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Full-Text Articles in Place and Environment
Highlife In The Ghanaian Music Scene: A Historical And Socio-Political Perspective, Micah Motenko
Highlife In The Ghanaian Music Scene: A Historical And Socio-Political Perspective, Micah Motenko
Independent Study Project (ISP) Collection
I lived in the cities of Accra and Kumasi for a total of 30 days during the month of November, 2011. To achieve my research objectives, I used a combination of formal and informal interviews, participant observation, and non-participant observation. I interviewed 7 musicians and 1 professor/musician in Accra, as well as 1 musician, 1 CD shop owner, and 1 DJ in Kumasi, making a total of 11 interviews most of which I recorded. For my participant observation, I observed 4 concerts total in Accra, all consisting of a mixture of genres including Highlife and Gospel. I participated in 2 …
A Berber In Agadir: Exploring The Urban/Rural Shift In Amazigh Identity, Thiago Lima
A Berber In Agadir: Exploring The Urban/Rural Shift In Amazigh Identity, Thiago Lima
Independent Study Project (ISP) Collection
The Arab Spring has seen North African and Middle Eastern youth organizing against the status quo and challenging what they perceive as political, economic, and social injustices. In Morocco, while the Arab Spring may not have been as substantial as in neighboring countries, demonstrations are still occurring nearly everyday in major cities like Rabat as individuals protest issues including government transparency, high unemployment, and, for specific interest of this paper, the marginalization of the Amazigh people. The Amazigh, also popularly referred to as Berbers in most Western academia and literature, are regarded as the original inhabitants of Morocco and the …
A Foreigner’S Gaze On The Micro-Culture Of The Car-Rapide—Senegalese Values Vs. Monetary Lust, Merrill Pierce
A Foreigner’S Gaze On The Micro-Culture Of The Car-Rapide—Senegalese Values Vs. Monetary Lust, Merrill Pierce
Independent Study Project (ISP) Collection
The vibrant, chaotic, and interactive Car Rapide, a poignant micro-culture in Dakar, is a visually communicative entity and social space in Senegal’s transportation system. From an outsider’s gaze, this project addresses the history, artistic and religious significance, inner-workings of the system of employees, and present day implications of the car-rapide. The car-rapide emerges as the embodiment of both valuable and challenging aspects of Senegalese culture.