African Studies Commons^™

Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka

Présence Francophone: Revue internationale de langue et de littérature

This essay approaches contemporary arts in Senegal and their exhibition from the perspective of cultural policy. This is an especially salient approach in Senegal, where policy has played a significant role in exhibition and creative practice since the colonial period. This history is conventionally examined through a distinctly nationalist framework that reveals the government’s clear distinction between "tradition" and "modernity". State exhibition practice and rhetoric have reinforced this dichotomy, serving to position the Senegalese state as purveyor, definer, and arbiter of cultural heritage. However, diverse creative expressions throughout the capital city of Dakar call into question nationalist rhetoric’s rigid distinction …

Les Limites De L’Appartenance : Composition, Intertextualité Et Langue Dans Les Dents Du Topographe Et Méfiez-Vous Des Parachutistes De Fouad Laroui, Carla Calargé

Présence Francophone: Revue internationale de langue et de littérature

In this article, I examine two novels by Fouad Laroui, Les dents du topographe (1996) and Méfiez-vous des parachutistes (1999). I analyze the difficulties encountered by their narrators when they try to find and define non alienating cultural and geographical spaces to which they could belong. For that purpose, I study the composition of the two novels, the play of intertextuality as well as the language of the main characters.

Representation In Kenya, Its Diaspora, And Academia: Colonial Legacies In Constructions Of Knowledge About Kenya's Coast, Jesse Benjamin

Faculty Articles

This paper explores the construction of knowledge in Kenya in the context and aftermath of colonialism and underdevelopment. Those communities that were politically and economically marginalized in Coast Province over the past century were also displaced in terms of academic opportunities, resulting in fewer social science scholars from Mijikenda and other non-Swahili communities in both Kenyan and diaspora universities. Underdevelopment studies in Africa and Kenya are briefly reviewed, and the colonial history of asymmetric social relations at coastal Kenya is traced. Finally, key debates over identity and history are examined within this context and shown to be exacerbated by diasporic …

L'Incipit Dans L'Œuvre D'Ahmadou Kourouma, Sélom Komlan Gbanou

Présence Francophone: Revue internationale de langue et de littérature

The literary work can develop an internal identity as a particular mark. Several African writers incorporate into their novels indications of culture that derive from verbal arts. This method gives to the writing a particular aesthetic in between two cultures, creating in the writing an individuality of certain writers such as Ahmadou Kourouma. For him the question is not only to distort the French language to express his Malinke identity, but also to develop a method of incipit that belongs to verbal art.

[Introduction To] Fifty Caribbean Writers: A Bio-Bibliographical And Critical Sourcebook, Daryl Cumber Dance

Bookshelf

The beginnings of Caribbean literature lie hidden In the folklore of the plantation era and in the prim, condescending travelogues, the exotic novels, and the apparently naive slave narratives - often authored by Whites - that began to appear as early as the eighteenth century. Francis Williams, the classically educated Black poet of 18th century Jamaica, used conventional Augustan poetics to protest racism and assert the common humanity of mankind. The vision draws from Caribbean life. By the 19th century some black poets began to write of their own concerns and experiences, some writing in the local vernacular.

The essays …