Sociology of Culture Commons^™

Painters Of Modernity: A Bourdieusian Analysis Of Manet And Degas, Gillian Wei

Honors Theses

In this thesis, I utilize the theoretical framework of sociologist Pierre Bourdieu to analyze the representation of class ideology in the paintings of French Impressionists Edouard Manet and Edgar Degas. Using Bourdieu’s theories of habitus and class distinction, I investigate various historical and biographical factors to illustrate how Manet and Degas were simultaneously endowed with significant cultural and economic capital of the old elite, yet predisposed to create reactionary art. I also identify several examples of bourgeoisie iconography within specific paintings created by these two artists. I argue that Manet and Degas, acting as agents within the fields of cultural …