Sociology of Culture Commons^™

Television In Ireland Before Irish Television: 1950s Audiences And British Programming, Edward Brennan

Conference Papers

The first television broadcasts in Ireland were watched in the 1950s. These initial programmes were British. This history of these early viewers, however, has been ignored. A dominant narrative has addressed the history of television in Ireland as the history of the public broadcaster Radio Telefís Éireann (RTÉ). Thus, the history of Irish television often begins in 1961, overlooking Irish people’s experience of the medium in the preceding decade. This paper breaks with traditional historiography by employing life history interviews to explore the uses, rituals and feelings attached to television in the years before RTÉ.

Irish people who watched television …

Television In Ireland: A History From The Mediated Centre, Edward Brennan

Conference Papers

This paper identifies and critiques a dominant narrative in the history of Irish television, which is too often passed off for, or accepted as, the history of television in Ireland. The his- tory of television in Ireland has been written within an institutional framework and depends on the cultural binary of tradition and modernity, ‘old Ireland’ and ‘new Ireland’. This dom- inant narrative fails to interrogate television as a medium. It provides an account of the Irish broadcaster RTÉ rather than an account of the arrival of a new medium. Ironically this nar- rative which hinges on the role of …

Formations Of Indian Cinema In Dublin: A Participatory Researcher-Fan Ethnography, Giovanna Rampazzo

Doctoral

This thesis explores emergent formations of Indian cinema in Dublin with a particular focus on globalising Bollywood film culture, offering a timely analysis of how Indian cinema circulates in the Irish capital in terms of consumption, exhibition, production and identity negotiation. The enhanced visibility of South Asian culture in the Irish context is testimony to on the one hand, the global expansion of Hindi cinema, and on the other, to the demographic expansion of the South Asian community in Ireland during the last decade. Through varying degrees of participant observation in and across sites of film production and consumption, alongside …

Visualising Migrant Voices: Co-Creative Documentary And The Politics Of Listening, Darcy Alexandra

Doctoral

This ethnography of media production explores the challenges of literally and figuratively visualising voice. The labour of a shared production and the distribution of the audio-visual documentary essays unfolded within a field of diverse, and at times, conflicting interests. For this reason, judicious attention to what I name ‘encounters’ of ‘political listening’ (Bickford 1996; Dreher 2009) provides one framework for theorising the challenges of researching with marginalised subjects and stories, and the contradictions of developing shared practices within proprietary contexts. These encounters reveal moments of listening and being heard, struggles over ‘veracity’ and ‘evidence,’ and the power relations inherent in …