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Full-Text Articles in Cognitive Psychology
Music And Movement Share A Dynamic Structure That Supports Universal Expressions Of Emotion, Beau Sievers, Larry Polansky, Michael Casey, Thalia Wheatley
Music And Movement Share A Dynamic Structure That Supports Universal Expressions Of Emotion, Beau Sievers, Larry Polansky, Michael Casey, Thalia Wheatley
Dartmouth Scholarship
Music moves us. Its kinetic power is the foundation of human behaviors as diverse as dance, romance, lullabies, and the military march. Despite its significance, the music-movement relationship is poorly understood. We present an empirical method for testing whether music and movement share a common structure that affords equivalent and universal emotional expressions. Our method uses a computer program that can generate matching examples of music and movement from a single set of features: rate, jitter (regularity of rate), direction, step size, and dissonance/visual spikiness. We applied our method in two experiments, one in the United States and another in …
Brain‐Mind And Structure‐Function Relationships: A Methodological Response To Coltheart, Adina L. Roskies
Brain‐Mind And Structure‐Function Relationships: A Methodological Response To Coltheart, Adina L. Roskies
Dartmouth Scholarship
In some recent papers, Max Coltheart has questioned the ability of neuroimaging techniques to tell us anything interesting about the mind and has thrown down the gauntlet before neuroimagers, challenging them to prove he is mistaken. Here I analyze Coltheart’s challenge, show that as posed its terms are unfair, and reconstruct it so that it is addressable. I argue that, so modified, Coltheart’s challenge is able to be met and indeed has been met. In an effort to delineate the extent of neuroimaging’s ability to address Coltheart’s concerns, I explore how different brain structure‐function relationships would constrain the ability of …
Online Detection Of Tonal Pop-Out In Modulating Contexts, Petr Janata, Jeffrey L. Birk, Barbara Tillmann, Jamshed J. Bharucha
Online Detection Of Tonal Pop-Out In Modulating Contexts, Petr Janata, Jeffrey L. Birk, Barbara Tillmann, Jamshed J. Bharucha
Dartmouth Scholarship
We investigated the spontaneous detection of "wrong notes" in a melody that modulated continuously through all 24 major and minor keys. Three variations of the melody were composed, each of which had distributed within it 96 test tones of the same pitch, for example, A2. Thus, the test tones would blend into some keys and pop out in others. Participants were not asked to detect or judge specific test tones; rather, they were asked to make a response whenever they heard a note that they thought sounded wrong or out of place. This task enabled us to obtain subjective measures …