Migration Studies Commons^™

Captivity As Crisis Response: Migration, The Pandemic, And Forms Of Confinement, Eleanor Paynter

Biennial Conference: The Social Practice of Human Rights

During Europe’s recent “refugee crisis,” Italy responded to increased migrant arrivals by sea with progressively restrictive border and asylum policies. While crisis-response restrictions are perhaps unsurprising, those implemented since 2014 have produced a set of situations that appear, at least initially, paradoxical: Following Interior Minister Matteo Salvini’s 2018 “Closed Ports” campaign, independently-operated rescue ships continue to be blocked from disembarking the migrants they have rescued. At the same time, asylum officials have rejected claims for protection at higher rates, while border officials deport a minority of those whose claims are rejected. Thus, under the guise of crisis management, some migrants …

Risking Rescue: The Politics Of Precarity In Mediterranean Crossing, Eleanor Paynter

Biennial Conference: The Social Practice of Human Rights

Over the course of Europe’s recent refugee crisis, the role of Search and Rescue (SAR) has changed dramatically, first forming a critical part of (inter)national responses to the crisis, and now occupying an antagonistic position, as countries have closed their ports to NGO-operated vessels and the European Commission (EC) has ceased naval Search and Rescue operations. As a result, migrants crossing the Central Mediterranean face different and increased risks, including dying at sea, being held by European authorities, or being apprehended closer to Libya and sent to a Libyan detention camp.

In response to these shifts, groups that continue SAR …

The Strategies And Risks Of Performing Citizenship And Rights Through Music, Carolin Mueller

Biennial Conference: The Social Practice of Human Rights

My work explores the capacity of cultural producers to perform “insurgent citizenship,” a term theorized by James Holsten (2008) to describe how the peripheries of social organization can propel alternative modes of civic participation, through music. I utilize Engin Isin’s performative dimension of citizenship (2017) to investigate such forms of insurgent citizenship as they evolve in social and cultural peripheries of the contemporary arts and culture industry in the city of Dresden, Germany to identify the pathways they open to socio-political participation and autonomy for refugees.

While Germany understands itself as a nation of culture, cultural policy unevenly addresses the …