turkish-German co-production. In contrast to certain representational tendencies with German orientalism or Turkish occidentalism, it deconstructs the intersectional structures of migration, religion, and gender. The portrayal of religion in films about Turkish-German labour migration is a kind of cultural narcissism often projected into national cinema by denigrating the faith of the other and glorifying one’s own religion. However, perspectives at such intersections are critical and require sensitivity in filmmaking, as films can create prejudice or help build peaceful relationships around these sensitive issues. The paper employs discourse analysis in linking Derrida’s …