Arts and Humanities Commons^™

Review Of Shakespeare's Watch: A Guide To Time And Location In The Plays, Nevin Mayer

Nevin J Mayer

No abstract provided.

Radio Appearance-Kvot, Melanie Sumner

Melanie Sumner

The Ghost Of Milagro Creek, Melanie Sumner

Melanie Sumner

Television Appearance-Fox News, Melanie Sumner

Melanie Sumner

Radio Appearance-Wrga, Melanie Sumner

Melanie Sumner

Radio Appearance-Kvot, Melanie Sumner

Melanie Sumner

Radio Appearance-National Public Radio, Melanie Sumner

Melanie Sumner

The Ghost Of Milagro Creek, Melanie Sumner

Melanie Sumner

Eng 589: Popular Education Announcement, Jenn Fishman

Jenn Fishman

Tenn Tlc Creative Teaching Grant Application, Jenn Fishman

Jenn Fishman

No abstract provided.

“Marlowe’S First Ovid: Certaine Of Ovids Elegies.”, M. L. Stapleton

M. L. Stapleton

No abstract provided.

Review Of Cousins, A. D. And Alison V. Scott, Eds. "Ben Jonson And The Politics Of Genre," Cambridge: Cambridge University Press, 2009., Andrew Vorder Bruegge

Andrew Vorder Bruegge, Ph.D.

Review of a collection of essays about Ben Jonson's choices of genre based on intended audience and political argument.

The Constitution Of Toussaint, Michael J. Drexler, Ed White

Michael J Drexler

No abstract provided.

Overview: Rwl Speaker Series, Jenn Fishman

Jenn Fishman

Influence, Anxiety, And Erasure In Women's Writing: Romantic Becomes Victorian.Pdf, Stephen C. Behrendt

Stephen C Behrendt

"A Defect In Their Education": Blake, Haydon, And The Misguided British Audience.Pdf, Stephen C. Behrendt

Stephen C Behrendt

Teaching Romanticism With Ict.Pdf, Stephen C. Behrendt

Stephen C Behrendt

Jonson London And Urban Space.Pdf, Adam Zucker

Adam Zucker

Curriculum Vitae, Daniel Terkla

Daniel Terkla

No abstract provided.

Miss Cather Talks On Technique, Fredric Klees

John Swift

No abstract provided.

The Morrígan: A Trinity United, Olivia L. Blessing

Olivia L Blessing

The eeriness of Poe’s words has echoed down throughout the years to enthrall generation after generation with the verses’ sense of dismay, desperation, and fatality. Yet many have forgotten that, centuries earlier, the Celts were telling their own tales of shadowy ravens and tragic futures foretold. Many remain in the form of legends about their goddess of war—Morrígan. This goddess was a complex, triune character; comprehending the entirety of her power and importance in the Celtic myths requires an in-depth examination of her appearances in the old legends and the impact those tales had on the Celts.

The Power Of Hybrids, Petros Panaou Dr, Frixos Michaelides

Petros Panaou

Comic books, graphic novels, picture books, wordless picture books, illustrated books, and novels, as distinct genres abide to specific conventions. Word-image interaction in each genre is also guided by conventions and can only vary within a preset range. These identifiable conventions assist the interpretation of stories; the reader knows what to expect and how to receive it. We assert, however, that the postmodern era has brought the publication of works that break conventions, resist categorization, subvert reading expectations, and yet are highly successful in communicating powerful and engaging stories.

Modernist Pedagogy At The End Of The Lecture: It And The Poetics Classroom, Alan Filreis

Alan Filreis

Describes a modernist pedagogy based on the end of the lecture as we know it and a convergence of poetics, universities and the rise of digital media.

Testimony, Jonna C. Mackin

Dr. Jonna C Mackin

This introduction to my book about comedy seeks to establish who I am as a writer of a book about comedy and about ethnicity. It then goes on to explain why comedy, identity and desire so often are linked by referencing theories of Diana Fuss and Homi Bhabha as well as Sigmund Freud on comedy.

The African Roots Of Michael Echeruo’S Poetry: A Close-Reading Of ‘Sophia’, Chukwuma Azuonye

Chukwuma Azuonye

This paper argues that, contrary to widespread opinion, the poetry of first generation, postcolonial, modernist Nigerian poet, Michael J. C. Echeruo, draws some of its core and defining tropes from indigenous African system of thought and symbolism. The much maligned early poem "Sophia" is subjected to line-by-line close-reading to illustrate this argument. The analysis suggests that, as a matter of fact, "Sophia" can be read as a portal to Echeruo's poetic corpus as a whole.

Achebe's Igbo Poems: Oral Traditional Resources And The Process Of ‘Deschooling’ In Modern African Poetics, Chukwuma Azuonye

Chukwuma Azuonye

The present paper examines the diction, imagery and other features of language and style in Chinua Achebe's two Igbo poems ("Uno Onwu Okigbo" and "Akuko Kpulu Uwa Iru"). Disposing of charges of plagiarism levied on Achebe on account of his modeling of the poems on well-known Igbo folk songs, the paper argues that what is rather involved in the compositional process is a process of "deschooling" from the strictures of European or Eurocentric conventions of versification. It concludes that a process of "deschooling" of this kind is one way in which African writers can begin their journey back with undivided …

Ogbuu-Kay! The "After Laugh" Lingers On (Memorial Tribute To Ogbu Uke Kalu, 1942-2009), Chukwuma Azuonye

Chukwuma Azuonye

No abstract provided.

11. Revising By Reading Aloud. What The Mouth And Ear Know, Peter Elbow

Peter Elbow

No abstract provided.

Introduction To Part One: Defining "Speech" And "Writing", Peter Elbow

Peter Elbow

No abstract provided.

5. Intonation: A Virtue For Writing Found At The Root Of Everyday Speech, Peter Elbow

Peter Elbow

No abstract provided.