Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Cross-cultural (2)
- Cognitive therapy (1)
- Cross-cultural; Ethnomusicology; Mental representations; Music perception; Musical meter and rhythm – Social aspects; Sensorimotor synchronization; Tempo (Music); Temporal constraints (1)
- Domain specificity (1)
- ERP (1)
-
- Epistemic knowledge (1)
- Epistemology of mathematical modeling (1)
- Ethnomusicology (1)
- Event related potential (1)
- Experiential learning; Music – Study and teaching; Tonality (1)
- Gambling mathematics (1)
- Gambling research (1)
- Indian music (1)
- Listening (1)
- Mathematical cognition (1)
- Mathematical models (1)
- Memory (1)
- Meter processing (1)
- Methods (1)
- Music (1)
- Musical meter and rhythm (1)
- Prejudice (1)
- Probabilistic models (1)
- Psychology (1)
- Recall (1)
- Stereotype consistency bias (1)
- Stereotypes (1)
- Stereotyping (1)
- Publication
- Publication Type
Articles 1 - 6 of 6
Full-Text Articles in Cognitive Psychology
Memory And Stereotypes For Lesbian/Gay Characters, Amber Rose Williams
Memory And Stereotypes For Lesbian/Gay Characters, Amber Rose Williams
UNLV Theses, Dissertations, Professional Papers, and Capstones
Stereotype-consistency bias refers to the idea that people tend to remember stereotypical information about others better than non-stereotypical information (Fyock & Stangor, 1994). Limited research has examined how people may use stereotype-consistency bias when recalling information about LGBT characters in narratives (Bellezza & Bower, 1981; Clark & Woll, 1981; McGann & Goodwin, 2007; Snyder & Uranowitz, 1978). This line of research suggests that, instead of genuinely remembering stereotypical information better, participants tended to guess stereotypical answers to questions they do not know. In contrast to those studies, the experiment I conducted for this thesis suggests that heterosexual young adults tend …
Cross-Cultural Work In Music Cognition: Challenges, Insights, And Recommendations, Nori Jacoby, Elizabeth Hellmuth Margulis, Martin Clayton, Erin Hannon, Henkjan Honing, John Iversen, Tobias Robert Klein, Samuel A. Mehr, Lara Pearson, Isabelle Peretz, Marc Pearlman, Rainer Polak, Andrea Ravignani, Patrick E. Savage, Gavin Steingo, Catherine J. Stevens, Laurel Trainor, Sandra Trehub, Michael Veal, Melanie Wald-Fuhrmann
Cross-Cultural Work In Music Cognition: Challenges, Insights, And Recommendations, Nori Jacoby, Elizabeth Hellmuth Margulis, Martin Clayton, Erin Hannon, Henkjan Honing, John Iversen, Tobias Robert Klein, Samuel A. Mehr, Lara Pearson, Isabelle Peretz, Marc Pearlman, Rainer Polak, Andrea Ravignani, Patrick E. Savage, Gavin Steingo, Catherine J. Stevens, Laurel Trainor, Sandra Trehub, Michael Veal, Melanie Wald-Fuhrmann
Psychology Faculty Research
Many foundational questions in the psychology of music require cross-cultural approaches, yet the vast majority of work in the field to date has been conducted with Western participants and Western music. For cross-cultural research to thrive, it will require collaboration between people from different disciplinary backgrounds, as well as strategies for overcoming differences in assumptions, methods, and terminology. This position paper surveys the current state of the field and offers a number of concrete recommendations focused on issues involving ethics, empirical methods, and definitions of “music” and “culture.”
Mathematical Models Of Games Of Chance: Epistemological Taxonomy And Potential In Problem-Gambling Research, Catalin Barboianu
Mathematical Models Of Games Of Chance: Epistemological Taxonomy And Potential In Problem-Gambling Research, Catalin Barboianu
UNLV Gaming Research & Review Journal
Games of chance are developed in their physical consumer-ready form on the basis of mathematical models, which stand as the premises of their existence and represent their physical processes. There is a prevalence of statistical and probabilistic models in the interest of all parties involved in the study of gambling – researchers, game producers and operators, and players – while functional models are of interest more to math-inclined players than problem-gambling researchers. In this paper I present a structural analysis of the knowledge attached to mathematical models of games of chance and the act of mathematical modeling, arguing that such …
Experience-Specific And Domain-General Effects On Simple And Complex Meter Processing, Sangeeta Gupta
Experience-Specific And Domain-General Effects On Simple And Complex Meter Processing, Sangeeta Gupta
UNLV Theses, Dissertations, Professional Papers, and Capstones
Our ability to process rhythmic patterns is constrained by the complexity of its interval structure. The goal of the present study was to explore the cognitive demands and neural mechanisms for processing simple and complex meters, and the extent to which they are modulated by culture-specific experience. The first experiment explored the argument that perception of rhythm is guided by a domain-general ability to process quantity, and that processing simple and complex meter rhythms requires different cognitive strategies. Rhythm perception was assessed by testing listeners’ ability to detect disruptions in simple and complex meter melodies. Proficiency with numerosity judgments was …
Learning Mechanisms For Acquiring Knowledge Of Tonality In Music, Rikka Quam, Matthew Rosenthal, Erin Hannon
Learning Mechanisms For Acquiring Knowledge Of Tonality In Music, Rikka Quam, Matthew Rosenthal, Erin Hannon
Festival of Communities: UG Symposium (Posters)
Most people think that musical knowledge is exclusive to trained musicians. Actually, casual music listeners have implicit knowledge of important structural aspects of music, such as tonality. Tonality contributes to the feeling of anticipation one would experience when hearing someone sing “do re mi faso la ti” without singing the final “do”. Knowledge of tonality may be learned through the statistics of music (Krumhansl, 1990). However, learning mechanisms have rarely been investigated experimentally (Creel et al., 2002). Artificial grammar learning experiments have shown that listeners can acquire highly structured knowledge such as syllable co-occurrence and language syntax through passive exposure. …
The Effects Of Cultural Experience And Subdivision On Tapping To Slow Tempi, Sangeeta Ullal
The Effects Of Cultural Experience And Subdivision On Tapping To Slow Tempi, Sangeeta Ullal
UNLV Theses, Dissertations, Professional Papers, and Capstones
Our ability to accurately synchronize with rhythmic patterns is constrained by two factors: temporal length and interval structure. By using strategies such as subdivision, we can improve synchronization accuracy at slow tempos, but our ability to utilize subdivisions is constrained by the nature of interval ratios contained in culture-specific subdivision types. Western music falls within a restricted temporal range and its metrical subdivisions contain simple ratios, but Indian music violates these constraints. The present study examines the effects of culture-specific experience on these constraints. American and Indian listeners were asked to perform synchronous tapping to a stimulus with a slow …