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Articles 541 - 560 of 560
Full-Text Articles in African Studies
Chaos Temporel Et Chaos Romanesque Dans Allah N'Est Pas Obligé D'Ahmadou Kourouma, Nathalie Roy
Chaos Temporel Et Chaos Romanesque Dans Allah N'Est Pas Obligé D'Ahmadou Kourouma, Nathalie Roy
Présence Francophone: Revue internationale de langue et de littérature
This paper proposes an analysis of time representation in Allah n’est pas obligé with concepts taken from Temps et récit. It aims to show that in relation to Kourouma’s novel, one of Ricoeur’s hypothesis is revealingly insufficient. This hypothesis actually questions representation modes occuring in the text, exposing one of the sources of fictional chaos.
Parties Annexes
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Transcrire L'Horreur Sur L'Espace De La Page, Bernadette Ginestet-Levine
Transcrire L'Horreur Sur L'Espace De La Page, Bernadette Ginestet-Levine
Présence Francophone: Revue internationale de langue et de littérature
Rachid Boudjedra’s Timimoun uses the theatrical convention of a minibus taking tourists to the desert. In this mini-bus, news from the outside world is brought through the radio, which plays the part of a messenger. The narration moves forward by a progression of press releases that report bombings committed by terrorists. The barbarian nature of the acts is transcribed on the page by means of typography. The spatial/visual convention itself is set in concentric lexical fields – liquid, then desertic – erected as fences in an attempt to confine the unbearable.
Trop De Soleil Tue L'Amour : Une Expression De L'Écriture Du Mal-Être De Mongo Beti, Rodolphine Sylvie Wamba
Trop De Soleil Tue L'Amour : Une Expression De L'Écriture Du Mal-Être De Mongo Beti, Rodolphine Sylvie Wamba
Présence Francophone: Revue internationale de langue et de littérature
The classical and dissident African writer Mongo Beti perpetually uses the theme of man’s quest for freedom in everything he does. In fact, the philosophy of “Rubénism” is found in each of his works. Given that man must survive in the “ocean of shit” he lives in, the writer, using a popular language, freely chooses to add some humour to everyday life. Thus, the text we studied appeared as a genuine thriller, complete with comedy and tragedy, which presents a deviation from more formal writing. This is the main idea of this analysis, which consists of showing Trop de soleil …
La Vie Et Demie Ou Les Corps Chaotiques Des Mots Et Des Êtres, Caroline Giguère
La Vie Et Demie Ou Les Corps Chaotiques Des Mots Et Des Êtres, Caroline Giguère
Présence Francophone: Revue internationale de langue et de littérature
Due to its polysemy, corporality has several functions in the works of Sony Labou Tansi. More than descriptive or thematic elements, the novelistic bodies in La vie et demie are at the same time meeting points for multiple meanings, objects and producers of discourse. This study aims to demonstrate how the writing of the body is symbolic of a disorder that characterizes the forms and contents of Sony Labou Tansi’s novels and invites the reader to reflect on language and its power.
Face À La Meute – Narration Et Folie Dans Les Romans De Boubacar Boris Diop, Susanne Gehrmann
Face À La Meute – Narration Et Folie Dans Les Romans De Boubacar Boris Diop, Susanne Gehrmann
Présence Francophone: Revue internationale de langue et de littérature
The article analyses the narrative techniques and the theme of madness in three novels by the Senegalese writer Boubacar Boris Diop, caracterised by narrative polyphony and metatextual reflexion on the production of a story. The speech of protagonists affected by “intellectual madness” plays a strategic role in the structure of the novel which, as a hybrid genre, draws on oral and literary traditions in a still splintered aesthetic. The image of the pack represents an unreasonnable society condemning a so-called mad individual whose madness consists in bringing a counter-memory of the foundation myths.
Folie Et Écriture Dans Calomnies De Linda Lê, Ching Selao
Folie Et Écriture Dans Calomnies De Linda Lê, Ching Selao
Présence Francophone: Revue internationale de langue et de littérature
This article proposes to explore the many faces of madness through a reading of Linda Lê’s Calomnies, in which two narrative voices are presented. The following shall demonstrate how this novel reproduces a “romantic” perception of madness as encountered in Michel Foucault’s work. Although this narrative text introduces a mad narrator speaking in the “I” persona, it nonetheless points out the difficulties of letting madness speak for itself. These difficulties are also examined in this study.
Les Pouvoirs Du Récit : Un Remède Au Chaos Du Monde? En Attentant Le Vote Des Bêtes Sauvages, Madeleine Borgomano
Les Pouvoirs Du Récit : Un Remède Au Chaos Du Monde? En Attentant Le Vote Des Bêtes Sauvages, Madeleine Borgomano
Présence Francophone: Revue internationale de langue et de littérature
Right from his first novel, Les Soleils des Indépendances (1970), Kourouma introduced the theme of the reversed world, a baroque metaphor for the state of Africa after Independence. In Monnè (1990), telling the history of this reversal, he insisted on its linguistic roots. Consequently, En attendant le vote des bêtes sauvages (1998) shows how this reversal in the context of Cold War, favoured the genesis and development of dictatorial powers leading to an actual apocalypse. This victory of Chaos is told as a donsomana, traditional song of expiation among the Malinke hunters. The forms and magic virtues of this song …
Werewere Liking Et La Poétique Du Jeu Pour Libérer L'Imaginaire Postcolonial Africain, Kasereka Kavwahirehi
Werewere Liking Et La Poétique Du Jeu Pour Libérer L'Imaginaire Postcolonial Africain, Kasereka Kavwahirehi
Présence Francophone: Revue internationale de langue et de littérature
This essay addresses the issue of poetics and political stakes in Werewere Liking's novel, Elle sera de jaspe et de corail. While this novel has been presented as illustrative of the Negro-African aesthetics rooted in orality, the present article argues that Liking's poetics of hybridity is a postcolonial strategy whose aim is the liberation of African imagination and creativity. The essay ends by suggesting some similarities between Liking's project and that of the Congolese philosopher, especially in his philosophical essay, L'Afrique va-t-elle mourir? Bouscu/er l'imaginaire africain. Through their works, Ka Mana and Werewere Liking are examining the conditions for a …
Mango Beti Et Les Mythologies Postcoloniales : Héritier Et Inspirateur, Nathalie Etoke
Mango Beti Et Les Mythologies Postcoloniales : Héritier Et Inspirateur, Nathalie Etoke
Présence Francophone: Revue internationale de langue et de littérature
Mango Beti belongs to a nationalist tradition embodied by Ruben Um Nyobe, the Cameroonian revolutionary. This paper analyzes how the writer manages to rebuild the aborted Rubenist ideal through fictional devices. Charismatic leaders such as Martin Luther King and Nelson Mandela, who have been able to bring about social change and improve the living conditions of their people, also nurture Beti's political commitment. What is the link between the writer and these inspiring men? Is Mongo Beti himself a similar inspiration for other African writers?
L'Image Des Réfugiés Et Des Personnes Déplacées Dans La Fiction Africaine Francophone, Augustin H. Asaah
L'Image Des Réfugiés Et Des Personnes Déplacées Dans La Fiction Africaine Francophone, Augustin H. Asaah
Présence Francophone: Revue internationale de langue et de littérature
In their capacity as moralists and committed intellectuals, African Francophone writers such as C.C. Sow, N.N. Ndjekery, M.S. Keita, F. Couao-Zotti, Ahmadou Kourouma, Nimrod and E. Dongala portray various images of refugees and internally displaced persons in their works. This depiction is driven by the perceived need to humanize these displaced members of society by establishing moral/affective bridges between unfortunate members of society and readers. It is also sustained by the desire to reduce the damage caused by wars and natural disasters, as well as the need to reveal the plural identities of humans to the world.
Time To Make History, Time To Educate Women: A Narrative Of The Life And Work Of Christiana Thorpe Of Sierra Leone, Whitney Mcintyre Miller
Time To Make History, Time To Educate Women: A Narrative Of The Life And Work Of Christiana Thorpe Of Sierra Leone, Whitney Mcintyre Miller
Education Faculty Articles and Research
An examination of the life of Christiana Thorpe, a former nun from Sierra Leone who worked to improve education for girls and served as the only woman in a cabinet of nineteen members (as Minister of Education), then worked with the United Nations Development Programme and UNESCO amidst war and rebellion in her country.
La Critique Et Léopold Sédar Senghor / Léopold Sédar Senghor Et La Critique, Fernando Lambert
La Critique Et Léopold Sédar Senghor / Léopold Sédar Senghor Et La Critique, Fernando Lambert
Présence Francophone: Revue internationale de langue et de littérature
L. S. Senghor has maintained a double relation with criticism: his poetical work has provoked plentiful critical production and the poet has always been in dialogue with his critical examiners. Furthermore, he has practised literary criticism himself. Criticism relating to Senghor comes from two quite different sources. From 1945 to 1960, the European criticism is outstanding, while the African criticism confines itself more to peripheral questions in the Senghorian poetical work: French language
and "Negritude". The withdrawal of the poet from the political stage in 1980 is a significant date for critical production in Africa. Let us add that the …
Le Rôle De La Critique Dans La Réception De L’Oeuvre Romanesque De Rachid Boudjedra, Valérie Lotodé
Le Rôle De La Critique Dans La Réception De L’Oeuvre Romanesque De Rachid Boudjedra, Valérie Lotodé
Présence Francophone: Revue internationale de langue et de littérature
The favorable reception given by French criticism to some of Rachid Boudjedra’s novels can’t be explained by their literary quality only. In fact, the media’s opinion has been influenced by the image of the "authentically Algerian writer" that Boudjedra conveyed, as well as by the political context. Since the emergence of Algerian Literature in French journalistic and academic literary criticism, critics are bounded by ideological a priori.
Black Polar, Françoise Naudillon
Black Polar, Françoise Naudillon
Présence Francophone: Revue internationale de langue et de littérature
We would like to present some examples of the French Mystery Novel as it is being written by sub-Saharan and Maghrebin authors, as Yasmina Khadra, an author from Algeria. After outlining a history of the genre itself, we will follow a few of the thematic trails taken up by the authors in question. We would like to call specific attention to the strategies of transformation, appropriation and transmutation being used on an already well defined and respected genre whose roots lie in a completely different cultural background (European and North American).
Educational Decision-Making, Gender, And The Question Of Sustainable Development In Rural Kenya, Nathan Ziegler
Educational Decision-Making, Gender, And The Question Of Sustainable Development In Rural Kenya, Nathan Ziegler
Honors Capstones
Capstone submitted as a graduation requirement for the BSU Honors Program.
L'Incipit Dans L'Œuvre D'Ahmadou Kourouma, Sélom Komlan Gbanou
L'Incipit Dans L'Œuvre D'Ahmadou Kourouma, Sélom Komlan Gbanou
Présence Francophone: Revue internationale de langue et de littérature
The literary work can develop an internal identity as a particular mark. Several African writers incorporate into their novels indications of culture that derive from verbal arts. This method gives to the writing a particular aesthetic in between two cultures, creating in the writing an individuality of certain writers such as Ahmadou Kourouma. For him the question is not only to distort the French language to express his Malinke identity, but also to develop a method of incipit that belongs to verbal art.
Kabou Dechire Le Certificat D'Innocence De L'Afrique? (Review Of Et Si L'Afrique Refusait Le Développement By Axelle Kabou), Kasongo Mulenda Kapanga
Kabou Dechire Le Certificat D'Innocence De L'Afrique? (Review Of Et Si L'Afrique Refusait Le Développement By Axelle Kabou), Kasongo Mulenda Kapanga
Languages, Literatures, and Cultures Faculty Publications
Pourquoi I' Afrique est-elle sous développée? En repondant a cette question, Axelle Kabou fait d'une pierre deux coups. D'abord, elle émet une thèse d'après laquelle I'Afrique refuserait de se développer à cause de sa léthargie. Ensuite, elle fait un réquisitoire severe en désignant du doigt I' Africain lui-meme comme source de son retard. Le refus de développement, explique-t-elle, vient d'une fausse conception manichéiste qui voit en I' Afrique une antithèse de I' Europe. Par consequent, tout emprunt des valeurs européennes indispensables au développement est vu avec méfiance. C'est ainsi qu' «à peine sortie du monde manichéiste pré-colonial, I' Afrique a …
Africa: An Integrated Curriculum Unit, Grades 2-4, Institute For The Development Of Gifted Education, Ricks Center For Gifted Children, University Of Denver
Africa: An Integrated Curriculum Unit, Grades 2-4, Institute For The Development Of Gifted Education, Ricks Center For Gifted Children, University Of Denver
Ricks Curriculum Units Series
An integrated curriculum is an instructional approach that connects the disciplines to an underlying theme or topic. Immersing students in an integrated-thematic unit provides the backdrop for experiences to occur across the disciplines. Shaping coursework around integrated themes is especially appropriate for gifted students, however using an integrated-thematic curriculum is appropriate for all learners as it develops students' abilities to make connections, to solve problems by looking at multiple perspectives, and to integrate information from different fields of experience. An integrated-thematic curriculum permits students to be active participants in their own learning as they design their own explorations and take …
Le Héros Sonyien À La Croisée Des Principes Sartriens Et Nietzschéens, Kasongo Mulenda Kapanga
Le Héros Sonyien À La Croisée Des Principes Sartriens Et Nietzschéens, Kasongo Mulenda Kapanga
Languages, Literatures, and Cultures Faculty Publications
Sony Labou Tansi s'est créé une réputation de maître de la parole mordante par sa dénonciation des pouvoirs abusifs de l'ère postcoloniale. Que ce soit dans le théâtre ou dans le roman, «l'enfant prodige de Brazza» use d'une verve castigatrice et d'un style incendiaire qui lui ont valu dans les lettres francophones africaines une réputation de censeur. Même si on mettait cette agressivité verbale au compte de l'afropessimisme, le malaise que la pléthore d'écrivains africains ont décrié, il se profile dans la floraison langagière de Sony une tension entre deux modes de pensée et deux philosophies complémentaires. II y a, …