African Studies Commons^™

Transcrire L'Horreur Sur L'Espace De La Page, Bernadette Ginestet-Levine

Présence Francophone: Revue internationale de langue et de littérature

Rachid Boudjedra’s Timimoun uses the theatrical convention of a minibus taking tourists to the desert. In this mini-bus, news from the outside world is brought through the radio, which plays the part of a messenger. The narration moves forward by a progression of press releases that report bombings committed by terrorists. The barbarian nature of the acts is transcribed on the page by means of typography. The spatial/visual convention itself is set in concentric lexical fields – liquid, then desertic – erected as fences in an attempt to confine the unbearable.

Trop De Soleil Tue L'Amour : Une Expression De L'Écriture Du Mal-Être De Mongo Beti, Rodolphine Sylvie Wamba

Présence Francophone: Revue internationale de langue et de littérature

The classical and dissident African writer Mongo Beti perpetually uses the theme of man’s quest for freedom in everything he does. In fact, the philosophy of “Rubénism” is found in each of his works. Given that man must survive in the “ocean of shit” he lives in, the writer, using a popular language, freely chooses to add some humour to everyday life. Thus, the text we studied appeared as a genuine thriller, complete with comedy and tragedy, which presents a deviation from more formal writing. This is the main idea of this analysis, which consists of showing Trop de soleil …

La Vie Et Demie Ou Les Corps Chaotiques Des Mots Et Des Êtres, Caroline Giguère

Présence Francophone: Revue internationale de langue et de littérature

Due to its polysemy, corporality has several functions in the works of Sony Labou Tansi. More than descriptive or thematic elements, the novelistic bodies in La vie et demie are at the same time meeting points for multiple meanings, objects and producers of discourse. This study aims to demonstrate how the writing of the body is symbolic of a disorder that characterizes the forms and contents of Sony Labou Tansi’s novels and invites the reader to reflect on language and its power.

Face À La Meute – Narration Et Folie Dans Les Romans De Boubacar Boris Diop, Susanne Gehrmann

Présence Francophone: Revue internationale de langue et de littérature

The article analyses the narrative techniques and the theme of madness in three novels by the Senegalese writer Boubacar Boris Diop, caracterised by narrative polyphony and metatextual reflexion on the production of a story. The speech of protagonists affected by “intellectual madness” plays a strategic role in the structure of the novel which, as a hybrid genre, draws on oral and literary traditions in a still splintered aesthetic. The image of the pack represents an unreasonnable society condemning a so-called mad individual whose madness consists in bringing a counter-memory of the foundation myths.

Folie Et Écriture Dans Calomnies De Linda Lê, Ching Selao

Présence Francophone: Revue internationale de langue et de littérature

This article proposes to explore the many faces of madness through a reading of Linda Lê’s Calomnies, in which two narrative voices are presented. The following shall demonstrate how this novel reproduces a “romantic” perception of madness as encountered in Michel Foucault’s work. Although this narrative text introduces a mad narrator speaking in the “I” persona, it nonetheless points out the difficulties of letting madness speak for itself. These difficulties are also examined in this study.

Les Pouvoirs Du Récit : Un Remède Au Chaos Du Monde? En Attentant Le Vote Des Bêtes Sauvages, Madeleine Borgomano

Présence Francophone: Revue internationale de langue et de littérature

Right from his first novel, Les Soleils des Indépendances (1970), Kourouma introduced the theme of the reversed world, a baroque metaphor for the state of Africa after Independence. In Monnè (1990), telling the history of this reversal, he insisted on its linguistic roots. Consequently, En attendant le vote des bêtes sauvages (1998) shows how this reversal in the context of Cold War, favoured the genesis and development of dictatorial powers leading to an actual apocalypse. This victory of Chaos is told as a donsomana, traditional song of expiation among the Malinke hunters. The forms and magic virtues of this song …

Werewere Liking Et La Poétique Du Jeu Pour Libérer L'Imaginaire Postcolonial Africain, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

This essay addresses the issue of poetics and political stakes in Werewere Liking's novel, Elle sera de jaspe et de corail. While this novel has been presented as illustrative of the Negro-African aesthetics rooted in orality, the present article argues that Liking's poetics of hybridity is a postcolonial strategy whose aim is the liberation of African imagination and creativity. The essay ends by suggesting some similarities between Liking's project and that of the Congolese philosopher, especially in his philosophical essay, L'Afrique va-t-elle mourir? Bouscu/er l'imaginaire africain. Through their works, Ka Mana and Werewere Liking are examining the conditions for a …

Mango Beti Et Les Mythologies Postcoloniales : Héritier Et Inspirateur, Nathalie Etoke

Présence Francophone: Revue internationale de langue et de littérature

Mango Beti belongs to a nationalist tradition embodied by Ruben Um Nyobe, the Cameroonian revolutionary. This paper analyzes how the writer manages to rebuild the aborted Rubenist ideal through fictional devices. Charismatic leaders such as Martin Luther King and Nelson Mandela, who have been able to bring about social change and improve the living conditions of their people, also nurture Beti's political commitment. What is the link between the writer and these inspiring men? Is Mongo Beti himself a similar inspiration for other African writers?

La Critique Et Léopold Sédar Senghor / Léopold Sédar Senghor Et La Critique, Fernando Lambert

Présence Francophone: Revue internationale de langue et de littérature

L. S. Senghor has maintained a double relation with criticism: his poetical work has provoked plentiful critical production and the poet has always been in dialogue with his critical examiners. Furthermore, he has practised literary criticism himself. Criticism relating to Senghor comes from two quite different sources. From 1945 to 1960, the European criticism is outstanding, while the African criticism confines itself more to peripheral questions in the Senghorian poetical work: French language

and "Negritude". The withdrawal of the poet from the political stage in 1980 is a significant date for critical production in Africa. Let us add that the …

Le Rôle De La Critique Dans La Réception De L’Oeuvre Romanesque De Rachid Boudjedra, Valérie Lotodé

Présence Francophone: Revue internationale de langue et de littérature

The favorable reception given by French criticism to some of Rachid Boudjedra’s novels can’t be explained by their literary quality only. In fact, the media’s opinion has been influenced by the image of the "authentically Algerian writer" that Boudjedra conveyed, as well as by the political context. Since the emergence of Algerian Literature in French journalistic and academic literary criticism, critics are bounded by ideological a priori.

The Political Personality Of Zimbabwean President Robert Mugabe, Aubrey Immelman, Adam Beatty

Psychology Faculty Publications

This paper presents the results of an indirect assessment of the personality of Zimbabwe’s President Robert Mugabe, from the conceptual perspective of Theodore Millon.

Psychodiagnostically relevant information regarding President Mugabe was extracted from biographical sources and media reports and synthesized into a personality profile using the second edition of the Millon Inventory of Diagnostic Criteria (MIDC), which yields 34 normal and maladaptive personality classifications congruent with Axis II of DSM–IV.

The personality profile yielded by the MIDC was analyzed on the basis of interpretive guidelines provided in the MIDC and Millon Index of Personality Styles manuals.

Mugabe’s primary personality …

The Impacts Of Migration On Establishment Of Social Capital And Environmental Degradation In Kibwezi, Kenya, Eveily Freeman

Honors Capstones

Capstone submitted as a graduation requirement for the BSU Honors Program.

En Attendant Le Plan Marshall : Consommation Endogène De La Littérature Camerounaise, Pierre Fandio

Présence Francophone: Revue internationale de langue et de littérature

Despite the numerous forms of "aid" it has always received, Africa remains the only continent on the fringe of the tremendous development that the rest of the world has been experiencing in the last two centuries. The sectorial analysis of the literary works in this paper illustrates how the implementation of the various "Marshall Plan" is meant to bring about the development of a whole continent and a country like Cameroon. This could be done by involving actors of the cultural domain in the analysis of data and formulation of solution. Such development could give a boost to profitable endogenous …

Explaining Rwanda’S 1994 Genocide, Paul Magnarellav

Human Rights & Human Welfare

A review of:

Mahmood Mamdani, When Victims Become Killers: Colonialism, Nativism, and the Genocide in Rwanda. Princeton, NJ: Princeton University Press, 2001. 364 pp.

and

John A. Berry and Carol Pott Berry (eds.), Genocide in Rwanda: A Collective Memory. Washington, DC: Howard University Press, 1999. 201 pp.

Publish Not Punish: The Contested Truth Of The South African Truth And Reconciliation Commission, Todd Landman

Human Rights & Human Welfare

A review of:

After the TRC: Reflections on Truth and Reconciliation in South Africa, Wilmot James and Linda van de Vijver, Editors. Athens: Ohio University Press and Cape Town: David Philip Publishers, 2000. 228pp.

and

Looking Back, Reaching Forward: Reflections on the Truth and Reconciliation Commission of South Africa, Charles Villa-Vicencio and Wilhelm Verwoerd, Editors. Cape Town: University of Cape Town Press and London: Zed Books, 2000. 322pp.

Assessing The Concept Of Human Rights In Africa, Paul J. Magnarella

Human Rights & Human Welfare

A review of Human Rights in Africa: The Conflict of Implementation by Richard Amoako Baah. Lanham, MD: University Press of America, 2000. 123pp.

The title of this book is somewhat more expansive than its contents. The author, a native Ghanaian who holds a Ph.D. from the University of Tennessee and teaches government at South Texas College, reports on an interesting study of human rights/human dignity conceptualizations among the Akan people of Ghana. The Akan constitute about 60% of Ghana’s 14 million people and consist of five major groups: Fanti, Ashanti, Akim, Brong, and Akwapim. A sizable Akan population also lives …

South Africa's Long March To Freedom: A Personal View, Aubrey Immelman

Psychology Faculty Publications

In this article I first offer a brief historical account of European white settlement, and ultimately political dominance, in southern Africa. Next, I outline how whites, and in particular Afrikaner-dominated National Party governments after 1948, achieved almost total subjugation of South Africa’s black majority through oppressive legislation and the calculated use of force. In that regard I enumerate some of the draconian laws enacted in the post-1948 apartheid state — laws that served as an impetus for black nationalism, anger, resistance, protest and, after 1960, armed struggle to achieve liberation from white oppression. Against this background, I examine salient factors …

The Eritrean People's Liberation Front: A Case Study In The Rhetoric And Practice Of African Liberation, Tsenay Serequeberhan

William Monroe Trotter Institute Publications

The views of the various African thinkers, which will be systematically explored in this Study, are neither "true" in any absolute sense, nor are they an "ideology" or false consciousness. Rather, they are the self-expression of an open-ended historical process. The works of Fanon, Cesaire, Cabral, etc., with which we shall be engaged in formulating the overall perspective of the struggle for African freedom as a discourse aimed at reclaiming history, are the self-expression of this process itself. These works are the artful and effective self-presentation of those engaged in the struggle, i.e., the rhetoric of African liberation.

The basic …

The William H. Sheppard African Art Collection At Hampton Institute, Richard A. Singletary

Institute for the Humanities Theses

An examination of the William H. Sheppard African Art Collection at Hampton Institute located in Hampton, Virginia, reveals one of the finest examples of African art in existence today. This exhibit hails from the Kasai region located in Zaire (the Congo) of Africa. Since African art 1s expressive power derives from the functional value of the object, attention is focused on the socio-cultural use of the art from the Kuba tribe in the Kasai region. This discussion and investigation of objects in the collection precedes the appendices which includes complete chronological, alphabetical, and typological catalogues.

The Military In Political Leadership In Ghana, Kenneth Koroma

Masters Theses

No abstract provided.

"Nation-Building In Kenya", Maure Leonard Goldschmidt

Special Collections: Oregon Public Speakers

Taped in the Portland Room, Portland State College Center.

A Guide To The Kenya National Archives To The Microfilms Of The Provincial And District Annual Reports, Record Books, And Handing-Over Reports; Miscellaneous Correspondence; And Intelligence Reports, Robert G. Gregory, Robert M. Maxon, Leon P. Spencer

Librarian Publications

The Guide is a compilation of 6 sections accessing approximately 157 microfilm reels of documents within the collection of the Kenya National Archives.

Post-Nkrumah Ghana: The Legal Profile Of A Coup, William Burnett Harvey

Articles by Maurer Faculty

No abstract provided.

The Evolution Of Ghana Law Since Independence, William Burnett Harvey

Articles by Maurer Faculty

No abstract provided.