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Articles 1201 - 1230 of 1385
Full-Text Articles in African Studies
South Sudan: A Fledgling Nation, Alka Jauhari
South Sudan: A Fledgling Nation, Alka Jauhari
Political Science & Global Affairs Faculty Publications
The citizens of south Sudan are rejoicing in the hope of building a new nation after the referendum next year. They are hoping to finally gain independence from the north and thus create an independent and a prosperous south Sudan. However, prosperity of a nation depends on a number of factors which are conspicuously absent in the case of south Sudan. These include existence of a socially cohesive society and a basic social and economic infrastructure. A socially cohesive society is essential to pave the way for a genuine democracy, while the presence of basic infrastructure provides the institutional base …
Sir John Gardner Wilkinson: The Preservation And Pillage Of Ancient Egypt, Megan Ryan
Sir John Gardner Wilkinson: The Preservation And Pillage Of Ancient Egypt, Megan Ryan
Global Tides
This paper analyzes the debate over the role of John Wilkinson in the development of Egyptology in the late-nineteenth century. Scholars have debated the early importance Wilkinson had during his lifetime. Some argue that Wilkinson’s work was marginalized during his lifetime, and that his research was not fully appreciated until the past twenty years. Here, I demonstrate that Wilkinson’s work formed the foundation for the work of many of his contemporaries. This, coupled with a number of other arguments, indicate that Wilkinson’s work must have been seriously considered among academic circles during his time.
The Impact Of Stakeholder Collaboration On Effectiveness Of Health Program Implementation In Ghana, Samuel Kwami Agbanu
The Impact Of Stakeholder Collaboration On Effectiveness Of Health Program Implementation In Ghana, Samuel Kwami Agbanu
Walden Dissertations and Doctoral Studies
Healthcare providers increasingly recognize the importance of collaboration among stakeholders in cost-effective healthcare delivery. While collaborative relationships offer great advantages, little research has addressed their relevance in an international development aid context, particularly in sub-Saharan Africa. The region is a major recipient of international development support, yet health indicators on HIV/AIDS, malaria, tuberculosis, and child and maternal mortality indicate the health of the region is among the weakest worldwide. This sequential mixed method, descriptive study of a USAID-funded community health program in Ghana examined the nature of collaboration among six stakeholders and impact of this collaboration on effectiveness of program …
Toward A Grounded Theory On The Management Of Orphanages In South Africa And Zimbabwe, Anna Siyavora
Toward A Grounded Theory On The Management Of Orphanages In South Africa And Zimbabwe, Anna Siyavora
Walden Dissertations and Doctoral Studies
The number of orphaned children in many parts of Africa is increasing as their parents die from human immunodeficiency virus (HIV) or acquired immune deficiency syndrome (AIDS). The research problem addressed in this qualitative study was lack of understanding by others about how the managers of orphanages in 2 African countries -- South Africa and Zimbabwe - were responding to the emotional and social needs of these orphans. The purpose of this study was to develop an orphanage management theory or model that could replicate the African kinship environment in the orphanages under study. Nurturing leadership theory provided the conceptual …
Le Roman Africain : Drame Or Histoire, Bernard Mouralis
Le Roman Africain : Drame Or Histoire, Bernard Mouralis
Présence Francophone: Revue internationale de langue et de littérature
For a long time, African novelists claimed filiation with realism. But there is in realism a deep contradiction between the will of describing the social world and the will of changing it. From this contradiction, the paper studies : the relation between theatre and novel ; the question of citizenship in the novel ; the place of the novel in front of knowledge and action. The novel shows dynamics and characters living in the time. So, it tends to wander from the principle of knowledge and self-consciousness.
De La Parole Poétique À La Parole Politique Dans Les Oeuvres Théâtrales D’Aimé Césaire Et De Sony Labou Tansi, Virginie Darriet-Féréol
De La Parole Poétique À La Parole Politique Dans Les Oeuvres Théâtrales D’Aimé Césaire Et De Sony Labou Tansi, Virginie Darriet-Féréol
Présence Francophone: Revue internationale de langue et de littérature
Aimé Césaire and Sony Labou Tansi wished for acting and voicing for their people both on the political and literary level. By choosing the drama, they presented the language. By creating a new language, a new literature, a new artistic aesthetics, consequently a new trend of thinking, their writing served policy.
Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat
Le Théâtre Amateur Marocain. Trajectoire D’Un Théâtre Alternatif, Omar Fertat
Présence Francophone: Revue internationale de langue et de littérature
Modern Moroccan theatre was born with non-professional artists and has remained intimately linked to this milieu. Unlike professional playwrights, non-professional artists have never bowed to the demands of political authorities, whether it be the French administration or the local Makhzen. They used this artistic medium as a forum for debate and resistance against the oppressor. This freedom of expression operated not just at the political level but also at the aesthetic level. Since non-professionals were not constrained by the need to please an audience fond of social comedies and melodramas, they could explore more risky avant-garde paths. In spite of …
L’Écriture De La Perte Chez Assia Djebar, Lila Kermas
L’Écriture De La Perte Chez Assia Djebar, Lila Kermas
Présence Francophone: Revue internationale de langue et de littérature
This study proposes a reflexion on the feeling of “loss” as a source of literary creation. The different tensions generated by an hybrid identity of a character in a quest, especially in La disparition de la langue française (“disappearance of the French language”) by Assia Djebar ; what matters here is to see how the feeling of crisis and the split reveals itself and how it dissolves in and through (the process of) writing.
Mutations Politiques Et Processus De Légitimation Culturelle : Considérations Sur Le Théâtre Populaire Camerounais, Pierre Fandio
Mutations Politiques Et Processus De Légitimation Culturelle : Considérations Sur Le Théâtre Populaire Camerounais, Pierre Fandio
Présence Francophone: Revue internationale de langue et de littérature
All forms of theatre have never been perceived the same way in contemporary Cameroon. Whereas the written theatre relatively received an acceptable treatment from the official instances of recognition, the non-written one has always been excluded. This communication sets out to show how, from this marginalized position and palpably inspired at the same time from the Italian commedia dell’arte, the French vaudeville and the African traditional dramaturgic shape, a new and popular form of theatre came to existence. Thanks to the exceptional capacity of adaptation and innovation of its discourse and thematic, the offer of this “street dramaturgy” rather matches …
La Dramatisation De L’Écriture Chez Sony Labou Tansi, Georges Ngal
La Dramatisation De L’Écriture Chez Sony Labou Tansi, Georges Ngal
Présence Francophone: Revue internationale de langue et de littérature
As an author always articulates his writing with idioms that reflect a specific time period and a given social group, Sony Labou Tansi talks about “tropicalité”, and gives himself the goal to create multiple “tropicalités”.
L’Art De L’« Écrire » Chez Patrick Chamoiseau, Savrina Parevadee Chinien
L’Art De L’« Écrire » Chez Patrick Chamoiseau, Savrina Parevadee Chinien
Présence Francophone: Revue internationale de langue et de littérature
In the works of Patrick Chamoiseau, the act of writing is a main, recurrent theme. The narrator, often, tries to define himself through his writings which have their own autonomy in the novel. This character questions his writing and is torn by the dissatisfaction he feels to get close to the “breath” of the creole storyteller : the chasm between orality and writing creates suffering. He, then, advocates l’“écrire”, closer, according to him, to the utterance of the storyteller and free of the “constraints” of an occidental writing, which he considers as stamped by the ideology of the Universal.
Academic Leadership Experiences Of Foreign-Born African Immigrants In American Institutions Of Higher Education, Taiwo A. Ande
Academic Leadership Experiences Of Foreign-Born African Immigrants In American Institutions Of Higher Education, Taiwo A. Ande
All-Inclusive List of Electronic Theses and Dissertations
The purpose ofthis study was to explore the academic leadership experiences of foreign-born African immigrants who occupied mid- to senior-level positions of leadership in American colleges and universities. The study explored the cha1lenges and opportunities foreign-born African immigrants faced as they aspired and moved through various leadership positions in United States (U.S.) institutions of higher education. Detailed interviews were conducted with six foreign-born African academic leaders who currently or previously occupied academic leadership positions in the United States. Participants were from Ghana, Nigeria, and Kenya, and they occupied academic positions of directors, departmental chair, and associate provost. Seven themes emerged …
Genres Populaires Et « Érographiques » En Afrique Francophone : Le Cas Des Romans De La Collection Adoras, Sathya Rao
Genres Populaires Et « Érographiques » En Afrique Francophone : Le Cas Des Romans De La Collection Adoras, Sathya Rao
Présence Francophone: Revue internationale de langue et de littérature
This article will take the Adoras novels as a case study to address the aesthetics and institutional issues related to the emergence of popular literature in francophone Africa. As the promoter of an “erographic” discourse that strives to accommodate modernity and tradition, francophone romance, which has been largely under-examined if not denigrated, raises a wide range of questions on the status of francophone literature, the socioeconomic constraints on publication in Africa, and the construction of a truly African erotic imaginary.
Quand On Vient Aussi De L’Autre Monde: Appartenance(S), Conflit(S) Et Déchirement(S) Dans L’Enfant Des Deux Mondes De Karima Berger, Carla Calargé
Quand On Vient Aussi De L’Autre Monde: Appartenance(S), Conflit(S) Et Déchirement(S) Dans L’Enfant Des Deux Mondes De Karima Berger, Carla Calargé
Présence Francophone: Revue internationale de langue et de littérature
My essay analyzes Karima Berger’s first novel, L’enfant des deux mondes (1989). The author who has been living in France for more than 25 years tells the story of a Muslim Arab girl (herself ?) educated in the French school system of pre-independent Algeria. In this study, I examine linguistic, cultural and religious issues raised by the novel in an effort to identify the factors that keep the protagonist imprisoned in a permanent state of being in-between-two-worlds without fully belonging to any of them.
Le Feu Sous La Soutane, Roman Populaire? Du Génocide À Sa Transposition Fictionnelle, Josias Semyjanga
Le Feu Sous La Soutane, Roman Populaire? Du Génocide À Sa Transposition Fictionnelle, Josias Semyjanga
Présence Francophone: Revue internationale de langue et de littérature
A reflective, first-person account, Benjamin Sehene’s Le feu sous la soutane is the story of memories of a double crime of rape and genocide by a Catholic priest, Father Stanislas. At the beginning of the killings of the Tutsi, some people take refuge in a parish in Kigali. Its priest takes under his protection a few Tutsi women, hiding them in the presbytery. But, the Holy man will rape them. He also participates alongside with the Hutu militia to the extermination of the Tutsi who came to take refuge in the parish. Later the priest took refuge in France where …
Soleil, Sexe Et Vidéo: La Comédie Populaire Aux Antilles, Françoise Naudillon
Soleil, Sexe Et Vidéo: La Comédie Populaire Aux Antilles, Françoise Naudillon
Présence Francophone: Revue internationale de langue et de littérature
The comedy of manners presented in the form of play or in the form of sketches or playlet by the medium of videos and DVDs is a phenomenon that develops in Guadeloupe, Martinique and Guyana, but also in France. These productions are the link between communities in the Creole area (Guadeloupe, Martinique and Guyana) and the outside (metropolitan France and diaspora). They will be analyzed for their popular and scholarly features between erudite comedy and farce, between traditional and postcréolitaire cultural affirmation, between Creole and French, between Italian theatre and yardplay, between creole comedy and vaudeville, between negropolitan diaspora and …
H. M. Chauke Research Of African Hlengwe People, Happyson William Matsilele Chauke, Tillerman Houser
H. M. Chauke Research Of African Hlengwe People, Happyson William Matsilele Chauke, Tillerman Houser
ATS Digital Resources
This is a collection of historical and cultural research works about the vaHlengwe people of Zimbabwe, created by Happyson Chauke before his untimely death by a hit and run driver in 2009. It was compiled by his friend Tillman Houser, who spent 35 years as a missionary to Zimbabwe under the Free Methodist Church. The bulk of the collection is comprised of the book entitled: "The miracle of Lundi Mission: lest we forget."
From "No Country" To "Our Country!" Living Out Manumission And The Boundaries Of Rights And Citizenship, 1773-1855, Scott Hancock
From "No Country" To "Our Country!" Living Out Manumission And The Boundaries Of Rights And Citizenship, 1773-1855, Scott Hancock
Africana Studies Faculty Publications
During the Revolutionary War and the first decades of the early U.S. Republic, as free people of color sought to define their place in the new nation, they expressed little connection to an American nationality. But antebellum black leaders later articulated a powerful vision of Africans and Americans. As slaves and free blacks had done during the Revolutionary era, they based this African American identity in part upon a biblical view of human rights and a natural rights philosophy, but they also buttressed black identity formation by making a rights discourse the fulcrum of their argument for full inclusion in …
Violated: Women’S Human Rights In Sub-Saharan Africa, Kathryn Birdwell Wester
Violated: Women’S Human Rights In Sub-Saharan Africa, Kathryn Birdwell Wester
Human Rights & Human Welfare
In contemporary sub-Saharan Africa (SSA), women are facing human rights abuses unparalleled elsewhere in the world. Despite the region’s diversity, its female inhabitants largely share experiences of sexual discrimination and abuse, intimate violence, political marginalization, and economic deprivation.
Making History In The Bedroom: Americo-Liberians And Indigenous Liberians Sexual Unions, 1880s- C. 1950s, William E. Allen
Making History In The Bedroom: Americo-Liberians And Indigenous Liberians Sexual Unions, 1880s- C. 1950s, William E. Allen
Faculty Articles
The article discusses sexual unions between black American settlers and majority indigenes in Liberia. According to the author, these unions forged political alliances between indigenous Liberians and Americo-Liberians, furthered the so-called civilizing mission of the colony, and created space for social mobility. Details related to the different groups living in the region, including indigenous Africans, recaptives who had been taken off illegal slaving vessels and resettled in Liberia, and free and formerly enslaved blacks from the U.S., are presented. Other topics include Christianity, polygamy, and illegitimate children.
Legitimizing The Invented Congolese Space: The Gaze From Within In Early Congolese Fiction, Kasongo Mulenda Kapanga
Legitimizing The Invented Congolese Space: The Gaze From Within In Early Congolese Fiction, Kasongo Mulenda Kapanga
Languages, Literatures, and Cultures Faculty Publications
Postcolonial discourses describe colonization as a process of invention to impose the will of a conquering West on "backward" societies. The will to power conjugated with the need for row materials served as the main catalysts. They put side by side a hegemonic intruder bent on duplicating itself, and a powerless and compliant native unable to react to the blitz of transformations. Hence, the master/slave or father/child relationships that describe the colonial framework. The task is to interrogate these generally accepted assumptions and binary oppositions. Although marginalized, the Congolese native was unwilling to become on object for the colonizer's gaze. …
Universal Human Rights Vs. Traditional Rights, Brittany Kühn
Universal Human Rights Vs. Traditional Rights, Brittany Kühn
Human Rights & Human Welfare
The Universal Declaration of Human Rights (UDHR) is one of the most translated documents in the world. Its promotion of freedom, justice and peace provides a set of standards that were adopted by the United Nations General Assembly and with the support of forty-eight countries. Despite this doctrine of international values, indigenous societies often resist attempts to implement such law when it threatens to constrain traditional norms that are deeply embedded into the realm of cultural identity.
Un Autre Monde Est Possible: Création Et Résistance Dans L’Oeuvre D’Ousmane Sembène, David Murphy
Un Autre Monde Est Possible: Création Et Résistance Dans L’Oeuvre D’Ousmane Sembène, David Murphy
Présence Francophone: Revue internationale de langue et de littérature
During an artistic career that spanned half a century, Ousmane Sembène often played a pioneering role. However, although the many awards he received constitute recognition of the artistic quality of his work, his literary and cinematic output is best known for its denunciation of colonial and neo-colonial injustices. This article argues that Sembène’s importance is not solely political, and nor should it be limited to his role as a pioneer of African cinema. Sembène was also a great artist who developed a profound refl ection on his practice both as a writer and as a filmmaker. The article will trace …
Du Néoréalisme En Afrique: Une Relecture De Borom Sarret, Sada Niang
Du Néoréalisme En Afrique: Une Relecture De Borom Sarret, Sada Niang
Présence Francophone: Revue internationale de langue et de littérature
Critical evaluations of African cinema have tended in the past to confi ne the analysis of this corpus to its content. In books and articles published earlier, the colonial and postcolonial history of the continent abound, social dramas are explained at length, thefts at all levels, cultural mystifi cation, corruption as well as violence are amply described. The insights of such an approach notwithstanding, the aesthetic sources of African cinema are not limited to the rural and the traditional. Through a comparison of Vittorio De Sica Bicycle Thief and Sembène’s Borom Sarret, this paper argues that african cinema inserted itself …
La Quête Poétique Dans L’Oeuvre De Fouad Gabriel Naffah, Georges Khoriaty
La Quête Poétique Dans L’Oeuvre De Fouad Gabriel Naffah, Georges Khoriaty
Présence Francophone: Revue internationale de langue et de littérature
In his poetic search, Fouad Gabriel Naffah states his conception of a poetic image revealing the absolute and the universal, his verbal adventure which consists of disintegrating the conventional language with sclerotic forms in order to have access to the authenticity and to ensure the everlasting poem. He also sets out the poetry of the imaginary which, through a dialectic and harmonization of contradictories, extends all over the universe to include and reach the study of the eternal return that satisfies his longing for eternity.
Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty
Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty
Présence Francophone: Revue internationale de langue et de littérature
As a pioneer of African fi lmmaking, Ousmane Sembène has demonstrated a remarkable dedication to exploring the importance of women in African society. From the struggle against colonial oppression by Diouana in La Noire de… (1966) at the beginning of his career, to the character of Kiné and her struggle to build a life for her children in postcolonial Senegal in Faat Kiné (2000), Sembène has portrayed African women as agents of change and courage in their societies. This essay explores women’s representations in two fi lms from Sembène’s oeuvre, including Black Girl (1966) and Faat Kine (2000). Using narrative …
L’Éthique Et L’Esthétique Chez Ousmane Sembéne, Frederic Ivor Case
L’Éthique Et L’Esthétique Chez Ousmane Sembéne, Frederic Ivor Case
Présence Francophone: Revue internationale de langue et de littérature
The ethics and aesthetics of the films and novels of Sembène reflect the axiological principles of his work. Sembène’s impact can be felt throughout as his practice in both cinema and literature helped redefi ne the features of the African novel and film. For him, writing was fed by the experiences, however painful, of workers of diverse origins attempting to survive their difficult conditions. His novels reveal the agony of this world but also various opportunities for self realization among his characters. Such practice, born out of the sweat, resistance and determination of men and women eking out their living, …
Les Stéréotypes, Vecteurs De La Constriction Identitaire Chez Biyaoula, Françoise Cévaër
Les Stéréotypes, Vecteurs De La Constriction Identitaire Chez Biyaoula, Françoise Cévaër
Présence Francophone: Revue internationale de langue et de littérature
From the 1980s, writers in the francophone diaspora have examined the post-colonial African identity and its portrayal, according a special place to stereotyping. Thus, they denounce not only its tyrannical hold, but also the devastating effect of stereotyping on individuals and societies. Paradoxically, they show how stereotyping can offer to the post-colonial subject a means of manipulating identity features, therefore, of avoiding predetermination. In its study of, mainly, Biyaoula’s L’impasse, this article also proposes to show how the stereotypes, going beyond the limits of theory, is reborn within he body, becoming a veritable enclosure for forgery of identity.
De La Fiction Criminelle En Afrique. Relecture Des Films D’Ousmane Sembène, Alexie Tcheuyap
De La Fiction Criminelle En Afrique. Relecture Des Films D’Ousmane Sembène, Alexie Tcheuyap
Présence Francophone: Revue internationale de langue et de littérature
For institutional, ideological and even sociological reasons, the detective genre had difficulty rising to prominence within literatures and especially within the field of African cinema. If one observes today its shy emergence in the works of some West African film directors and within popular Nigerian video films, it is nonetheless possible, thanks to a finer scrutiny of theories developed on the subject, to realize that some films by Ousmane Sembène contain aesthetic strategies that allow for a fresh assessment of the works of a director whose films were often reduced to their ideological aspects. This second reading also unravels the …
Logiques Urbaines Dans Les Arts Plastiques : De La Filiation De Jean-Michel Basquiat Au Sénégal, Massamba Mbaye
Logiques Urbaines Dans Les Arts Plastiques : De La Filiation De Jean-Michel Basquiat Au Sénégal, Massamba Mbaye
Présence Francophone: Revue internationale de langue et de littérature
ertain Senegalese painters, including Soly Cissé, Camara Guèye, Birame Ndiaye and Samba Fall draw their inspiration from the city’s structure. Attentive to the tensions it produces as well as the daily struggles to survive, they transpose urban walls in their paintings to better transgress them, go beyond pre-imposed limits. One can therefore ask what is the influence of a painter like Basquiat on these contemporary painters ? Approaches and needs found in Senegal differ greatly from those found in the United States ; however interesting links can be traced that allow for a better understanding of present Senegalese art.